Pioneer Woman

For long years, the idea of the "TV movie" has portended a level of artifice unbecoming of actors, and ill-suited for the big screen. I'm not going to say that 'Pioneer woman' is perfect, because it's not; there's undeniable ham-handedness about the production in no small part, especially nearer the beginning. To my pleasure, however, it's more enjoyable than not, with writing and direction just suitable enough to give the cast a slight opportunity to demonstrate their skills - while earning a nice little paycheck. Though certainly marked by a measure of kitsch, William Shatner gives an admirable performance as prideful John Sergeant, commendably restrained and emotive compared to his most bombastic displays. It's quite worth noting that Helen Hunt makes her debut as young Sarah, only 10 years old when the feature premiered. And I appreciate Joanna Pettet's turn as protagonist Maggie, a role that allows her so show even in this context her range, nuance, and potential as a leading lady.

It's a pretty straightforward narrative here - dialogue and characters are adequate as they are written; scene writing is strong enough to help complete the story, give the actors room to work, and keep us invested. More than anything 'Pioneer woman' represents a portrait of the hardship of western expansion and the settler life - disputes, unpredictable conditions and turns, scarcity, endless hard work. It's a fairly solid period piece, replete with great care for costume design, set design and decoration, props, and depictions of the wide, open spaces that are all to easy to overlook in our modern busy lives. All the while, there are also consistent themes including pride, the meaning of home, men's selfishness (a notion that, let's face it, requires little actual acting from Shatner), the importance of community - and, one must note, touches of casual racism, and sexism as reflected in predominant patriarchy.

Suzanne Clauser's screenplay surprises for how good it is, and Buzz Kulik's direction, and the production design broadly. This picture is hardly a revelation, but honestly, it's much better than it has any right to be. I began watching with mixed expectations at best, and find that I am pleasantly satisfied with the result. I don't think there's any reason to go out of your way to watch this, but 'Pioneer woman' is an enjoyable, engaging movie if you come across it - and to my delight, not at all a bad way to spend 75 minutes.

Like most seventies TV movies it wears a general air of PG sanitization that is quite resistible, especially when compared to grittier, more hard hitting Westerns in theatres at the time, like "Will Penny", "McCabe And Mrs. Miller" and, of course, anything by Peckinpah. It feels like something that would have been shown in a mid 1970s, eleventh grade U. S. History class following the unit on The Westward Movement; that is, if you had a semi cool teacher.

As a result of the above censoriousness, with one or two exceptions, like the scene where the title character is forced into a premature abortion by the cruelty and venality of her fellow homesteaders, there are no scenes that have much of an impact. Two in particular, the death of Mrs. Sergeant's husband (played way too broadly by Capt. Kirk) and the prairie fire, are remarkably bland and forgettable. Buzz Kulik, at his best, say in "Warning Shot" and "Yellow Canary", is a fine action director but you wouldn't know it from this too polite look at the hardships of farmsteaders in the West. It is all summed up, for me, in the performance and look of Joanna Pettet, with her well modulated tones, perfectly coifed hair, and duds that look like they came out of the J. Peterman catalog. Especially that oh so cute Army Hat. Give me any of the lonely Kansas farm wives in any random episode of "Gunsmoke", instead. C plus.

PS...Best performance is turned in by Helen Hunt who, at age 10, not only acts rings around everyone else in the cast but, in the process, really exposes the lousy kid actor who plays her brother.

This film was much better than I originally expected. Set in the post-Civil War era, it depicts the plight of a small family in Indiana setting out west to start a farm. "John Sergeant" (played by William Shatner) gambles everything on some land in Nebraska in the hope for a brand-new life. His wife, "Maggie Sergeant" (Joanna Pettet) is reluctant to leave but does the best she can to support her husband. Along the way out west, they encounter hardship and disappointment which this film displays in a very realistic manner. And while William Shatner gives a decent performance, it is Joanna Pettet who is the real star of this picture as her acting was first-rate. David Janssen (as "Robert Douglas") is also quite good playing the part of a free-range cowboy in a supporting role. The weaknesses in this movie are few, but if I had to list one it would probably be that the ending could have been drawn out a bit more. All things considered though, there are plenty of westerns which have a great deal more violence and action than this particular film. But if you're looking for a movie that is fresh and genuine then this is a fine candidate, especially for family viewing.

This seems to be a loose adaptation of "A Lantern In Her Hand" by Bess Streeter Aldrich - a young pioneer woman named Maggie toughs it out with her children in Nebraska, survives prairie life, lives to see a thriving state. If you enjoyed this movie, you'll love the book.

Otherwise, the movie has all the check marks of a 1970's movie - with Helen Hunt in her first credited roll! Nice plot, insert panic moments, love, hardships, and the rest. Joanna Pettet makes a believable pioneer woman with a nod to William Shatner, out of his stereotyped space cowboy role. Also nice to see David Janssen in this lightweight drama.

A woman is forced to leave her comfy Indiana city to go to Nebraska with her family because her husband wants to farm. She faces finding out they were scammed and there is no land, a miscarriage, widowhood after they finally find a place to settle, and holding on to the place with her children. The one false note is her playing hard-to-get with an obviously smitten neighbor who is ringing her chimes as well.

Joanna Pettet is the woman, William Shatner her husband and David Janssen the man who wants to be. If you can believe this bit of casting, Lance LeGault is a friendly neighbor and totally good guy. Helen Hunt makes her acting debut as the woman's daughter. Yes it's a feminist piece since a "pioneer feminist" is who the story revolves around, but it's not preachy and is well done.