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IMDbPro

Inserts

  • 1975
  • NC-17
  • 1 h 57 min
AVALIAÇÃO DA IMDb
6,3/10
2,7 mil
SUA AVALIAÇÃO
Richard Dreyfuss and Jessica Harper in Inserts (1975)
A young, once-great Hollywood film director refuses to accept changing times during the early 1930s, and confines himself to his decaying mansion to make silent porn flicks.
Reproduzir trailer2:13
1 vídeo
57 fotos
Comédia de humor negroSátiraComédiaDrama

Adicionar um enredo no seu idiomaA young, once-great Hollywood film director refuses to accept changing times during the early 1930s, and confines himself to his decaying mansion to make silent porn flicks.A young, once-great Hollywood film director refuses to accept changing times during the early 1930s, and confines himself to his decaying mansion to make silent porn flicks.A young, once-great Hollywood film director refuses to accept changing times during the early 1930s, and confines himself to his decaying mansion to make silent porn flicks.

  • Direção
    • John Byrum
  • Roteirista
    • John Byrum
  • Artistas
    • Richard Dreyfuss
    • Jessica Harper
    • Bob Hoskins
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,3/10
    2,7 mil
    SUA AVALIAÇÃO
    • Direção
      • John Byrum
    • Roteirista
      • John Byrum
    • Artistas
      • Richard Dreyfuss
      • Jessica Harper
      • Bob Hoskins
    • 40Avaliações de usuários
    • 37Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Vídeos1

    Trailer
    Trailer 2:13
    Trailer

    Fotos57

    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
    + 52
    Ver pôster

    Elenco principal5

    Editar
    Richard Dreyfuss
    Richard Dreyfuss
    • Boy Wonder
    Jessica Harper
    Jessica Harper
    • Cathy Cake
    Bob Hoskins
    Bob Hoskins
    • Big Mac
    Veronica Cartwright
    Veronica Cartwright
    • Harlene
    Stephen Davies
    Stephen Davies
    • Rex, the Wonder Dog
    • Direção
      • John Byrum
    • Roteirista
      • John Byrum
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários40

    6,32.7K
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    Avaliações em destaque

    7lee_eisenberg

    Mr. Holland meets Phoenix meets Eddie Valiant

    The same year that he starred in "Jaws", Richard Dreyfuss played a very different role in John Byrum's "Inserts". This focus on a director whose trouble adjusting to the arrival of talkies has resulted in him directing porno flicks is quite shocking. I guess that the point is that the dreams that people had of going to Hollywood and becoming stars - whether in front of or behind the camera - were in vain.

    Jessica Harper's role as the moll interested in porno reminded me a bit of her aspiring singer in Brian DePalma's "Phantom of the Paradise". Bob Hoskins as the producer reminded me very much of his detective in "Who Framed Roger Rabbit" (incidentally, both movies focus on old Hollywood and mention the construction of freeways). As for Veronica Cartwright, this movie combined with "The Birds" and "Alien" makes her one versatile actress.

    All in all, this movie won't be for everyone, but I liked it.
    7smatysia

    A decent, and different film

    I knew absolutely nothing about this film before viewing it recently. Richard Dreyfuss, is, of course a very famous actor, although this movie was near the beginning of his career. It is sexy, but the furor over X ratings back in the day was much overblown. (No pun intended) The MPAA made a big mistake using X as a rating, because the porn industry immediately invented XXX. NC-17 is a better idea, but it should maybe be used for things other than sex, such as graphic violence. It is weird you can't show much frontal nudity, even without graphic sex, but you can show dismemberment and disemboweling to teenagers all day long. Anyway, this was a nice, and quite odd character study, mainly in Dreyfuss' and Jessica Harper's roles. And the young Veronica Cartwright was interesting, too. A decent, and different film.
    10victorsargeant

    "Off color, Risky, Edgy, Masterpiece. Bound to be a Classic"

    I am please others have found this little unknown film, to be the treasure it is....I thought I was the only one who likes this film.

    True story I hear. So there I am at the salad bar at the Hollywood Sizzler, and who is next to me, but Richard Dreyfuss, hiding under a baseball cap.

    I had to write him a note, before this rare opportunity slipped away. "Dear Mr. Dreyfuss, your performance in "Inserts" was worth an Oscar. You were brilliant. The whole cast was perfect. I loved the "Cuban Gothic" house. Thank you for taking such a professional risk. Bravo." Signed: An Admirer Paid a waitress $5 to take it over to him. He was with his wife and kids, with his back to the room. I then slipped out after he opened the folded note and read my words. Read what others who love film have written about this underground classic yet to be discovered? The whole cast went on to become big movie stars after making this little masterpiece. Bravo to the writer, cast and crew.
    9rogerlmarcus-1

    Remarkable Movie within a Movie film

    Released after American Graffitti and before Jaws, a chance to catch Richard Dreyfuss in something that can be considered a legitimate art film, albeit with a bit of a bigger budget. Also amusing is Bob Hoskins in his role as Big Mac, making the same references to the upcoming onslaught of LA Freeways that served as a major plot device in his more well-known Eddie Valient role in "Who Framed Roger Rabbit".

    Rather graphic for its time in the portrayal of full frontal female nudity, with a glimpse of full frontal male nudity (although we are spared the sight of Richard Dreyfuss and/or Bob Hoskins in the buff), the entire film takes place in one setting, with plenty of camera tracking movements instead of rapid cutting.

    Jessica Harper as Cathy Cake is a wonderful character, and I am a bit surprised that her career was not more extensive. I wonder if this role hurt her marketability at all. Both Harper and Veronica Cartwright have plenty of scenes with casual nudity, and Dreyfuss is rarely seen without a whiskey bottle in hand.

    Its now available on DVD. Check it out if you can.

    As unique a "movie within a movie" film as you will ever see.
    KGB-Greece-Patras

    That was quite unique ! I like it!

    I think many reviewers have lost the point here. This is no excuse for porn, you guys. If you want porn, go get porn. And if you are put off by a film that entirely takes place in an apartment, stay away. But I think that this film is not one you get to see every day. Its special 'plot' and context could only create a unique film. So, its rare... where do we find it? I saw it on MGM, late at night...

    This is a pretty sophisticated film on making porn. Dreyfuss is excellent as the alcoholic director. All in all, you are likely to love it if you like smart, dialog based films, and of course if you're not offended by some nudity and decadence. But what did you expect? This guys is making porn films in his apartment!

    Provocative , a bit offensive , surprisingly shockin, yes, but unique and original as well. Note: this is no expoitation flick, even though some might view enjoy it as such...

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      Veronica Cartwright said in interviews and convention appearances that she considers her role of Harlene among her best acting work. She has quoted: "It was such a liberating experience to do that movie and it kicked off a lot of stuff for me. I was a waitress at that time and one day this guy says 'Excuse me, can I ask you a question? Aren't you in that movie Inserts?' and I go, 'yeah' and he says 'what the fuck are you doing here?!' I was earning a living! But I went home that night and thought, what was I doing there? So I quit my job the next day."
    • Erros de gravação
      Sitting at piano, Boy Wonder plays song Moonglow, written in 1934. The movie takes place at least three or four years earlier (characters repeatedly talk about a then-unknown actor named Clark Gable, already a big star by time song was written).

      NOTE: "Moonglow" is not explicitly referenced as such, and is virtually identical to 1929's "Sweeter Than Sweet", so this may not be a goof.
    • Citações

      Boy Wonder: The day Wally Reid died, I was having lunch with Griffith, Gish and Hayes. Somebody came in and told us what happened, and Gish started crying, right away. She said, "Poor Wally. Poor Wally. What am I going to do now?" Had to leave the table, she was crying so hard. Old Will Hays, of course, got up to go after her. She used to bring that out in people. And as he left, he turned to us and he shot this out like spit, and he said, "Good riddance. Good riddance to bad rubbish." After they were gone, Griffith turned to me, and he was smiling. I'd never seen that son of a gun look so happy in my life. You know what he said? He said, "God bless him. God bless that poor son of a bitch for not dying in the middle of my picture." And then he ate Lillian's dessert.

    • Cenas durante ou pós-créditos
      The end credits are shown in black-and-white, against a backdrop of a silk cloth. It is also grainier and scratched in spots compared to the rest of the film. It is very reminiscent of the credits of vintage 30's melodramas.
    • Versões alternativas
      Although the print submitted was the longer version, the original UK cinema release was cut by the BBFC to edit the pre-credits sequence and some footage from the sex scene between Harlene and Rex. The 1987 Warner video was uncut.
    • Conexões
      Featured in Playboy: The Story of X (1998)
    • Trilhas sonoras
      Moonglow
      Written by Will Hudson, Edgar De Lange and Irving Mills

      Played by Joe Venuti and his orchestra

      recording courtesy of RCA records

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    Perguntas frequentes14

    • How long is Inserts?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 19 de fevereiro de 1975 (Alemanha Ocidental)
    • País de origem
      • Reino Unido
    • Idioma
      • Inglês
    • Também conhecido como
      • Nahaufnahmen
    • Locações de filme
      • Lee International Studios, Kensal Road, Kensal Town, Londres, Inglaterra, Reino Unido(Interior of Boy Wonder's home)
    • Empresa de produção
      • Film and General Productions
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 350.000 (estimativa)
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 1 h 57 min(117 min)
    • Cor
      • Color
      • Black and White
    • Mixagem de som
      • Mono
    • Proporção
      • 1.85 : 1

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