A Cruz do Diabo

This is largely a word and exposition driven film. It's slickly made and well acted, it's as slick or slicker than Gilling's Hammer films which suffer when compared to the perfectly crafted films of Terence Fisher done at the same time. He has his own style of writing and directing that does separate his work from the rest of Hammer in a unique way. So I was always wanting to see this final film.

There are few appearances of the Templars in this film and they are few and far between. The journey of the hero is to get to the spot his sister died where there is a Cross of the Devil. But it takes almost the entire length of the film to get there and people just talk and talk endlessly and when you are watching subtitles it's hard to even "watch" the nice scenery they travel through. The talk mostly is exposition about the interesting history of the Templars. But those stories all sound like they'd make better more action filled films than this one. It's not the pace of the film that's slow it's the overly talking script and lack of much real "incident" in the film. There is some nice camera movement and the few wordless moments are effective. Few scares though there is a memorable sequence with a solitary eye emerging from the shadows. Frankly that's about as exciting as the middle part of this film gets. Again as you watch just expect very few Templars and that will help some. Nice music score but there isn't much sinister or scary action of score. One assumes Naschy's original script had less talk and more action. This isn't Gilling's worst film but it's not his best. Too bad he didn't get to make more films, but you have to hope if he had they'd be more exciting than this one.

"La Cruz del Diablo" aka "The Devil's Cross" is based on stories by the 19th century writer Gustavo Adolfo Becquer,who was considered Spanish Poe.The film was scripted by Paul Naschy and directed by Hammer veteran John Gilling.The writer Alfred Dawson has opium visions,in which he sees undead Templars on horses pursuing a woman through a forest.One day he receives a letter from his sister,which instructs him to go to visit her in Spain as she seems to be in trouble since she lost the child she was expecting.Arthur goes to Madrid and finds that his sister was murdered.Then he is stalked by a creepy figure in black hood,who kills his people close to him.The figure is the Devil himself and skeletal zombie Templars wielding swords do appear near the climax.Very atmospheric and extremely obscure Spanish mood piece with competent direction by Gilling,rotting skeletons,drug hallucinations and old crumbling castles.The score is haunting as is the main performance of Ramiro Oliveros.7 out of 10.

To begin with, I only became aware of this one last year: I was immediately intrigued, however, due to director Gilling's involvement (which, apparently, irked Spanish film unions and eventually proved to be his swan-song) but also for being an unofficial entry in the popular Knights Templar/Blind Dead series. The script (adapted from stories by Gustavo Adolfo Becquer, a Spanish author of horror tales in the vein of Edgar Allan Poe) was originally supplied by yet another cult figure, Jacinto Molina aka Paul Naschy, who would end up fired by the director (despite the two reportedly having been friends!) both in this capacity and as the film's leading man!!

Anyway, the end result may be slow-starting but it subsequently emerges a gripping effort, not to mention a stylish and (undeniably) atmospheric one; incidentally, as was the case with the recently-viewed THE WOMAN WITH RED BOOTS (1974), there was an unexplained discoloration in the image during fog-bound night-time sequences! Another asset with respect to the film under review is that it is well-cast: this extends to Ramiro Oliveros – who replaced Naschy (the latter would, in any case, have been wrong for the part) – whose novelist hero is forever doubting events due to his copious intake of hashish! Even so, the dominant presence is definitely that of bald-headed, bearded and memorably sinister Adolfo Marsillach (father of Cristina from Dario Argento's OPERA [1987]!): his eventual revelation as the villain of the piece was hardly a surprise, but his true identity still provided a sting in the tail!

Typically effective, too, is Emma Cohen (who actually leaves a more lasting impression than nominal, and top-billed, leading-lady Carmen Sevilla): she had been equally notable in an earlier Naschy vehicle, HORROR RISES FROM THE TOMB (1972), as well as the nasty Spaghetti Western CUT-THROATS NINE (1972) and, best of all, Jess Franco's restrained psychological thriller THE OTHER SIDE OF THE MIRROR (1973; in which Oliveros also appears). Here, she is actually an apparition, doomed to be constantly pursued by the Templars (right from the opening moments of the film, in fact!)…until 'freed' by the hero at the climax, as he fights off her assailants with a sword she had directed him towards found in the very ruins of a monastery where they rise every All Saints' Day! Also on hand are a somewhat glum Eduardo Fajardo, Fernando Sancho (in unusually servile mode) and Monica Randall in a small but pivotal role (she would also be given prominence in the Naschy-directed INQUISITION [1976]).

Though its pedigree obviously points in the direction of the Hammer, Blind Dead and the typical Naschy films, with a bit of the Giallo (by way of a masked killer on the loose!) thrown in for good measure, perhaps the biggest compliment one can level at THE DEVIL'S CROSS is that it particularly brought to mind Mario Bava's KILL, BABY…KILL! (1966) – not just in the overall look but also the complexity of its narrative (notably the ironic and downbeat coda). In the end, whatever Naschy's contribution was to the finished film, this can surely be counted among the best Spanish horrors out there and, consequently, ought to be more readily available...

Cross of the Devil (1975) is a Spanish film 🇪🇸 currently streaming on Tubi. The story follows a British writer who travels to Spain to visit his sister, only to discover she has been murdered by a local cult. Determined to uncover the truth and seek justice, he dives into the mysterious events surrounding her death.

Directed by John Gilling (The Pirates of Blood River), the film stars Ramiro Oliveros (The Swamp of the Ravens), Carmen Sevilla (King of Kings), Adolfo Marsillach (The Black Tulip), and Emma Cohen (Novela).

This is an enjoyable film that delivers some unexpected twists. The period attire, detailed sets, and effective props draw you into the era, while the use of smoke machines enhances the atmosphere. The flashback sequences are engaging, and the cult scenes are suitably eerie. The background sound effects also contribute to the film's mood. Most of the action occurs at the beginning and end, but the story remains entertaining as it unfolds. The conclusion, with its unexpected sword duel, has a Three Musketeers vibe that adds a unique touch.

In conclusion, Cross of the Devil isn't flawless but stands out as a fun and distinctive film from its era. I'd rate it 6/10 and recommend it to fans of vintage cinema.

This story is based on some writings by famous poet Gustavo Adolfo Becquer, as ¨Mount of Animas¨, ¨Miserere¨ and ¨Devil's cross¨. This is a Spanish film but the director is John Gilling , a master of Hammer production. Gilling was on holidays in Spain and Paul Naschy or Jacinto Molina asked him to make this movie . Being shot on various Spanish locations in Talamanca del Jarama , Casa de Campo, Madrid , and Escalona, Toledo, Castilla-La Mancha . The film is starred by all the best Spanish cinema actors: Carmen Sevilla , Adolfo Marsillach , and Eduardo Fajardo , Fernando Sancho , both of whom made many spaghetti Westerns .

The plot is a mess of ghosts and skull crusaders, a rip-off of the zombies of Amando De Ossorio who, by that time realized many creepy films about the blind Templar Zombies, today deemed semi-classics. However, the movie is dreary and dull . Gilling's direction is boring , it's too far from Hammer film but for a Spanish film is OK. Many years later would come Alejandro Amenabar and his successful horror pictures.

The motion picture was middlingly directed by John Gilling . He was a good craftsman , a notorious writer/producer/director who worked for the prestigious Hammer Films , developing a long career making movies of all kinds of genres , such as : The Gilded Cage, The Guilty Person, The Embezzler, Double Exposure, Escape by Night, Recoil , Deadly Nightshade , The Voice of Merrill, The Frightened Man , The Quiet Woman ; but he stands out in Horror genre , such as : The Plague of the Zombies, Panic , The Mummy's Shroud , The Gamma People, Mother Riley Meets the Vampire , Devil's Cross, The Reptil and The Flesh and the Fiends.