Adicionar um enredo no seu idiomaSunset Boulevard is a lucrative place to work for the Black Baron, a pimp with a distinctive red and yellow Rolls Royce and plenty of girls on his books. He don't take no mess from his girls... Ler tudoSunset Boulevard is a lucrative place to work for the Black Baron, a pimp with a distinctive red and yellow Rolls Royce and plenty of girls on his books. He don't take no mess from his girls, his madam or his competitors and viciously defends his patch. First, he clobbers the Mob... Ler tudoSunset Boulevard is a lucrative place to work for the Black Baron, a pimp with a distinctive red and yellow Rolls Royce and plenty of girls on his books. He don't take no mess from his girls, his madam or his competitors and viciously defends his patch. First, he clobbers the Mob who attempt to move in on his patch. Second, he tracks down one of his girls who runs off... Ler tudo
- Direção
- Roteirista
- Artistas
- Dempsey
- (as Edward Roem)
- Gordon
- (as C.D. La Fleuer)
- Clarisse
- (as Tracy King)
- Midge
- (as Talie Cochrane)
- Big Floyd
- (as Pat Wright)
- Denise
- (as Barbara Burbon)
Avaliações em destaque
In general though, the pacing was bad. Some dialogues were too lengthy - not badly written, it just killed the rhythm of the movie. Some of the going-ons didn't always seem like they made a whole lot of sense when they happened, etc. The camera work was also DULL (in capital letters), maybe due to budget restrictions, maybe due to the directing, maybe both. In either case - the visual part could have used some work.
In general it's a good movie if you aim to cook or clean while watching it, but if you'd have to sit down and watch it from start to finish, you'd get bored despite its qualities. Would be worth a remake with clearer action, better pacing, more imaginative camera work, etc.
Cult director Matt Cimber ("The Witch Who Came from the Sea") based the main character on a man he knew, who'd left school at a very early age but who was still quite savvy. This was a man who could have gone far in life had he stuck with his education. Cimber enlisted his friend, Mikel Angel (a writer and actor also known for such things as "Psychic Killer" and "Angels Die Hard") to write the script. Angel also plays the role of ruthless white mobster Vincent Di Nunzio, and served Cimber and the viewers with an amusing and fun scenario that's just full of all the sex and violence we could want.
And what glorious sex and violence it is. The sadism includes a pair of breasts being cut off (!) and a goon getting his hand mangled in a garburator. There's a respectable amount of lovely ladies here to show off the goods.
It's too bad Daniels isn't more popular. He had enough charisma and presence on screen to have been more of a star. He's ably supported by a couple of familiar faces for fans of 70s trash cinema: Ms. Joi, Richard Kennedy and George 'Buck' Flower as a pair of racist detectives who regularly hound The Baron (Kennedy really goes to town on the scenery), Tallie Cochrane as Midge, and Patrick Wright as volatile thug Big Floyd. John F. Goff appears unbilled.
The fashions and visuals are nice; the title comes from the fact that our hero pimp drives a brightly colored Rolls Royce. And there are hearty helpings of great soul music, composed by "Smoke".
This is one to seek out if you're not already aware of it.
Eight out of 10.
Você sabia?
- CuriosidadesMatt Cimber based the character of The Baron on a real-life pimp that he knew.
- Versões alternativasThe 1986 UK video release was cut by 4 minutes 18 secs by the BBFC with heavy edits to all shots of topless nudity, including bloodstained breasts with knife wounds, and a shortening of a scene where a man's hand is forced into a waste disposal unit.
- ConexõesFeatured in Trailer Trauma Part 4: Television Trauma (2017)
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