Chhoti Si Baat

Firstly, this movie for me was a great 70s nostalgia trip: The Fort district of Bombay, Dadar Hindu Colony, Scooters, Flora Restaurant (The Best and probably the only Chinese Restaurant in Bombay those days- But I've never used chopsticks there!), the old BEST Double-Deckers, the bell-bottoms, Amol Palekars' glasses, Jehangir Art Gallery, and Samovar. They missed out Rhythm House, Flora Fountain, and Chetana, but well, it didn't matter. Whatever was served, was enough. Secondly, the nostalgia was not in stark B & W of Guru Dutt's 50s, but in glorious Color, which brought out even the shiny, worn flagstones on the footpath in a unique, fresh, perspective, a unique shade of gray that only color could do. All this to say that my youth was re-lived, real-life. Thirdly, the protagonists: Young, Fresh-Faced, Natural, Lovely, Naive, in love- yet shy enough to express it, and how they get together, it was all so simple, and the contrast is yet so apparent when compared to todays' Bollywood Kitsch. Fourthly, to realize that Nostalgia dies with the death of a Generation; How Col. Singh has his own deep memories of an age that would have been ancient for the protagonists themselves! I never realised then, but right now, I'm old(er) and the young 'uns cannot 'get it' when I'm nostalgic. Fifthly, This movie is about Bombay, and the spirit of Bombay, and kudos to Basu-da and Salil-da for their glorious effort.

Undoubtedly one of the funniest Hindi films of all time, giving a nostalgic look at young and urbane 70s Bombay. Palekar is brilliant as the quintessential idiot in love with Vidya Sinha, but unable to express his love for her. Asrani is an excellent rival, sliming his way into the girl's heart. But there's a trump card - up in the hills is a learned oldie Ashok Kumar who has a devious plan of action in mind - to give Palekar the one-up on Asrani. Few have seen this film, and I'm yet to come across anyone who disputes that this rates as one of the best comedies to ever come out on the Indian silver screen.

What we have here is a slice of the life narrative which is dominated by an exciting battle of wits between two suitors over a girl. Amol Palekar plays Arun, a diffident simpleton who likes a girl from a neighboring office but isn't able to profess his adoration for his object of affection and attention. They meet in the most mundane circumstances- on the bus while on the way to their respective offices. On some days, he follows her and on some days, she notices. Is she interested in him? Is she playing the mind games? How can one be certain? The problem of the girl's inexplicable behavior (in Arun's mind) is further increased by the entry of a third factor- a glib talking, over smart and overbearing character of Asrani who happens to be a colleague of Prabha and is therefore, ostensibly at an advantage. And yes, he is a keen enthusiast in two sports- Chess and Table Tennis, whereas Arun sucks at both those disciplines. Oh, and Asrani also has a lime green Lambretta which Arun is envious of.

In the first act itself, there ensues a battle of wits between Arun and Asrani. While Arun's motives in winning over Prabha are pretty unambiguous, Asrani's motivations are not that apparent to the audience. We are left guessing whether he is really trying to woo Prabha or is he just a compulsive flirt with a big mouth and terrible etiquettes? But those very vices seem to be helping him in the beginning. He emerges as a roadblock in Arun's journey of love and in a memorable dream sequence, several of which are used very innovatively throughout the film, Arun imagines himself murdering him and then facing the jury proudly after his belligerent deed. However, that's just one of Arun's many daydreams. In reality, he is unable to express his feelings of love for Prabha. Whener she's around, he gets tongue tied. A Beatles Song most accurately describes his psychology at that point of time

"I want to tell you. My head is filled with things to say. When you're here, all those words they seem to slip away"

That Harrison Song from 1967's legendary 'Revolver' album, perfectly captures Arun's inner torment and turmoil in the first half of the film. Disillusioned and disappointed with his repeated failures in the war of love, he turns to astrology and divine intervention but no avail God helps those who help themselves. Therefore, he decides to seek help and finds that in the form of Col. JNW Singh of Khandala, a confident, worldly wise, old man who is said to have the best advise for everyone who come to seek it and the advise is available on various topics- love, career, tax planning, etc. He takes a special interest in Arun's case, the reason for which is revealed later.

Under Col. Singh's tutelage, Arun learns the art of courtship. Through a complex training process comprising body language courses, table etiquettes, chess and table tennis apart from of course the mandatory knowledge about the birds and the bees and the wondrous art of deciphering the intentions of womankind by the wave of her hand, the curled smile on her lips, the placement of her feet, the position of her face and purse, the movements of her fingers, the contact of her eyes, her laughter, her touch, the color of her mascara, the size of her earrings, the strength of her handshake, the tone of her voice, etc. etc.

After all this, Arun returns back to Mumbai a changed man. He is accompanied by his mentor, Col. Singh, who wants to check on his progress. The new Arun has a leap in his stride, a mild confidence about his countenance and knowledge of his new craft. Slowly, he starts turning the tables on Asrani and uses his own tricks against Asrani himself much to the secret glee of Prabha, who by this time, seems to have developed an affection of her own in Arun. They enjoy spending time together. Then, one day he calls her to his place. What are his intentions? Does he really love her or can it be that….? No, Prabha decides to go and find out for herself the truth about Arun's character. What happens in the end? Does Arun trick Prabha or do we get a happy ending? And where does Asrani fit into the scheme of things? The situations are so believable and the characters are so relatable that this film is an instant favorite of mine. The technique used is brilliant. The use of voice overs, flash backs and flash forwards are innovatively used. And the songs…they are mind blowing…most rendered soulfully by Yesudas- 'Jaaneman- Jaaneman', ' Yeh Din' and the beautiful and haunting, 'Na Jaane Kyun'. Amol Palekar excels in a role tailor made for him. Asrani gives an effortless performance. Vidya Sinha is adequate. Ashok Kumar is brilliant in his depiction of one of the most memorable characters- Julius Nagendranath Wilfred Singh.

A thoroughly entertaining film and one that can be watched again and again, CSB is my favourite Basu Chatterjee film, followed closely by Rajanigandha- which is worthy of being hailed a classic too and is on certain levels, even more masterful than Choti Si Baat as Rajanigandha looks at the matters of love through the eyes of a woman and touches a point even deeper in our psychology.

This movie is all about a shy boy & a girl who taunts him but is actually in Love with him. Amol Palekar the hero keeps following her (Vidya Sinha), she knows he follows her all the way to her office, she enjoys his attention, at times she tries to draw his attention more by asking for time & all but the too timid hero does not react immediately but keeps rehearsing in front of his mirror at home. Amol Palekar meets an Army colonel retd. (Ashok Kumar) who has started a personality development school in Khandala a hill station near Bombay. He teaches Amol Palekar to increase his self esteem & be confident in his approach. Choti Si Baat is a very neat Love story & also a very good motivating movie. A Must watch for all movie goes in the world.

The flip side is - too many visualisations (The hero keeps visualising sequences like Vidya hugging him & all) this could easily have been done away with.

The added bonus to a wonderful movie is the songs, especially the one by Hema & Dharmendra.

The year was 1975 and Bollywood was enjoying with a lot of masterpices like Deewar,Chupke Chupke,Mili,Sholay,Juli,Aandhi. In the midst of all them a film was released which might not get that much attention but which is equally deserving called "Choti si baat".

I remember watching that movie for the first time on TV when I was in my 10th standard but i din't able to see the complete movie So, recently (after 10 years) i downloaded and watched it again and came with the Conclusion -> "Choti si baat" is perhaps the best Comedy movie of that(70's) decade and What makes it Class apart is it's simplycity. It masterfully tells one of the most important stories of the 70's which is about middle class.

I normally do not write about movies and I do not think movie like this should be critiqued.it should just be appreciated. Choti si baat is the most impressive movie by the director "Basu Chatterjee" his other movies like "Rajnigandha" "Manzil" and "Ek ruka hua Faisla" that also shows his directional sensitivity. But this is a movie which speaks more than it scripts. It tells us more than its characters narrates the story.

Choti si baat is set to give the audience an intimate look at the very soul of Arun's Character.Ashok kumar is fantastic as Col. Julius Nagendranath, You cannot think of any other actor in this role.Asrani is also very impressive and according to me this is his finest performance. Vidya Sinha was better in Rajnigandha but it does not mean she is not Good in this, She Performed the character of Prabha very well.But it's actually Amol palekar who set aside everyone in the acting department,he played the role of Arun exceptionally.

"Choti si baat" tells us how a man decided not to live like a Coward. The music of the movie is its another strongest part. I don't remember how many times I have watched this movie since then but each time is an experience in itself.Choti si baat belongs to the genre of movies which gives you more than what you expect in the 120 minutes.