007 Contra o Homem com a Pistola de Ouro

The Man with the Golden Gun wasn't a bad movie. I actually thought it was better than Ian Fleming's novel (quite a few of the movies adapted from his books are better than them, in my opinion). I thought it started out pretty well but it did kind of lose steam by the end in my opinion.

I liked Christopher Lee and Maud Adams. Roger Moore's my favorite Bond but I didn't like him here as much as in just about all his other movies. Britt Ekland was okay but not great. And I'm usually easily pleased by most Bond girls (I actually liked Tanya Roberts's character in A View to a Kill).

The climax was pretty disappointing. The fight between Bond and Scaramanga should have gone on longer. The flying car was kind of dumb. And I thought it was kind of pointless to have Sheriff J.W. Pepper in this movie. And I was kind of hoping he'd meet that kid somehow and give him the 20,000 bahts (it is a Roger Moore Bond movie, after all, so it's not like it would have been an unbelievable coincidence).

Overall, it wasn't wonderful but not that bad either.

The year after Roger Moore first appeared in the role of James Bond in 1973's "Live and Let Die", marking the beginning of his twelve-year stint in the role, he returned for the ninth film in the franchise, and his second of seven. Recently, knowing that this wasn't the most widely praised of all the official Bond films, I watched it with fairly low expectations, but I think my expectations were at least slightly surpassed. Like the first film starring Moore, this one didn't blow me away consistently, but I found a lot of it entertaining, mostly later in the film (if it wasn't for that, I doubt I could rate it any more than a 6/10).

Francisco Scaramanga is a renowned hit-man who uses a golden gun with golden bullets, which is why he is known as "the man with the golden gun"! MI6 receives a golden bullet with "007" on it, which suggests that James Bond is Scaramanga's next target! Because of this threat, M decides to dismiss Bond from his duties until the problem is solved. Nonetheless, Agent 007 sets out in search for Scaramanga, and during his search, he witnesses the assassination of a man who turns out to be a scientist creating a device that can harness the sun's power! Bond must track down this machine, and on his mission, he must go through Andrea Anders (Scaramanga's mistress), and Nick Nack (the hit man's servant), as he is assisted on the mission by Mary Goodnight, a mission which eventually leads to a showdown between the secret agent and his main foe!

Like "Live and Let Die", this one has some tedious moments, unsurprisingly, and for a while, it seemed to me that it was turning out to be slightly inferior to Moore's first Bond film, but like I said, I was more impressed later in the film, with a decent amount of suspense and humour. They brought back Sheriff J.W. Pepper, the stereotypical Southerner introduced in "Live and Let Die", for comic relief in this movie. The character made me laugh in the 1973 Bond film, once again gave me some laughs this time, and as I stated in my comment on the first film featuring him, I don't see why I should feel guilty for finding Sheriff J.W. Pepper amusing if I'm willing to laugh at Canadian stereotypes. One very memorable sequence is where Bond chases after a car with Pepper inside with him, which is both suspenseful AND humorous (humourous thanks to the presence of Pepper). After that, a lot of suspense takes place on the island.

Like "Live and Let Die", this second Bond film starring Roger Moore is rather polarizing with Bond fans, but both films, while not the best, I have found to be reasonably satisfying, and in my opinion, while Moore can't quite match Sean Connery (the first actor to play Ian Fleming's famous character, as I'm sure you know), he was a decent replacement, unlike George Lazenby, who was only in one film in the franchise (1969's "On Her Majesty's Secret Service"), in between Connery's last two (1967's "You Only Live Twice" and 1971's "Diamonds Are Forever"). Christopher Lee is also impressive as the main villain in this particular movie. So, while I wouldn't watch "The Man with the Golden Gun" expecting to be blown away, I would say it's worth watching, though some would obviously disagree.

Often cited as one of the worst James Bond films, THE MAN WITH THE GOLDEN GUN is one of my favorite of the series. Though I've seen every 007 films, some several times, I cannot describe myself as being an avid fan, so I can't be bothered with who was the best Bond and which film was most faithful to the books and which Bond girl was the best, etc. Differentiating one Bond film from the next is almost like differentiating one Twinkie from another Twinkie: simply put, it's formula film-making. With GOLDEN GUN, I can sorta see why some might think it's not up to the usual 007 extravaganza: it just doesn't follow the formula like other Bond films. There are no gadgets here and the ending is not as spectacular as other Bond flicks or some characters (the sheriff) might seem trite but of all other 007 adventures, this is the most down to earth one. I love the fact that there's no huge battle at the climax or ridiculous gadgets (the invisible car in DIE ANOTHER DAY, for example). This a Bond adventure that can actually be described as being sorta believable, which is no mean feat.

What's remarkable about GOLDEN GUN is the cinematography. The composition, the natural colors, the realism of it all. I've just watched the latest DVD edition and the image is clear and beautiful. Gone is the grubby cinematography of LIVE AND LET DIE. But it's also not as super-slick as other Bond made before or after this one. It's an odd thing to cite beautiful cinematography for such a commercial project as this one. The most stunning scenes are at the end, when Bond flies to Scaramanga's secret base.

The other great thing about GOLDEN GUN is casting Christopher Lee as Scaramanga. It's his best role/performance ever. And he's the best villain in any 007 film. Scaramanga is a real character, not a cartoon villain like 90% of Bond villains. The fact that the story is about two men going mano a mano is also a nice change from the tired "villain who wants to dominate the world" plot line. Casting Lee as Scaramanga was a stroke of genius. He's what makes THE MAN WITH THE GOLDEN GUN so memorable.

Lastly, the other memorable element is John Barry's score. It's one of his most evocative for a James Bond film. When I hear it, I can't get it out of my mind.

As Bond girls, Britt Ekland and Maud Adams are absolutely gorgeous. Though Adams' acting can be described as stiff, she's one of the classiest and is the saddest Bond girl ever (her actions propel the story) while Ekland is funny as the ditsy operative. The belly dancer at the beginning was, hmm, scary looking though.

The film's biggest weak points are: the script, which is sorely underwritten in some spots; the re-introduction of JW Pepper character, which even if he's quite funny here, is just too improbable; and the blatant AMC product placement. The last two points almost make GOLDEN GUN "jump the shark" but after the excellent climax, all is forgiven.

But the big glaring mistake in THE MAN WITH GOLDEN GUN, and probably the main reason why so many Bond fans don't like this film, is the fact that Bond doesn't appear before the opening credits. No kick-ass intro action scene with Bond in a jet-pack or falling out of plane without a parachute that sets the tone for the rest of the film. I have to admit that the film seems to be missing something because of that.

Even so, there are still many other reasons why GOLDEN GUN is my favorite: the entire karate school scene, which is the high point of the film. The abrupt "kick to the head" joke was even copied years later with Indy shooting the big man with the big sword in RAIDERS OF THE LOST ARK; the arena scene (excellent direction there); the whole 1970s look; a confident Roger Moore who gives his best performance as 007 and says some of the funniest one liners of the series with impeccable timing. And let's not forget about Herve Villechaize as Nick Nack. He almost steals every scene he's in, which is either good or bad, depending on how you like him. In closing, THE MAN WITH THE GOLDEN GUN has just the right balance of seriousness, action, acting, exotic locations and humor.

Altho there's a lot of hate for this second Moore 007, I never understood it. For a change, most of the witty dialogue works well. I think it's one of Moore's best Bond performances.

So let's break it down: The Good: - Roger Moore is witty and action ready. His fight scene in the belly dancer's room is pretty good. Tough and violent. Don't know about that cigar, but it adds a little extra somethin'.

• Herve Villechieze as Knick Knack. Not threatening, but a fun memorable sidekick with lots of playful malevolence. I love it when he shushes Bond.

• Christopher Lee. Nuff said, tho they didn't build up this character to the level they could have. Where are those deleted scenes between him and Moore (from the trailer and photos)that obviously exist?

• John Barry. Yes, Lulu's song is ridiculous. Still, I love the brassy music and this is one of Barry's most memorable catchy Bond scores. Especially during the karate scenes and the jazzy swing of Scaramenga's fun parlor.

• Kung fu. The Bond films always lucked out when it came to latching onto the culture of the day. 1974 was the height of kung fu exploitation and Bond was there. Still have BLACK BELT magazine featuring this on the cover...

The Bad: - Miss Goodnight. Giving Bond a ditzy helper...well, bad night.

• Lack of compelling plot. The energy cell and Scaramanga are too loosely tied together and the film shouldn't have tried to pull a Blofeld at the end.

• Production design. Ken Adams is sorely missing here. And what's with that ONE GUARD in the massive solar laser set? Missed opportunity there.

The Ugly: - JW Pepper.

• Slide whistle.

This exciting ninth Bond entry gets the greatest villain named Scaramanga , an awesome Christopher Lee , here's his biography : he was born in a circus , his father was ringmaster and mother a English snakes charmer . He was a spectacular trick-shot artist when ten and a local Rio gunman at 15 . The KGB trained him in Europe where he became an overworked and underpaid assassin . He went independent in the late 50s , his current price : one million dollars a hit . No photograph on file and unknown domicile but he does have on distinguishing feature,however : a superfluous papilla and mammary gland,a third nipple . He always uses a golden bullet , hence ¨Man with the golden gun¨ . He sends a golden bullet to MI6 with number on 007 and a note requesting special delivery to Bond , it's initialled with a ¨S¨ and Scaramanga's fingerprints were on it . Scaramanga tries the death of 007 , face to face , a duel between titans : The golden gun against Walther gun . James Bond is assigned to retrieve a piece of equipment named Solex that can be used for a device to create the sun's energy . Bond explains when he kills it's under specific orders of government and those he kills are themselves killers .

Roger Moore is a sympathetic and magnificent Bond , he earns in irony , suavity and smoothness . In an interview Moore tells about the shooting : ¨It looks a paradise on the screen but it was terrible hot,the entire unit had boils because you could never take a shower . It was uncomfortable ,it looks romantic and then they went over Macao . We're shooting all those scenes of gambling and so that's all go over there and we've got tables going over there with the Blackjack and he made quite money at the gambling table during the five months of shooting¨ .

The film contains spectacular fights , the lieutenant Hip's nieces were students of the karate school , the scene was played for laughs , but the women cast were Tae-Kwon-do champions and very accomplished athletes . The struggles were carefully choreographed and performed like a dance routine requiring each participant to hit their mark at the correct time . Film is made by Eon Productions Limited on location in Hong Kong , Macau , Thailand and Pinewood Studios , London , England . The atmosphere is faithful to the actual location but the interiors on a set at Pinewood Studios . The motion picture was well directed by Guy Hamilton .