Soldados da Morte

"Who'll Stop the Rain" is an edge of your seat thriller set during the Viet Nam war. It features one of the early successes of Nick Nolte.

The story opens in Viet Nam where a burnt out reporter (Michael Moriarity) tries to make some easy money by smuggling two kilos of heroin (rather than his usual marijuana) to the U.S. He enlists as his currier Nolte who is somewhat reluctant at first but agrees. Nolte shows up at Moriarity's home to collect his fee from Moriarity's wife (Tuesday Weld) and then the fun begins. Two bogus federal agents (Richard Mazur, Ray Sharkey) begin to lay claim to the smack. They are joined later in the chase by their boss, a corrupt federal agent (Anthony Zerbe).

The performances are top notch all around. Nolte is suitably macho in one of his first big roles. Weld is overwhelmed by the events but soon gives in to Nolte's plans. Moriarity is also good as the naive husband who thinks he can make a quick buck to compensate him for the horrors he has experienced in Viet Nam. Mazur and Sharkey are outstanding as the brutal sadistic heavies and Zerbe is as slimey as ever as the chief baddie.

The Nolte character is somewhat of a mystery (at least to me). Who is he? What is he doing in Viet Nam? Is he a soldier of fortune, a mercenary? or what? He has a run down shack in Los Angeles where he has buried an assault rifle. In Arizona he has an elaborate mountain top hideaway complete with an amphitheater and loudspeakers that play Hank Jones music. None of this is explained to my satisfaction.

What the movie does have is a good story great acting and an entertaining soundtrack featuring Creedence Clearwater Revival.

A Vietnam veteran, Ray Hicks (Nick Nolte), gets conned into helping an old Marine friend, John Converse (Michael Moriarty), smuggle drugs into the country but ends up having to go on the run with his friend's wife, Marge Converse (Tuesday Weld), when the deal goes sour. Involving old buddy Nolte and Tuesday Weld in their doomed dope deal, only to wind up on the lam. Things go wrong, it precipitates an exciting chase by a motley group (Anthony Zerbe, Richard Masur, Charles Haid, Ray Sharkey) through the corrupt moral wasteland of counter-culture/CIA- culture America. Try to rip him off and he'll rip you apart!. A week ago they were strangers. An hour ago they were lovers. Now they are targets !.

Thrilling and compelling story of late-60s disillusionment. Dealing with a traumatised Vietnam war correspondent can draw no more cheap morals from the bloody absurdity around him . ¨In a world where elephants are pursued by flying men, everyone's gonna want to to get high¨, Nolte reasons , as he blindly steps into the heroin business and joins the Dog Soldiers. On the way, power-play is mirrored in the casual sadism of the pursuers and the conventional 'MacGuffin' theme of the 2kg bag takes on a metaphorical charge. This film results to be a notable blend of drama, action, suspense and tragedy. Based on Robert Stone's novel 'Dog Soldiers', here Nolte gives a nice acting as a temperamental Vietnam vet who's enlisted in a smuggling scheme to transport a large amount of heroin into California. Along with the three main actors: Nolte, Weld, Moriarty, providing enjoyable interpretation, there's a splendid plethora of secondaries, such as: Anthony Zerbe, Richard Masur, Ray Sharkey, Gail Strickland, Charles Haid, Joaquín Martínez, and David Opatoshu. Outstanding period musical score by composer Laurence Rosenthal and catching songs from Creedence Clearwater Revival, including title song. As well as colorful and evocative cinematography by cameraman Richard H. Kline, shot on location in Durango, Mexico and San Diego, Oakland, Arch Street, Berkeley, Newhall, California, USA.

The motion picture was well directed by Karel Reisz. He nimbly avoids the usual issues, finds the pace of his material early and sustains brilliantly, emerging with a contemporary good film of hard-edge adventure and three superb character studies. Deemed to be one of the most influential 'British New Wave' directors, Reisz was a prestigious editor, writer and filmmaker. In the 1950s he was one of the founders of the Free Cinema movement. His subsequent feature films have often tended to focus on working-class angst and class structure in general, with social outcasts at their center. He wrote his famous book, "The Technique of Film Editing", before becoming involved in professional filmmaking, it was reviewed - not entirely favorably - by an actual film editor, Seth Holt. When Reisz made his first feature film, Saturday Night and Sunday Morning (original title) (1960), he hired Holt as his editor. During his later years he worked increasingly in theater direction. Directed three actresses to Oscar nominations: Vanessa Redgrave (Best Actress, Morgan, A Suitable Case for Treatment (1966); Isadora (1968)), Meryl Streep (Best Actress, The French Lieutenant's Woman (1981)), and Jessica Lange (Best Actress, Sweet Dreams (1985). Who'll Stop the Rain(1978) rating: 6.5/10. The film will appeal to Nick Nolte fans.

Nick Nolte is dead-solid perfect here as Vietnam-vet Marine Ray Hicks, the ultimate 70's zen anti-hero. It's shocking to see him so young and muscular after the sheer variety of roles and physical embodiments he has taken on since. Here he's tough, flawed, and jaded, a once-idealistic cynic who has gotten himself into a bad situation but whose instinct for survival takes over. One of his first lines in the film is, "Self defense is an art I cultivate.", and he doesn't let down. It's a Steve McQueen-cool kind of role, and Nolte's wonderfully cinematic throughout; whether it's smoking a cigarette, drinking a beer, cleaning a weapon, kicking bad-guy butt with some quick martial arts moves, or putting a supportive arm around Tuesday Weld.

The story comes from Robert Stone's National Book Award winning "Dog Soldiers" which is a better if less marketable title. The title refers to those mercenary soldiers who would hire on and die for someone else's cause as surely as if it was their own. Much of the dialogue comes verbatim from Stone's book, and it's rare that the translation is so perfectly realized as it is by director Karel Reisz and his actors. The characters seem to be saying these words for the first time in the situation they're in, and what's more, much of the dialogue is endlessly quotable. Nolte in particular builds a tough-guy philosophy throughout snarling lines like, "I'm tired of taking s**t from inferior people."

He's perfectly paired on the road from Oakland to New Mexico with Weld, in one of her best performances as Michael Moriarty's pill-popping wife. Also well-cast are Anthony Zerbe, Richard Masur, and Ray Sharkey, who add plenty of menace and dark humor as a trio of shady feds after the heroin Nolte has ill-advisedly brought back from Vietnam for one-time pal Moriarty. Also standing out is Charles Haid as a small-time Hollywood hustler Nolte tries to have move the heroin. Look fast for Wings Hauser in the opening scenes as a Marine jeep driver. The film's tone may be too violent and downbeat for some tastes, but it captures the feeling of cynicism and disillusion stateside during the Vietnam War in an appropriately harrowing manner.

The climactic shootout is ingeniously staged at night on a mountain commune with strobes flashing and Hank Snow/CCR music blaring. The final shots of the film are striking and memorable, particularly the stark image of a battered and worn but still not beaten Nolte marching along an endless set of railroad tracks in the New Mexico desert. It's only a shame Nolte didn't attempt a few more roles in this action vein while he was still young.

The film is available on DVD, though there are no extras. It would have been nice to have interviews, commentary, and deleted scenes (particularly the pivotal Nolte/Weld love scene, which was reportedly filmed but wound up being only implied in the final cut).

I saw this again on the TV a few days ago, and it reminded me of just how good it was. It's nothing special to look at, but the script is great and it's well acted. Nick Nolte is one of my favourite actors, and Richard Masur and Ray Sharkey make a wonderful pair of goons.

A remarkable performance from Nick Nolte. It makes you wonder why he hasn't achieved greater status than he has. His performance as Ray Hicks in this movie is just overpowering. An intelligent, highly-capable, although somewhat anti-social man who has been sneered at and kicked on one too many times. He is a true "Dog Soldier", and has not ever had anything easy in his life. His is a life of hard knocks and hard roads, and he doesn't shy away from either.

He exhibits his rock-solid beliefs in old-school virtues, such as, loyalty, true friendship and caring, and defending the people you care about with your life. A truly remarkable film, and a truly remarkable performance by Nolte. Nolte simply dominates every scene he's in.