Gatos Vermelhos em um Labirinto de Vidro

Highly ridiculous and campy, cheesy dialogue and low production values but fun as hell. This is one of the giallo that falls more on the same side stylistically as the American slashers despite proceeding that whole movement by half a decade. Less flair and more gore but it's still a lot of fun. Still, this is one you'll probably enjoy more as a fan of giallo than of 80s slashers or anything like that. Watch at your own risk.

Eyeball (AKA Red Cats in a Glass Maze)

Italian/Spanish co-produced giallo/slasher, written and directed by Umberto Lenzi, and starring John Richardson, Martine Brochard, and Andrés Mejuto. A group of American tourists are on a bus/coach tour of Barcelona. However, before long female members of the coach party are being picked off by a mysterious figure dressed all in red when the party stops for sightseeing attractions or overnight stayovers. But the women aren't just being killed; the left eyeball of each victim is gouged out - sometimes prior to death. The lead detective retires in one week, and is keen to solve the killings before he leaves, whilst the rest of the party just try to survive.

The plot of this is actually bonkers, the number of red herrings is ridiculous, and the murderer's motive is one of the most utterly stupid ever - none of which stops it from being a load of fun! The cast are good (plenty of faces from other Italian genre films), there's a lot of blood plus severed eyeballs, all the nudity you'd expect from a 1975 Italian exploitation film, and a good helping of so-bad-it's-good dialogue. Having said all that, unlike with a lot of these films, the plot - whilst insane - is at least followable (often with these you end up abandoning any hope of coherence, and just watch for the crazy spectacle). Real OTT fun. Oh, Bruno Nicolai's funky score - bizarrely at odds with some of the carnage - deserves special mention! 7/10.

Let's face it, there is a finite number of giallos and I have yet to see one with a plausible story line (Anyone see "Watch Me When I Kill"?). Isn't that a prerequisite of the sub-genre, along with the gloved villain and the stylized killings? So why skip this one? Are you waiting for 'The Ultimate Giallo'? This one is alright. Maybe Lenzi has made some crap, especially his latter stuff (Black Demons, Hell's Gate,House Of Witchcraft), but a lot his work kicks ass(Seven Blood-Stained Orchids, Man from Deep River, Gang War in Milan, Almost Human, Syndicate Sadists, Rome Armed to the Teeth, Violent Naples, The Cynic, the Rat & the Fist, Eaten Alive, Nightmare City, Cannibal Ferox). This is not his best, but definitely not his worst. Most likely only giallo fans are going to watch this anyway, so if that is you, go ahead, you won't be disappointed.

A group of American tourists is visiting Spain. A red-cloaked killer is with them (or following them). The killings are nasty and the victims always have one of their eye balls removed. Right in the beginning of the film there's a very sudden and brutal murder. The fateful knife flashes out, the unlucky victim screams and screams again and the knife goes down and down. From this moment on I was hooked to the film.

Slasher film fans should like "Gatti rossi in un labirinto di vetro" (Eyeball). The action never lets down and the film is incredibly light and humorous. There are of course pretty girls and the mandatory lesbian couple (with rights to jealousy, fight and reconciliation scenes). The viewer is given a lot of red herrings and this enhances the fun still more. The Spanish locations are delightful (Barcelona and Sitges) and Umberto Lenzi displays his usual cinematic ability with swift and precise camera movements and editing. There are good killing scenes, particularly one in a funhouse.

I guess you won't be able to find out who the killer is. Anyway the story does make sense but is of secondary importance for those who want to enjoy the film.

"Gatti Rossi in un labirinto di vetro" (Eyeball) could be defined as a summer movie for grown-ups. It has it all – it's violent, sexy, funny, colourful and it has a cool soundtrack. So just let your critical brain at the door and enter this giallo funhouse. You may enjoy the ride.

Imagine how good reality TV show Coach Trip would be if instead of voting out the least popular couple, they murdered them instead? I can only imagine the sarcastic remarks host Brendan Sheerin would come away with.

Umerto Lenzi finally gets with the programme and gives us a glimpse of eighties Italian cinema by giving us a film that delivers on gore, trash, nudity, things not making any sense and eyeball removal, while removing the scheming couples and huge villas that have permeated his other gialli up to this point. Why have all the victims stuck in one place when you can have them enjoying Flamenco dancing, swimming and sightseeing in between being stabbed to death and having their eyeballs pulled out?

Yes, someone on the coach full of tourists is a killer, and in true trash form, every single person acts suspiciously. There's John Bartha, travelling with his daughter and seemingly fascinated by a razor while shaving, then there's George Riguad the priest who lost his daughter to death, there's a lesbian couple (well, not really suspicious) and a lady called Pauline who is thinking about having an affair with her boss who has also arrived on the scene, played by John Richardson, and he's looking over his shoulder because his wife is having some sort of breakdown and hasn't gone to the hospital like she was supposed to.

While it's not hard to guess the killer, a lot of fun can be had with this film. One thing that's intact from his earlier films is the cheesy soundtrack, which is similar to the one Lenzi used in The Man From Deep River. He also retains his good eye for composition while introducing a new element of women having their boobs pop out when being attacked, something he would use to great effect in the jaw-dropping Nightmare City.

Apart from everyone going to ridiculous lengths to appear guilty, you also have the killer becoming really crap at attacking people three-quarters of the way through the film, and an almost touching relationship between the old, nearly retired cop in charge of the case and his young apprentice. Nice one Lenzi! Oh, and the killer sports a nice red plastic outfit instead of the standard black glove/hat combo.