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IMDbPro

A História de Adèle H.

Título original: L'histoire d'Adèle H.
  • 1975
  • PG
  • 1 h 36 min
AVALIAÇÃO DA IMDb
7,2/10
9,6 mil
SUA AVALIAÇÃO
A História de Adèle H. (1975)
The story of Adèle Hugo's unrequited love for a lieutenant.
Reproduzir trailer2:52
1 vídeo
81 fotos
BiografiaDramaDrama de épocaHistória

O amor não correspondido de Adèle Hugo por um tenente.O amor não correspondido de Adèle Hugo por um tenente.O amor não correspondido de Adèle Hugo por um tenente.

  • Direção
    • François Truffaut
  • Roteiristas
    • François Truffaut
    • Jean Gruault
    • Suzanne Schiffman
  • Artistas
    • Isabelle Adjani
    • Bruce Robinson
    • Sylvia Marriott
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,2/10
    9,6 mil
    SUA AVALIAÇÃO
    • Direção
      • François Truffaut
    • Roteiristas
      • François Truffaut
      • Jean Gruault
      • Suzanne Schiffman
    • Artistas
      • Isabelle Adjani
      • Bruce Robinson
      • Sylvia Marriott
    • 46Avaliações de usuários
    • 43Avaliações da crítica
  • Veja as informações de produção no IMDbPro
    • Indicado a 1 Oscar
      • 11 vitórias e 5 indicações no total

    Vídeos1

    Trailer
    Trailer 2:52
    Trailer

    Fotos81

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    + 75
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    Elenco principal24

    Editar
    Isabelle Adjani
    Isabelle Adjani
    • Adèle Hugo
    Bruce Robinson
    Bruce Robinson
    • Lt Albert Pinson
    Sylvia Marriott
    Sylvia Marriott
    • Mrs. Saunders
    Joseph Blatchley
    Joseph Blatchley
    • Mr. Whistler
    Ivry Gitlis
    • Hypnotist
    Louise Bourdet
    • Victor Hugo's servant
    Cecil De Sausmarez
    • Mr. Lenoir
    Ruben Dorey
    • Mr. Saunders
    Clive Gillingham
    • Keaton
    Roger Martin
    • Doctor Murdock
    M. White
    • Colonel White
    • (as Mr White)
    Madame Louise
    • Madame Baa
    Jean-Pierre Leursse
    • Black penpusher
    Geoffroy Crook
    • George, servant at Johnstone's
    • (não creditado)
    Chantal Durpoix
    • Young whore
    • (não creditado)
    Raymond Falla
    • Judge Johnstone
    • (não creditado)
    David Foote
    • David, a young boy
    • (não creditado)
    Jacques Frejabue
    • Cabinetmaker
    • (não creditado)
    • Direção
      • François Truffaut
    • Roteiristas
      • François Truffaut
      • Jean Gruault
      • Suzanne Schiffman
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários46

    7,29.5K
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    Avaliações em destaque

    Nirannah

    Very Good Film About A Talented Writer Who Falls "In Love" W/ a Leiutenant

    Summary: A talented writer, Adele Hugo, becomes obsessed with her former lover , the indebted and womanizing Liutenant Pinson. Her love for him consumes her entire life and she eventually goes crazy because he doesn't love her back.

    Acting: Except for Adjani's performance, the acting is not very good, but that doesn't matter too much because the only person with a large role is Adjani. The guy who plays Pinson is pretty one dimensional. Anyway though, Adjani gives an Oscar-worthy performance, and balances her character's vigorously muscular and blunt aggression with her character's silky-fine desperation and entrapment. Another actress might have played Adele as being recklessly obsessed, but Adjani doesn't do that. Adjani actually shows us the thoughts and rationality of her character; we first see Adele as an intelligent, innocent young woman who somehow, some way, becomes slimmed down to a stub of passion in Pinson's presence. Cinematography: bland and bleak, which works in a way because that's how Adele views the world in comparison to her own out-of-proportion sadness, but also doesn't work because that's all it does: show us how the world looks like to Adele. I would have preferred if the cinematography actually captured the different emotions Adele was going through in each scene, it would have made the cinematography less one-note. This flaw in the cinematography unfortunately carries over to the overall tone of the film. Script: Good. It definitely conveys how Adele is always trying, with a passion so great it verges on the comical, to form the confusion of her life into a solid piece of truth. Part of this passion seems to be part of her neuroses; part of it seems to be the artist in her at work.

    The one flaw in the script was the voice over at the end: it didn't really give you a good idea of the rest of Adele's life, and I bet the writer put it in there because he thought, " Whoa, this script is pretty long. I'd better gloss over the later years of Adele's life." Costume design: Adele's red dress seems appropriately color-coded with the cinematography of the film, which, as I stated above, isn't such a good thing. Nothing else besides that red dress stuck out at me, and the rest of the costume design was pretty mediocre. Camera-work: Very good. I particularly like the slow zoom-in on the picture of Pinson, it was very powerful. Another good camera-work choice was when Pinson realized that Adele had told her father that she and Pinson were getting married. The director filmed this scene with the door blocking half the screen, which made the viewer feel, like Adele, very cut off from Pinson. I really liked the camera-work here, actually. Music: Powerful and fitting. I particularly liked the music when Pinson was walking towards Adele at the end. Overall: Very good film mainly carried by Adjani's excellent performance.
    7Benyomin

    It Makes You Wonder

    This is a period movie that takes place in the 1860s in Halifax, Nova Scotia. It concerns an unrequited love between Adele H., the daughter of Victor Hugo, and a member of the English military stationed there. It is directed by Francois Truffaut. At the film's beginning, there is some narration about the involvement of the French and British in the American Civil War, but the Civil War plays no part in the movie.

    I enjoyed the feel of this film. French actress Isabelle Adjani superbly plays a woman whose love is rejected and who inches down a slippery slope to madness. The costumes and scenery ring true, and the movie conveys the feel of the Canadian Atlantic province. It was also interesting to learn this sidelight about Victor Hugo.

    Most of all, I enjoyed this film because it raises the question of whether its main character is crazy to begin with or whether, being possessed of such a strong love, it was a natural progression to madness when it was rejected. It raises, but of course does not answer, what causes such a potent love to arise and what is the consequence of its extinguishment.
    7lasttimeisaw

    A rich girl's blues

    The real story of Adèle Hugo, Victor Hugo's youngest daughter, played by a yet-to-be 20-year-old Isabelle Adjani, whose one-sided infatuation to a British officer, Lieutenant Albert Pinson (Robinson), drives her to leave her family and come to Halifax alone, where he is stationed, only to be subjected to more stern rejection from Pinson, eventually she loses her sanity in Barbados and is sent back to her father, she lives until 1915 at the age of 85.

    Truffaut strong-willedly mines into the absurdity and irrationality of unrequited love evinced from Adèle's own diaries, and beats about the bush about Adèle's mental faculties at then, as at first viewers may get a vague idea that she is a congenital liar and her obsession could be completely derived from her imagination. But soon Pinson's visit clears the suspicion, he actually did be romantically linked with her, but presently he doesn't want anything to do with her, but he never gives an explanation, another sly bullet-dodging of revealing the speculative truth, since, understandably, you can not find that in one's own diaries. So, Adèle's torment, is simultaneously inflicted by Pinson's heartless rebuff and by her own deep-rooted delusion, it always takes two to tango, that's where lies the frustrating perverseness of the little destructive thing called love.

    The film is Adjani's star-making vehicle, she harrowingly lays bare Adèle's severely troubled soul on top of her ethereal beauty, and marvelously characterizes her vulnerability and paranoia, which are much beyond her age and experiences, and she laudably earns an Oscar nomination for her prowess. Credits should also be given to Bruce Robinson's portrayal of the obnoxiously uppity, narcissistic and self-serving Albert Pinson, who can mercilessly spurn Adjani's Adèle, a nonpareil belle who only wants to be loved by him, it is a rather surreal and idealistic role, and Robinson indeed makes a dent of his own effort notwithstanding that the movie has never focused on him, it is purely a showcase for the young Adjani.

    Adèle's tragedy is a rich kid's blues, living under the shadow of her world-known father and sibling rivalry, she pestered by the incubus of her late sister Léopoldine's drowning accident, and quintessentially, her relentless pursuit of love and marriage is a desperate attempt to imitate Léopoldine's short but fulfilled life, in Adèle's recount, the husband of Léopoldine voluntarily dies with her, that is something she needs to possess, to prove her own worth, after all, it is not about Pinson at all, which is emphatically captured by the final encounter between them.

    Like the illusionist (Gitlis) in the picture, our world is populated with deceptions and play-actings, and THE STORY OF ADELE H (it must be where Noah Baumbach's FRANCES HA 2012 gets its titular inspiration), further vouches for Truffaut's will power to debunk the ugly truth in his works, only this time, let it get brutally emotional under a often sombre palette from the one-and-only Néstor Almendros and incited by a compelling tour-de-force from Ms. Adjani.
    Vincentiu

    Monstrosity of illusion

    Brilliant for the precise description of a very subtle frame of mind. Adele's ways are not obsession's expressions, not love or ambition. It is only necessity to live, to be, to build a sense without the protective father's shadow.

    And Adjani is charming in a great character who engrosses audience's energy. It is a desire's story but not only desire. It is a cruel adventure, mixed madness and ambition, Emma Bovary world's slices, fear and expectation and an absurd fight.

    It is a grotesque Don Quixote's story with oily nuances. Story of propriety like existence's purpose. The dream like escape and the rules like useless convention. In fact,a strange illustration of "Beyond Good and Evil".

    A beautiful film about desire's monstrosity,helplessness, misunderstanding,misfortune, illusion's honey and feeling's corpse.
    Bram-5

    positive

    I loved this film, not only because I live in the city in which the story happened. Films based on personal diaries are always fascinating ('Heavenly Creatures') and this one is also haunting, due partly to the sepia tones. Adele lives in a bubble of despair, rarely venturing out from her tiny room. Her story is a sad one, painful and full of longing and Truffaut captures Adele's sense of isolation, of being out of this world, perfectly. You won't cry, the film is not manipulative, but you will empathize, you will feel her pain.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      Initially planned as a grand-scale spectacular drama with Jeanne Moreau to play the lead, then Catherine Deneuve (then having an affair with François Truffaut) was considered for the role. The film took 7 years to be made, and finally Truffaut decided on Isabelle Adjani whom he noticed on a TV broadcast of the Comédie Française.
    • Erros de gravação
      The hypnotist has a plant in the audience pretending to be a member of the Royal Canadian Mounted Police, which was not set up until a decade after the story's setting of 1863
    • Citações

      Adèle Hugo: I'm your wife. Forever. We'll stay together until we die.

    • Conexões
      Featured in 48th Annual Academy Awards (1976)

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    Perguntas frequentes20

    • How long is The Story of Adele H?Fornecido pela Alexa
    • What does the Gitlis say to his Chinese assistant (in Hebrew)?

    Detalhes

    Editar
    • Data de lançamento
      • 8 de outubro de 1975 (França)
    • País de origem
      • França
    • Idiomas
      • Francês
      • Inglês
    • Também conhecido como
      • The Story of Adele H
    • Locações de filme
      • Channel Islands
    • Empresas de produção
      • Les Artistes Associés
      • Les Films du Carrosse
      • Les Productions Artistes Associés
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Faturamento bruto nos EUA e Canadá
      • US$ 509
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 11.206
      • 25 de abr. de 1999
    • Faturamento bruto mundial
      • US$ 509
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 1 h 36 min(96 min)
    • Cor
      • Color
    • Mixagem de som
      • Mono
    • Proporção
      • 1.66 : 1

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