A Montanha Sagrada

... with a crazy cast and some intriguing and indecipherable messages - you're unlikely to watch anything as off the wall as this, with images conjured from a unique mind you're glad is not your own.

Alejandro Jodorowsky's sprawling, psychedelic opus almost defies interpretation in any conventional sense. Steeped in symbolism and spirituality it is a piece of art that attempts to redefine the psyche and the human condition through a celebration of the surreal, the grotesque and the beautiful. Its inner meaning is deliberately vague, allowing personal interpretation to take the place of empty preaching and contrived moral messaging. Simply breathtaking.

Yep, this is the first movie that I genuinely don't know wtf I watched to even rate it a score!

And then people say A Clockwork Orange is weird lmao

(not saying it's bad, not saying it's good, just don't what it was to even rate it)

Astonishingly beautiful, bloody and strange surrealist film. Roughly, about a spiritual quest for enlightenment, truth and immortality; but that doesn't begin to describe Jodorowsky's Fellini-like flood of imagery and symbolism. Jodorowsky himself plays "The Master", an occult adept who assembles a group of people representing the planets of our solar system (a Christ figure for Earth) to ascend the Holy Mountain and gain the secret of eternal life. The qualities of the individual planetary cultures are both based on, and distorted from, their classic meanings in astrology and alchemy - you really need to have some basic reading in occultism to follow this movie - and the stunning ending shot takes the theme of illusion vs. truth to a completely different plane.

I don't think this film can be "reviewed" in the normal sense of the word, only experienced as one would a painting or a piece of music. Having only seen it two nights ago, I'm not even sure I've fully processed it. In any case...

To begin, the images, the images. The first 20 minutes contain some of the most astonishing images I've seen, combining Christian iconography, Latin American history, futurism, mysticism, and political commentary. As if Fellini had a sinister twin working with his leftover film and props. As the film progresses I thought the set pieces became a little dated and, frankly, I experienced sensory overload.

I'm sure a lot of viewers would reject this film as pointless or indulgent. Yeah...so? I can't say I understood exactly what Jodoworsky was getting at (if anything), or if it would even make an impact on my view of the world. But if film is to be defined as image over everything else, then Jodoworsky is certainly some sort of master filmmaker. I'd rather watch something like this, filled with ideas (however pretentious), than a plot-driven movie with nothing more on its mind than wrapping up loose ends for the audience.

Now, off to rent Santa Sangre.