AVALIAÇÃO DA IMDb
5,9/10
2,3 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaFrederick sees a photograph of a ruined seaside castle, which triggers a strange childhood memory. He then goes on a strange quest to find the castle and the beautiful woman who lives there.Frederick sees a photograph of a ruined seaside castle, which triggers a strange childhood memory. He then goes on a strange quest to find the castle and the beautiful woman who lives there.Frederick sees a photograph of a ruined seaside castle, which triggers a strange childhood memory. He then goes on a strange quest to find the castle and the beautiful woman who lives there.
- Direção
- Roteiristas
- Artistas
Annie Belle
- Jennifer
- (as Annie Brilland)
Jean Rollin
- Le gardien du cimetière
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
The renowned French filmmaker Jean Rollin visits themes of childhood, nostalgia, undying love, and the vampire mythos in this typically enigmatic, striking work. Jean-Loup Philippe, who also wrote the script with the director, stars as Frederic, a maternally dominated young man. One day he chances to see a photo of some old ruins that stir in him a long buried childhood memory, when he got lost, came to those ruins, and was protected through the night by a mysterious but alluring stranger (Annie Belle). He becomes determined to solve the mysteries of his life, like for example why people such as his mother (Natalie Perrey) don't want him to know the truth. He's aided in his quest by four sexy female vampires.
Rollin films are most assuredly not for every horror fan. He keeps horror elements fairly limited, with not very much gore or scare set pieces. He does, however, include enough nudity, both female and male, to keep faithful viewers and the curious enticed. He also creates an intoxicating atmosphere here, and a genuinely compelling enigma over which our hero can obsess. One of his most affecting touches here is to develop a sense of desolation. There are never any big crowd scenes, nor are there many in the daytime. A lot of the time, there are precious few characters on screen. Almost from start to finish, Rollin gives "Lips of Blood" a true surreal nature, and the dialogue is often appealingly literate.
Our leading man isn't the most charismatic one will ever see, but he's not unlikable. His various female co-stars fare extremely well, though, especially the radiant young Belle, whom one might recognize from the far more trashy "House on the Edge of the Park".
"Lips of Blood" is wonderfully shot, and definitely romantic in its own way. It's both artful and exploitative in equal measure, making it well worth seeing.
Eight out of 10.
Rollin films are most assuredly not for every horror fan. He keeps horror elements fairly limited, with not very much gore or scare set pieces. He does, however, include enough nudity, both female and male, to keep faithful viewers and the curious enticed. He also creates an intoxicating atmosphere here, and a genuinely compelling enigma over which our hero can obsess. One of his most affecting touches here is to develop a sense of desolation. There are never any big crowd scenes, nor are there many in the daytime. A lot of the time, there are precious few characters on screen. Almost from start to finish, Rollin gives "Lips of Blood" a true surreal nature, and the dialogue is often appealingly literate.
Our leading man isn't the most charismatic one will ever see, but he's not unlikable. His various female co-stars fare extremely well, though, especially the radiant young Belle, whom one might recognize from the far more trashy "House on the Edge of the Park".
"Lips of Blood" is wonderfully shot, and definitely romantic in its own way. It's both artful and exploitative in equal measure, making it well worth seeing.
Eight out of 10.
The movies of Jean Rollin are an acquired taste. He specializes in haunting, sensual, visually impressive movies that frequently concern memory, or memory loss, and obsessively feature beautiful naked women, usually vampires. Maybe Rollin's therapist can fully explain why his movies deal with this subject matter over and over, but hey, I don't care, it sure works for me! If you haven't seen any of his work, 'Lips Of Blood' is as good a place to start as any, but frankly I've never seen a bad movie by him yet. They're all good. I'm hooked!
Jean-Lou Philippe stars (and co-scripts) as a thirty something man who becomes obsessed with a photograph which reminds him of of his almost-forgotten childhood, which is sketchy at best. He attempts to track down the location in the picture, and this brings back memories of a beautiful and mysterious girl (the lovely Annie Belle/Briand, who also worked with Deodato and D'Amato) he once met. He finds himself uncovering a family secret and his life goes in a direction he could never have anticipated.
'Lips Of Blood' is yet another wonderfully evocative, dream-like film from Jean Rollin. A truly unique film maker who creates fascinating worlds that are both seductive and dangerous. Rollin is one of the best kept secrets in horror, and a master of erotic fantasy.
Jean-Lou Philippe stars (and co-scripts) as a thirty something man who becomes obsessed with a photograph which reminds him of of his almost-forgotten childhood, which is sketchy at best. He attempts to track down the location in the picture, and this brings back memories of a beautiful and mysterious girl (the lovely Annie Belle/Briand, who also worked with Deodato and D'Amato) he once met. He finds himself uncovering a family secret and his life goes in a direction he could never have anticipated.
'Lips Of Blood' is yet another wonderfully evocative, dream-like film from Jean Rollin. A truly unique film maker who creates fascinating worlds that are both seductive and dangerous. Rollin is one of the best kept secrets in horror, and a master of erotic fantasy.
A man (Jean-Loup Phillipe) has visions of himself as a small boy being cared for by a young girl living in a castle. At a party he sees a photograph of the castle ruins and is committed to finding them.
I had never seen a Jean Rollin film, but took interest in him given his significant following. Clearly on a tiny budget, the bulk of this vampire story is devoted to the cast walking all over the place, staring and posing wherever they're on screen. Rollin, who seems fond of vampire stories and has made many, is clearly also fond of the human body and indeed he finds a reason for just about every cast member to get their kit off for one reason or another. The plot such that it is, is thin and the dialogue and acting somewhat stilted. It does however have a dreamlike quality that does wash over you and I was never bored.
I had never seen a Jean Rollin film, but took interest in him given his significant following. Clearly on a tiny budget, the bulk of this vampire story is devoted to the cast walking all over the place, staring and posing wherever they're on screen. Rollin, who seems fond of vampire stories and has made many, is clearly also fond of the human body and indeed he finds a reason for just about every cast member to get their kit off for one reason or another. The plot such that it is, is thin and the dialogue and acting somewhat stilted. It does however have a dreamlike quality that does wash over you and I was never bored.
The films of Jean Rollin will be an enigma to many who have not experiencing his work, yet for those who allow themselves to be taken elsewhere by his cinema it can prove a highly rewarding experience. The viewer is often taken to places that invoke bewilderment, unease, and sexual desire. By no means Rollin's best film, Levres De Sang (aka. Lips of Blood) is a beautifully lyrical, slow burner that has the uncanny ability to take the viewer into an ethereal, dream like world, where the erotic and the neurotic are intertwined.
The story of a photographer, upon seeing a poster, is reminded of his childhood where a mysterious female vampire. However, this being Rollin, do not expect a traditional vampire movie (although his vampire films are arguably the most faithful to the Gothic aura and mythology of the vampire). Mostly dialogue free, with the acting catatonic, this only adds a surreal edge to the proceedings. And no vampire films have a greater sense of eroticism; it is easily to succumb to female vampires whenever they are on screen.
For the uninitiated, approach with caution. But this is a fine example of the originality and unique approach which is to be found in 1970s European sex and horror cinema.
Of which, Jean Rollin was undoubtedly the master.
The story of a photographer, upon seeing a poster, is reminded of his childhood where a mysterious female vampire. However, this being Rollin, do not expect a traditional vampire movie (although his vampire films are arguably the most faithful to the Gothic aura and mythology of the vampire). Mostly dialogue free, with the acting catatonic, this only adds a surreal edge to the proceedings. And no vampire films have a greater sense of eroticism; it is easily to succumb to female vampires whenever they are on screen.
For the uninitiated, approach with caution. But this is a fine example of the originality and unique approach which is to be found in 1970s European sex and horror cinema.
Of which, Jean Rollin was undoubtedly the master.
LIPS OF BLOOD is the second Jean Rollin film I've seen and I have to say that I enjoyed it more than LIVING DEAD GIRL. The acting, script and sets are very unspectacular, sometimes goofy and somewhat unconvincing, but the arch of the story is a bit more interesting than the one in LIVING DEAD GIRL, which I thought was too slow for its own good.
Some scenes were contrived and the script is filled with holes, but I thought the overall film was okay. Nothing earth shattering but it's an enjoyable change of pace and attitude from other (mostly US) horror films out there. LIPS OF BLOOD hasn't turned me off from wanting to see more Jean Rollin films.
Some scenes were contrived and the script is filled with holes, but I thought the overall film was okay. Nothing earth shattering but it's an enjoyable change of pace and attitude from other (mostly US) horror films out there. LIPS OF BLOOD hasn't turned me off from wanting to see more Jean Rollin films.
Você sabia?
- CuriosidadesJean Rollin: Cemetery caretaker killed by the female vampires.
- Erros de gravaçãoTwo men carry a corpse down a narrow staircase, followed by a woman with a lantern. As they emerge at the bottom of the stair, they have switched places: the woman is in the lead, followed by the two men and the corpse, despite there being only enough room for one person at a time.
- Versões alternativasX-rated version with explicit sex scenes: Suce-moi vampire (France, by 'Michel Gand') or Suck Me Vampire (USA, by 'Mike Gentle').
- ConexõesFeatured in Eurotika!: Vampires and Virgins (1999)
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- How long is Lips of Blood?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Lips of Blood
- Locações de filme
- Cimetière de Montmartre, 20 avenue Rachel, Paris 18, Paris, França(Jennifer at cemetery gate)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
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