Uma Libélula para cada Morto

Instead of an extremely sloppy movie, "A Dragonfly for Each Corpse" is Spanish giallo that is competently made and entertaining enough to be enjoyed by genre fans. Naschy is surprisingly interesting as a main character and the whole thing has a nice pacing and isn't too long for it's own good. It's nothing marvelous, thrilling, memorable or God forbid scary, but it's still a decent crime story for a relaxing afternoon and as a nice bonus, if you are watching an uncensored version, you will be rewarded with a little bit of nudity. All in all, it could have been much worse. 6/10! Only for Naschi and genre fans!

I am aware that when I see a Leon Klimovsky film, it will be at the same time, that little bit different from the norm but just a little lacking in expertise, or funding, or both. I also tend to expect to see the likable if unreliable, Paul Naschy. Great title and great pre credit sequence and we seem destined for a great little film, despite my reservations, but soon, despite a rapid sequence of sexy killings, things are become somewhat leaden. Scenes do not flow into one another as they should, stark dialogue seems unfitting and a level of predictability builds. But never mind, Naschy does well enough as the chief investigator, I'll hear nothing said against Erika Blanc who plays his wife (and gets changed into another wonderful 70s outfit every other scene) and in truth acts the rest of the cast off the film. All in all, not a very fine film but colourful and all action with just too many of those so bad its good moments.

Paul Naschy once again knows what the people want by writing and starring in this over the top giallo full of murder, twists, sleaze, and transvestite roller coast shoot outs.

Paul is a burly cigar chewing cop who likes to slap perps about, and is given a new case: that of tracking down a killer who is wasting the city's undesirables types, including junkies and hookers. Every time a corpse is discovered, a glass dragonfly is also found at the scene. I thought it was cool that Paul was allowed to keep these on the wall of his living room for some reason, but then his wife Erika Blanc ended up doing most of the work anyway, so maybe it was best she kept an eye on the stuff.

Of course, polite society gets involved and it turns out they have just as many vices as those unclean types. Paul's friends turn out to be just as bad, what with the professor who is a necrophile who likes to have strippers lie in coffins, then there's the confusing love dodecahedron involving everyone else Paul knows, except the gay guy, because being gay is enough to have you killed in a film like this. Needless to say someone Paul knows is the killer, but as the body's pile up, can he unveil the killer before the killings get closer to home?

The killer is dressed in the usual gialli uniform - black gloves, comfortable shoes, comfy socks, and has quite the collection of weapons at his (or her!) disposal. People are attacked with axes, umbrellas with spring loaded blades, knives and such like, but the blood is kept subtle. Nudity isn't however, which will keep you awake between the murder scenes.

My absolute favourite bit was when Paul somehow uncovered a drug ring and the gang leader, fresh from doing a transvestite show, realises the cops are arriving on the scene, takes the time to dress back up in drag again before getting on a roller coaster and firing a gun blindly while on the ride. Simply delightful. This is also a film that isn't too concerned about how life like the dummies are, which makes things funnier.

If a bad Paul Naschy film exists, I haven't seen it yet. Another daft winner!

A Dragonfly for Each Corpse is a Spanish take on the popular Italian thriller known as the Giallo, and stars prolific Spanish horror star Paul Naschy. The Giallo was well established by 1974, and it's clear that director León Klimovsky knew this; as his film continually attempts to imitate the Italian films...but this isn't really a problem, as many of the actual Italian productions imitate each other, and it has to be said that the director hasn't done a bad job of making a non-Italian Giallo. The central plot theme has been seen in cinema many times before this film was released, and many times after; in films like Dario Argento's Tenebrae, and popular American thriller 'Seven'. We follow a killer who has taken it upon himself to clean up the streets, by picking off everyone that offends his eye. His trademark is a dragonfly, which is left at the scene of each crime, thus earning the killer the name 'The Dragonfly Killer'. We focus on the police investigation into the killings, which is lead by hard-bitten copper Inspector Scaporella.

By keeping the focus away from the murders and more on the investigation, director León Klimovsky has passed up on the opportunity of making a really interesting movie. The way that the investigation is handled isn't bad, and there's enough intrigue generated to see it through; but the way that the film is handled takes the attention away from the murders...which is never good in a film like this. There is a fair amount of blood in this film, however, but it never reaches the highs that you'd expect it to given the splatter at the beginning. Paul Naschy manages to put in a good performance as the cop at the centre of the story, but some of the rest of the cast bring it down; and the film suffers from far too many nuisances with the script, which gets a little too ridiculous too many times. By far the biggest problem with the film comes at the conclusion. Giallo's are infamous for not making a lot of sense and leaving things wide open...but there's barely an explanation at all here, and it's a shame because it could have been the highlight. But even so, this is entertaining enough; and the hilarious roller-coaster getaway ensures that I won't be forgetting it soon.

This Spanish-Italian co-produced Giallo belongs to the more obscure outings of the cult genre. Most people involved in the making were Spaniards, and it has never got a release in Italy, which is unique for a film of that kind.

In Milan, a killer slays drug addicts, prostitutes and other "immoral" people in nasty ways. Small dragonflies (made of wax or something like that) are left on the bodies of the victims. And the more people die, the more clues lead the investigating inspector to believe that the killer is a mutual friend of his wife and himself.

The film's premise is quite interesting, although not too original. The body count is surprisingly high, although they are not as graphic as in some other Gialli. Nevertheless, the murder scenes are quite nasty. Paul Naschy (who also starred in the probably best Spanish Giallo "Los Ojos Azules de la Muneca Rota" and in the Jack-the-Ripper-inspired "Sette Cadaveri per Scotland Yard") is casted against type as the investigating officer (in the afore mentioned two Gialli he was an innocent and rather tragic suspect), and Erika Blanc does a good job as the inspector's wife who knows the killer quite well - unknowingly, of course.

The problem of the film is that it becomes arbitrary after a good start. Especially the identity of the killer doesn't convince very much, his or her motive as arbitrary as the maniac's identity. Also, some scenes with the inspector investigating are merely brought in to include fight scenes or nude scenes instead of pushing the plot forward. And for good measure, there is also a gang of thugs wearing Nazi-style clothes! All in all, "Una Libelula Para cada Muerto" surely is funny and interesting for Giallo collectors, but don't expect to watch a genre movie above average.