O Homem da Meia-Noite

I find this film a great pleasure to watch. The cast is superb, and the plot develops in a deliberate and leisurely manner; with emphasis on the characters and suspense. As always, Burt Lancaster is wonderful to watch. But then so is everyone else in this film including Burt's son, and a young Catherine Bach, in cameo roles. Midnight Man is a film to watch when you really want to settle and get involved for an evening of suspense and great acting. Its even better if someone is there to share it. Burt is an ex-homicide investigator, just paroled from prison for shooting his unfaithful wife and her lover. He is tragic in a sense, but also strong-willed. He takes a job as a night guard at a college and becomes obsessed with solving a murder that occurs there. He is pitted against resistance from local law enforcement, and some mysterious forces who throw constant dangers and obstacles in his path. But a skilled determination enables him to piece together a complex puzzle of deceit and collusion that makes for an exciting and revealing climax. I heartily recommend this classic Burt Lancaster drama!

I saw the Midnight Man one very late night when I couldn't sleep. Burt is very compelling and this is a terrific murder mystery type story. To this day, I cannot understand why it hasn't gotten more play. The cast was brilliant, in particular Susan Clark. Lancaster plays a sort of down on his luck security guard who finds himself wrapped up in a murder. At one time he was a prominent officer who fell on hard times and is relegated to a security guard at a local college. Of course, this means they don't pay as much attention to him as they should and he is forced to go solo on his hunches as he goes thru this story. It is a good human story as well. I would love to see it again but it just doesn't come on TV anymore for some reason. If you ever see it listed on your local channel wherever you live, Circle this one and watch it!!

Former cop Lancaster is just out of jail on parole after catching his wife in bed with her lover, and killing him. He is now a college nightwatchman and no sooner he arrives on the scene than the daughter of a senator is murdered. That is not all, either: he actually gave the girl a lift home so he was one of the last persons to see her alive.

Thankfully, he has a good friend in Cameron Mitchell, who receives him in his house despite having broken a leg; and an even more wonderful parole officer in the stunningly beautiful Susan Clark. And so begins a rollercoaster of events and all is definitely not what it seems in this flick.

Joint direction by Kibbee and Lancaster is effective; script is credible, peeling away each layer of the mystery at a leisurely pace; photography is competent, standard 1970s fare; and acting by Lancaster and Clark is exceptionally good. Mitchell, Yulin, Splawn and Lauter prove more than adequate in the supporting roles.

I ended up enjoying MIDNIGHT MAN a darned sight more than I had expected. 8/10

"The Midnight Man" refers to Burt Lancaster's new job as a college security guard, working the midnight to 8:00am shift. The murder of a pretty coed immediately draws Lancaster into the investigation by way of his ex cop instincts. He buts heads with the police chief over an obvious suspect, and then the picture begins to spiral out of control. A multitude of suspects, each with a rather obscure motive begins to cloud the water. Although the cast is very good, character development is sacrificed in favor of rapidly moving from one person of interest to the next. By the conclusion, the viewer is unable to keep up with the story line. In fact, Lancaster in the end gives a long summary of who did what to whom, too little effect, since the names he throws out really don't help. The movie is very watchable, but second, or even third viewings might be required to bring clarity. - MERK

Along with Roland Kibbee (writer of such things as "The Crimson Pirate" and "Valdez is Coming"), veteran star Burt Lancaster directed this somewhat forgotten thriller, and adapted it from a novel by David Anthony. Burt stars as Jim Slade, a former police detective who'd done time for shooting his wife's lover. Now out of prison and on parole, he gets a job as midnight to eight AM night watchman at Jordon College. His cop instincts kicking in, he's determined to solve the murder of a very troubled coed, Natalie Clayborne (Catherine "Daisy Duke" Bach, in her film debut).

Slade will find that this is one VERY complex case with no shortage of suspects or morally compromised individuals. Some viewers may well find holes in the story if they examine it closely, but if it's viewed from a pure entertainment perspective, it's quite absorbing. What makes it work so well is the commanding and typically engaging performance by Burt; commendably, he is portrayed as a flawed, not squeaky-clean kind of guy, but still a basically good lawman with a talent for deduction. And although the local sheriff (Harris Yulin, "Night Moves") thinks that the creepy janitor (Charles Tyner, "Harold and Maude") makes the perfect culprit, Slade becomes quickly convinced that this dude is simply too obvious. And our protagonist is faced with danger along the way, especially from a trio of rednecks (among them, Ed Lauter of "The Longest Yard" and Mills Watson of "Cujo"), and manages to keep his cool.

The cast is phenomenal in this thing, and full of familiar faces. In addition to those mentioned, we get Susan Clark ("Porky's") as Slades' parole officer, Cameron Mitchell ("Blood and Black Lace") as his good friend, Morgan Woodward ("Cool Hand Luke") as a senator, Robert "Count Yorga" Quarry as a psychiatrist, Joan Lorring ("Three Strangers"), in her final feature film, Lawrence Dobkin ("The Ten Commandments") as a professor, and Quinn K. Redeker ("Spider Baby"). Burt's son Bill (future screenwriter of "The Bad News Bears" and "The Thing") has a supporting role as a hippie student. And Burt's longtime friend and co-star Nick Cravat ("The Flame and the Arrow") plays a gardener.

Excellent location shooting in South Carolina and a flavourful score by Dave Grusin ("The Goodbye Girl", "The Firm") further assist in making this pretty enjoyable to watch, if not all that memorable in the end.

Seven out of 10.