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5,6/10
7,7 mil
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Adicionar um enredo no seu idiomaDuring World War I, a German U-boat sinks a British ship and takes the survivors on board. After it takes a wrong turn, the submarine takes them to the unknown land of Caprona, where they fi... Ler tudoDuring World War I, a German U-boat sinks a British ship and takes the survivors on board. After it takes a wrong turn, the submarine takes them to the unknown land of Caprona, where they find dinosaurs and neanderthals.During World War I, a German U-boat sinks a British ship and takes the survivors on board. After it takes a wrong turn, the submarine takes them to the unknown land of Caprona, where they find dinosaurs and neanderthals.
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I saw this movie as a kid in the late 70s at the cinema and loved those dinosaurs. I have now watched the restored version (91 min. instead of 78 min.) on DVD and still love those dinosaurs. There are few movies that I still enjoy as much as I did a quarter of a century ago, so this obviously must have something `classic' about it, though it's hard to put the finger on it. Maybe it's just the naïve charm that was lost when computer FX spoiled fun to a certain degree in Jurassic Park and later on. No actor is a candidate for the Academy Award here, the monsters look about as deadly as your daughter's puppets, but nonetheless more sense of wonder in the forgotten land of Caprona than anywhere else.
When I was a young boy of eight years old I saw this at my my local cinema . In those days it cost 15 pence ( A fair amount of money for an eight year old child ) to get in . I actually saw it two or three times which eat up my pocket money bit I certainly thought it was money well spent since in those days I enjoyed war films and monster films . Yesterday morning Channel 4 broadcast it at 6 am which seems a ridiculous time to broadcast anything never mind a fondly remembered fantasy adventure movie but I looked forward to seeing it again if only to see how well it stands up as entertainment today . Would my cherished memories be hurt ? Do I have nice memories about THE LAND THAT TIME FORGOT simply down to nostalgia ?
To be honest I think the answer is a resounding no . Right from the opening title sequence where Douglas Gamley's score sums up the downbeat feature of the story we the audience are treated to a fantasy adventure that is a little bit different . You could point out the first half of the movie is somewhat repetitive as the Germans and Brits get one over on one another but in amongst all this is some serious debate on wartime morality , allied civilian ships carrying weapons of war for example which shows no one has a monopoly on self righteousness when the battle lines are drawn and the theories of Nietzsche are also touched upon . What'd you mean this is a childish film ?
No doubt the people who watched this at the cinema on its release where more interested in prehistoric monsters than 19th century philosophy and it's not till half way through that the U-boat reaches the ancient island of Caprona which is inhabited by rubber dinosaurs and troglodytes . Yeah okay the monsters especially the pterodactyls are not very convincing but I've seen worse . It's also interesting to that this part of the movie replaces Nietzsche with Darwinisnm and I don't know if it's deliberate but this concept fits in perfectly well with the sequel THE PEOPLE THAT TIME FORGOT . How many times have you seen a sequel that almost contradicts the original movie ? This makes THE LAND THAT TIME FORGOT something of a stand out movie alongside the very pessimistic final act
I fail to see how anyone can actively dislike this movie . I agree that the special effects are far from brilliant but look beyond the FX and you'll see a very intelligent piece of fantasy adventure . The very fact that it has a sense of wonder and a truly haunting ending sets it apart from many other movies of its ilk like WARLORDS OF ATLANTIS and AT THE EARTHS CORE and nostalgia or not I certainly enjoyed seeing it again
To be honest I think the answer is a resounding no . Right from the opening title sequence where Douglas Gamley's score sums up the downbeat feature of the story we the audience are treated to a fantasy adventure that is a little bit different . You could point out the first half of the movie is somewhat repetitive as the Germans and Brits get one over on one another but in amongst all this is some serious debate on wartime morality , allied civilian ships carrying weapons of war for example which shows no one has a monopoly on self righteousness when the battle lines are drawn and the theories of Nietzsche are also touched upon . What'd you mean this is a childish film ?
No doubt the people who watched this at the cinema on its release where more interested in prehistoric monsters than 19th century philosophy and it's not till half way through that the U-boat reaches the ancient island of Caprona which is inhabited by rubber dinosaurs and troglodytes . Yeah okay the monsters especially the pterodactyls are not very convincing but I've seen worse . It's also interesting to that this part of the movie replaces Nietzsche with Darwinisnm and I don't know if it's deliberate but this concept fits in perfectly well with the sequel THE PEOPLE THAT TIME FORGOT . How many times have you seen a sequel that almost contradicts the original movie ? This makes THE LAND THAT TIME FORGOT something of a stand out movie alongside the very pessimistic final act
I fail to see how anyone can actively dislike this movie . I agree that the special effects are far from brilliant but look beyond the FX and you'll see a very intelligent piece of fantasy adventure . The very fact that it has a sense of wonder and a truly haunting ending sets it apart from many other movies of its ilk like WARLORDS OF ATLANTIS and AT THE EARTHS CORE and nostalgia or not I certainly enjoyed seeing it again
Fun dinosaur movie with a solid British cast headed by suitably lantern-jawed Doug McClure.
Respected SF author Michael Moorcock adds a dash of intelligence to what might have been just another Sunday matinee pot-boiler, and the downbeat ending (slightly different to the book) is a change from the norm. The decision to turn the U-Boat captain from the stereotypical dastardly Hun in the original book to a philosophical man of science is also a good one.
The submarine is suitably claustrophobic and the jungle suitably clammy, just a shame that some of the dinosaurs couldn't have looked a little more than just as if they'd been borrowed from episode of "Doctor Who". Fans of which should be suitably impressed by future 'Master' Anthony Ainley's nasty performance as the treacherous German first officer Dietz.
"Auf weidersehn, Mr Tyler!"
Respected SF author Michael Moorcock adds a dash of intelligence to what might have been just another Sunday matinee pot-boiler, and the downbeat ending (slightly different to the book) is a change from the norm. The decision to turn the U-Boat captain from the stereotypical dastardly Hun in the original book to a philosophical man of science is also a good one.
The submarine is suitably claustrophobic and the jungle suitably clammy, just a shame that some of the dinosaurs couldn't have looked a little more than just as if they'd been borrowed from episode of "Doctor Who". Fans of which should be suitably impressed by future 'Master' Anthony Ainley's nasty performance as the treacherous German first officer Dietz.
"Auf weidersehn, Mr Tyler!"
I first saw this film when I was a child, it had always stuck out in my mind and I was lucky enough to see it again recently.
Although the effects are not spectacular, they aren't terrible. In fact they are pretty good considering the era.
The characters are well written and likable, the dialogue is not over-complicated with technical terms but remains clever and enjoyable to follow.
A real empathy is established for the characters who find themselves in a seemingly fantastic but dangerous situation.
All in all I find the film enjoyable for anyone to watch and recommend it highly.
Although the effects are not spectacular, they aren't terrible. In fact they are pretty good considering the era.
The characters are well written and likable, the dialogue is not over-complicated with technical terms but remains clever and enjoyable to follow.
A real empathy is established for the characters who find themselves in a seemingly fantastic but dangerous situation.
All in all I find the film enjoyable for anyone to watch and recommend it highly.
I loved this movie as a kid. Can't recall how many times I watched it on the late show in my early teens, but it was more than a few. I hadn't seen it since about 1982 and was pleased TCM ran it recently, so I recorded it and watched it last night.
The scenes came back to me by rote though I definitely needed the refresher after all these years. Seeing it now at 40, it of course has become a little more quaint in the wake of the Jurassic Park series, but it still held my interest as it WAS a very good effort in 1975 with limited resources at bringing to the screen an intelligent Sci/fi adventure with old fashioned heroics reminiscent of King Kong etc.
The script, though certainly not as good as it could have been, stays true to itself, and even though the SFX at times look primitive (they still kick the snot out of the FX in Logan's Run}, the story is poorly paced after the U-Boat reaches Caprona, and the Neanderthals and the obligatory volcanic eruption are more than forced, the film never becomes kitschy or laughable, or outright uninteresting like dozens of other films like this made on the cheap. My only wish is it would have been a bit longer and included more thoughtful dialogue about nature and evolution and survival to give the story and characters more depth. And Ray Harryhausen could have done much more with the dinosaurs in the technical department.
As far as leading men go, Doug McClure is good in this and will always get my sympathy as that likable, two fisted action star who had the misfortune of looking too much like Lee Marvin and sounding too much like Glenn Ford to ever get the kind of roles he deserved in bigger pictures. He was good in these Kevin Connor adventure flicks in the 70's, and is eternally one of my favorite actors as a result.
Lots of details about the U-Boat and what not are probably inaccurate, and the story itself is more than too similar to Verne's Mysterious Island with shades of 20,000 Leagues Under the Sea, but overall, while I wouldn't call it great or even good, it is definitely worth a look and still a nifty little piece of entertainment for the budget it had. Surprising a remake hasn't appeared in this age of CGI. Could be a dandy. Are you listening, Peter Jackson?
The scenes came back to me by rote though I definitely needed the refresher after all these years. Seeing it now at 40, it of course has become a little more quaint in the wake of the Jurassic Park series, but it still held my interest as it WAS a very good effort in 1975 with limited resources at bringing to the screen an intelligent Sci/fi adventure with old fashioned heroics reminiscent of King Kong etc.
The script, though certainly not as good as it could have been, stays true to itself, and even though the SFX at times look primitive (they still kick the snot out of the FX in Logan's Run}, the story is poorly paced after the U-Boat reaches Caprona, and the Neanderthals and the obligatory volcanic eruption are more than forced, the film never becomes kitschy or laughable, or outright uninteresting like dozens of other films like this made on the cheap. My only wish is it would have been a bit longer and included more thoughtful dialogue about nature and evolution and survival to give the story and characters more depth. And Ray Harryhausen could have done much more with the dinosaurs in the technical department.
As far as leading men go, Doug McClure is good in this and will always get my sympathy as that likable, two fisted action star who had the misfortune of looking too much like Lee Marvin and sounding too much like Glenn Ford to ever get the kind of roles he deserved in bigger pictures. He was good in these Kevin Connor adventure flicks in the 70's, and is eternally one of my favorite actors as a result.
Lots of details about the U-Boat and what not are probably inaccurate, and the story itself is more than too similar to Verne's Mysterious Island with shades of 20,000 Leagues Under the Sea, but overall, while I wouldn't call it great or even good, it is definitely worth a look and still a nifty little piece of entertainment for the budget it had. Surprising a remake hasn't appeared in this age of CGI. Could be a dandy. Are you listening, Peter Jackson?
Você sabia?
- CuriosidadesDirector Kevin Connor said "Doug McClure was a great asset. In fight scenes he was especially good due to his hours of American TV action films. He knew exactly where the camera was at all times and threw punches precisely where the effect would work for the screen. He was always co-operative and came up with many ideas."
- Erros de gravaçãoThe same cargo ship model is used for both the British ship and the German supply ship. The same film sequence is used to show the torpedoing and sinking of "both" vessels only the first time we see it as though through the periscope and then later from the perspective of standing on the surfaced submarine's sail.
- ConexõesFeatured in Jogos de Guerra (1983)
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- Orçamento
- US$ 1.500.000 (estimativa)
- Tempo de duração
- 1 h 31 min(91 min)
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- Proporção
- 1.85 : 1
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