Dr. M schlägt zu

Jess Franco, I love his films (The Sadistic Baron von Klaus; Venus in Furs), and I hate his films (Lust for Frankenstein; Female Vampire). Sometimes I love and hate them at the same time (Oasis of the Zombies). One of his best films is The Awful Dr. Orloff, a film that I re-watched just a couple days before viewing Vengeance of Dr. Mabuse. The latter film suffers badly in comparison.

Vengeance of Dr. Mabuse borrows a great deal from the first Orloff film. Mabuse (Jack Taylor) has both a female assistant and a hulking Frankenstein monster henchmen in the Morpho vein. Said monster ends up turning against its master because of love (or lust) for a woman. The climactic showdown between cop and monster in both Mabuse and the first Orloff film are strikingly similar. If that was not enough, both films rely on bums out fishing to provide the police with a clue to the villains' hideout. Oh, and of course, both films deal with the abduction of a stripper. Although, strangely, in the print that I saw, Mabuse had less nudity than The Awful Dr. Orloff.

I know that some Franco fans like the way his films intersect, but, to me, The Vengeance of Dr. Mabuse shows a lazy director dropping in plot points from a movie he made better a decade before.

Finally, in all of the other Dr. Mabuse films, the man is a master criminal. He does not work for others! Yet, this Mabuse alludes to the trouble he and his cohorts will be in from "the organization" if they abandon the project. Mabuse as a mafia stooge. . . what a let down!

Vengenza del Doctor Mabuse, La (1972)

** 1/2 (out of 4)

Jess Franco's stab at the Mabuse saga with Jack Taylor in the role. Dr. Mabuse and his Frankenstein-like monster assistant are stealing all the parts (and scientists) they need in order to build a deadly death ray. I had to view this film in Spanish without any subs so I missed out on a lot of the dialogue. Another problem is that my print was from a horrible looking 16mm copy so hopefully someone will release a remastered version with subs because I'd probably bump my grade up a half a star. The film is unlike many of Franco's films made during this period because it features no sex, no nudity and no real violence. The film is all style and you can tell Franco's putting all of his serious touches on the film. The music score is very good, the locations terrific and Taylor is pretty good in the title role. The monster creature is actually better than two feature films that feature the Frankenstein character. Franco plays a bit part in the film and Monica Swinn also shows up. The police in the movie are an interesting note because Franco films them in a Western type setting, which goes against the rest of the movie but perhaps this is better explained in the dialogue. The movie runs a fast 74-minutes and hopefully will see a legit release one day.

Another masterpiece by one of the ultimate godfathers of campy Euro sleaze - Jess Franco! This more indirect installment to producer Arthur Brauner´s "Dr. Mabuse"-series is silly, cheap, but also damn entertaining if you like hilarious trash movies! Especially the great 1970s flair blew my mind: 1970s style as far as the eye can see, plus a stunning psychedelic score complete this funny trashfest! The actors: Moisés Augusto Rocha as monster is the best second-class Boris Karloff-double I´ve ever seen. Franco´s all time favorite actor Jack Taylor is quite good as villain, however his sly helper Eva Garden steals the show whenever she´s on the screen! The director himself is wonderful campy with his role as police chief and German actor Wolfgang Kieling fills some gaps with an amusing performance in playing a drunk angler. Don´t expect intelligent dialogues or a demanding plot, because this is a perfect symbiosis of trash and fun! Just switch off your brain for 70 minutes, lay back and enjoy!

Jess Franco directed over 180 movies in his lifetime, so it's not very surprising that he occasionally lacked inspiration. The Vengeance of Dr. Mabuse sees Jess imitating his own 1962 movie The Awful Dr. Orlof, which itself was inspired by George Franju's classic Les Yeux Sans Visage.

As with The Awful Dr. Orlof, the plot concerns a crazy scientist, the titular Dr. Mabuse (Jack Taylor), who abducts women with the help of disfigured servant Andros (Moisés Augusto Rocha) in order to subject them to a powerful ray, the aim being to create an army of robots. Parallels with The Awful Dr. Orlof abound, from the police inspector (here played by Fred Williams) whose girlfriend is called Wanda (same as in Orlof), to the woman lured to an abandoned building where she is accosted by Orlof's servant (as in Orlof), to the vagrant who catches a vital clue on the end of his fishing pole (as in Orlof). Needless to say, the film ends in the same way, with Andros carrying off Wanda, the inspector arriving just in time to kill the 'monster' and save the girl.

Sadly, this time around, the formula doesn't result in such a great film: Franco's direction is sloppy, the performances aren't very good (Howard Vernon's presence would be beneficial), and Eva Garden as Wanda isn't anywhere near as sexy as Diana Lorys, who played the inspector's fiancé in The Awful Dr. Orlof.

4/10

Q. Did the same artist who drew the police sketches in The Awful Dr. Orlof also design the sign for The Red Garter cabaret club? It's just as terrible.

Doctor Mabuse strikes again in this highly-colored movie shot by Jess Franco in the mid-seventies, when he was still comitting marvels. This one has almost everything you can expect from a spanish late night masterpiece : the evil doctor and his mindless Frankenstein-like monster, Monica Swinn as her evil and sexy sidekick, a cameo by a screaming and cigar smoking Franco, some cops dressed like laughable cowboys, a few sexy girls in mini-skirts and the incredible camera angles and locations that has made old Jess famous.

It's about doctor Mabuse's evil plans - plans I couldn't understand because the movie is in spanish - and the endeavours of humanity to stop him, Franco-style. Shot in the most unusual and strange locations of Spain, it is a visual treasure and the funny characters are, as always, very parodic. It may last only about an hour, but it will remain in your hearts and minds for a long long time...