Death Sentence

A passably entertaining made-for-TV thriller, "Death Sentence" reveals the killer in the opening scene. Laurence Luckenbill strangles his annoying blonde mistress with his own yellow scarf, because she threatened to go public with their affair, which would have destroyed his cherished family. Cut to the courtroom, where Luckenbill's wife, Cloris Leachman, has been accepted as a juror in the trial of Nick Nolte, who is on trial for the murder of his wife, the woman that Luckenbill killed in the opening scene. If the premise sounds a bit far fetched, it is, not to mention the murdered woman preferring Luckenbill to the young Nolte. Based on the novel After the Trial, the film cuts back and forth between the courtroom testimony and Leachman's domestic scenes with her husband and children. As the testimony progresses and evidence is presented, Leachman slowly suspects her husband's involvement.

The performances are uneven; Leachman is good as the wife, intently listening to witnesses, while slowly connecting the dots. However, Luckenbill, the family-values man, overacts at times, and poor Nolte sits looking at his hands for most of the movie, until he provides brief testimony in his own defense. Director E. W. Swackhamer keeps the proceedings moving fast enough to distract viewers from the inconsistencies and gaps in logic. Absolutely no motive or evidence are presented to implicate Nolte, other than the malicious dislike of his mother-in-law and unreliable claims from a nosy neighbor. Leachman's suspicions are all circumstantial, and some of her actions are completely implausible. However, for non-demanding viewers with an hour or so to kill, "Death Sentence" is decent entertainment, if they just go with the flow and do not ponder the details.

Seeing the name 'Nick Nolte' prominently displayed on the DVD jacket made me buy this film. I am sorry I did. Nolte has no more than a few lines to say. The other actors are *all* great. The problem is the scenario, which is full of holes. This, in a judicial suspense drama, is fatal. I suspect that my DVD only has a shortened version (74 minutes) of a longer film (90 minutes according to your database) that might explain the glaring holes. On my DVD, the picture quality is *worse* that what you would expect from a standard-resolution TV picture. The scenario-writer is billed as 'John Nuefield' instead of 'John Neufeld'. Is this a spelling mistake ? The year in the copyright notice at the ending credits states '1972' instead of '1974'. In any case, it is certainly a Spelling mistake as Aaron Spelling produced this El-Cheapo picture. Avoid.

This "movie" was incredibly painful to watch. Stilted, wooden dialogue, utterly predictable plot, lousy directing and bad camera work - in short, this thing's a train wreck.

The film possesses a strange juxtaposition of talented-but-wasted well-known actors (Leachman, Nolte, Luckinbill, Schallert) and eager-but-untalented relative unknowns. That the director approved this atrocity and that TV network executives allowed it to be aired is incredible. And now it's available on DVD - but why???

The talents of Ms. Leachman and Mr. Nolte are completely wasted. At least Ms. Leachman redeemed herself later that year (1974) in Young Frankenstein.

One out of dozens and dozens of tightly constructed TV movies of the 1970's (some hilariously bad, some unforgettably distinctive, most - sadly - missing in action!) Hincks is a clinging mistress, desperate to hang on to her married lover (Luckinbill) despite her own good-looking, but hard-drinking husband (Nolte.) When she pushes too far, Luckinbill does her in, but lets Nolte take the rap. Leachman plays a sincere and naive jurist at the trial who begins to doubt Nolte's guilt despite everyone else's sense that he killed her. When she begins to put the pieces together, she finds that she may have imposed a death sentence on herself! Made when Leachman was still knocking them dead on "The Mary Tyler Moore Show" and about to embark on "Phyllis", she clearly tries to downplay her glamor and attractiveness for this "serious" role. The result is high comedy almost as funny as what she did in her sitcoms! With mousy hair parted in the center, no make-up and some really ugly glasses, she spends the entire movie with the same pinched, unappealing expression on her face. Her character is dippy to begin with, but she adds extra hilarity through her wooden reactions to the events around her until she is forced to confront the killer personally, at which point the film soars into the comic stratosphere. Sopping wet, wearing ugly cream-colored heels and with her glasses all smeared, she creates the most abhorrent expressions paired with the zaniest physical manifestations. She flails around at the end like someone who's being zapped with a cattle prod! All this work and her name isn't even printed on the DVD case! Luckinbill gives a decent double-edged performance. Nolte, at the very start of his career, has almost nothing to do (and his case is never properly resolved.) Various familiar TV actors dot the cast such as Oppenheimer and Schallert as lawyers and Lang (famous for her hysterical turn in "The Birds") as the victim's devastated and opinionated mother. As loony as it is (and there is one twist to the tale not divulged here), it's great to see some of these old films turning up as they are too enjoyable (for either the right or the wrong reasons) to stay buried in a vault somewhere.

This is a TV movie that has Nick Nolte in a minor role. He does not have many lines in this one. If I remember right, Chloris Leachman is actually the star of this film which is a predictable court room drama and is not indicative of Nolte's acting talents at all.

The box for this film has Nolte pictured on it but he is very seldom seen in this film.