The Disappearance of Flight 412

A suspected UFO is seen.

Don't expect anything too special here. if you just need 72 minutes to fill and have an interest the US military - the could be the movie for you.

Granted this is not The X Files, so you will get no love interest between the agents here, in fact I don' t think there is a single female in the cast.

It felt real to me and the dialogue was sharp and well written.

Military boys with secrets, this movie is okay.

The Disappearance of Flight 412 is a rather cheaply made TV movie with really bad sound that doesn't seem to make any point. If there are indeed UFOs visiting our fair planet we can't seem to ever get a handle on it with anything definitive. If they are and the government has documentation they are covering it up. Hardly anything revelatory.

Air Force Colonel Glenn Ford is in charge of a flight group in which one of his flight crews is making some radar equipment checks. They see a strange object in the sky, some Marine jets are scrambled and they disappear off the radar scope. Ford's crew is diverted to a secret base nearby his base that he does not know anything about. But with a little sleuthing he tracks down where his men are gets them out.

Quite frankly he should have dropped it right there, but he pursues it and gets himself in a ringer with General Kent Smith. The conclusion, there really isn't any.

Robert F. Lyons does the best acting job as the colonel in charge of the top secret installation, a really smarmy type. Ford does his usual professional job. But in the final analysis the only people who this film might appeal to are aviation buffs.

Long before flying saucer buffs were accusing the government of hiding the facts behind the Roswell UFO crash, this movie explored the possibility that military sightings were handled in a covert and serious way.

Presented in a straightforward, semi-documentary style, The Disappearance of Flight 412 is directed with economy and tight pacing. This is an absorbing and convincing TV movie [a rarity] that could be classified as science fiction or straight drama.

If you can find it playing somewhere on cable, don't miss it.

Glenn Ford stars as an Air Force colonel by the name of "Pete Moore" who has just sent a four-man crew on a flight to test some electrical equipment. As Flight 412 nears its destination they are informed by a nearby Marine Corps air base that there are three strange blips on their radar screen and Flight 412 is requested to confirm it. After confirming it the Marine Corps sends two Phantom jets to intercept these unidentified flying objects only to have them mysteriously disappear. At this point the Marine Corps air base turns control of Flight 412 over to NORAD which then diverts it to another heading and orders them to maintain radio silence until they land at an undisclosed location. Now, rather than reveal any more of the film and risk ruining it for those who haven't seen it I will just say that this was an interesting movie for the most part. Although it begins in a semi-documentary style which opens and closes with a narrative it doesn't really reveal anything out of the ordinary. In essence, it's slightly entertaining but not that informative or factual. All things considered I rate it as average.

Jud Taylor directed this TV movie that stars Glenn Ford as Colonel Pete Moore, in charge of the Whitney Radar Test Group that has sent a four-man crew on flight 412 to investigate electrical difficulties, but instead encounters what may either be a blip, or a UFO, but after they are interrogated by a mysterious military intelligence team(led by Guy Stockwell) that does not want to hear about "science fiction", the men find themselves uncomfortably at odds with their own government. Can Col. Moore get to the bottom of this matter, save his crew and all their careers? Reasonably good film defies its low budget and brief running time to tell a well-acted and tense narrative that doesn't provide easy answers, but instead unfolds in a matter-of-fact way, which is most effective. Also stars Bradford Dillman, David Soul, Robert F. Lyons, and Kent Smith.