Os Titãs Voltam à Luta na Atlântida

"Harrihausen stop-motion animation in all its choppy glory". Where? I didn't see any, it all looked like sock puppets, guys in rubber suits and wood and canvass models to me, standard Amicus/Rice-Boroughs effects. If they had have used stop-motion the effects would have been a lot better, take the Empire Strikes Back made three years later or the Golden Voyage of Sinbad made four years earlier. Please, please don't say the effects were good for the Seventies, because in all fairness King Kong which was made 45 years earlier has better effects and there currently appears to be a trend to excuse anything made before the advent of CGI as "Good effects for their day". As if Spielberg would have used guys in suits a la Godzilla to make Jurassic Park if CGI hadn't have been around in 1992! It's a fun film, however, and very enjoyable, I liked it as a kid and like all the Amicus/Rice-Boroughs films I try to see them when they're on.

I think this is a great movie, well paced, good special effects considering the budget restraints and a novel idea, of an alien race seeking to build a dictatorship state with which to enslave the world. Another charming aspect I liked about the film is that it doesn't take itself to seriously and I love the scene of the monsters attacking the city. Great puppetry! Also as its good to see Peter Gilmore in a different role other than James Onedin side be side with Trampas Doug Mclure. Strange bed fellows indeed. Never realised that it was Kevin Connor - he directed land that time forgot, that directed this movie until much later. Probably explains why I liked Warlords in the first place.

Altantis is found.

This movie begins so well in the first 30 minutes or so (the diving bell under attack, the octopus attacks the ship) but once we get to Atlantis the film becomes less pleasing.

The diving bell footage will bring back memories or Irwin Allen's Voyage to the Botttom of the Sea series and the full-scale octopus all over the ship would have to go down as one of the best filmed moments of 1970s sci-fi cinema.

On top of the first 30 minutes, is a rich and lavish music score that brings the whole thing to life.

But as I said above, the quality is not maintained and you almost get the feeling that another less experienced director took over the flick once they all get to Atlantis. Too bad.

This is the first time I've commented on a movie, and it's fairly appropriate to be writing about this one as this was the first movie my dad ever bought for our shiny new video recorder. Well, I must take after my dad in my movie taste, as I though this was (and still is) a very entertaining and enjoyable film. I don't really care if the acting is wooden (what else would you expect from good ol' Doug??), the premise was sound and the special effects were alright for the time. In all, this was generally quite a good film - don't let the snobs put you off it.

In 1973, British director Kevin Connor made the tidy and undervalued horror film, From Beyond the Grave with Peter Cushing. But it was the film that he made in 1975 that would signal the start of four Z grade creature features that would make him known to the discerning creature feature fan. That film was The Land That Time Forgot, where he was paired with American beefcake actor Doug McClure, and the marker that culminated with Warlords of Atlantis in 1978 was well and truly set.

Here with this, in terms of fun arguably the second best film of the four after At The Earths Core, Connor and screenplay writer Brian Hayles send McClure, Peter Gilmore and a few rough neck sailor types under the ocean, to where the lost cities of Atlantis be. All of which is a plot perfectly designed to create monster mayhem and meetings with an unknown race that speak perfect English! Into the fray comes giant octopus, various reptilian sea monsters, The Mogdaan, Zaargs and an attack by flying piranha critters. Sure the effects are up and down, even shoddy and befitting the Z grade budget, but oh what fun it is.

The cast also contains John Ratzenberger, who would go on to be a household name playing Cliff Clavin in the long running show, Cheers. Another notable name on the cast list is Cyd Charisse who earlier in her career had appeared in Singing In The Rain and Brigadoon. But it's McClure who is always the main attraction in these pictures. Obviously brought in to keep the American audience in mind, it's somewhat inspiring watching Dougie manfully work thru the movie as if it's a masterpiece of the genre. That none of the Connor/McClure collaborations are genre high points is irrelevant, no amount of dopey effects and string assisted creatures can detract from the fact that ridiculous can sometimes be hugely entertaining. And that is exactly what Warlords Of Atlantis is. Now, where did I put my jar of pickles ? 7/10