AVALIAÇÃO DA IMDb
7,3/10
32 mil
SUA AVALIAÇÃO
Versão cinematográfica da peça musical, apresentando as últimas semanas da vida de Cristo, contadas de forma anacrônica.Versão cinematográfica da peça musical, apresentando as últimas semanas da vida de Cristo, contadas de forma anacrônica.Versão cinematográfica da peça musical, apresentando as últimas semanas da vida de Cristo, contadas de forma anacrônica.
- Direção
- Roteiristas
- Artistas
- Indicado a 1 Oscar
- 3 vitórias e 13 indicações no total
Larry Marshall
- Simon Zealotes
- (as Larry T. Marshall)
Josh Mostel
- King Herod
- (as Joshua Mostel)
Kurt Yahjian
- Annas
- (as Kurt Yaghjian)
Paul Thomas
- Peter
- (as Philip Toubus)
Jeff Hyslop
- Apostle
- (as Jeffrey Hyslop)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
I saw the stage version as a teenager and memorized the entire record during the summer of 1971. I don't remember when I first saw the movie, but I hated it. I didn't think that the Broadway show translated well at all. I am watching it right now, however, and I finally get it. It is a marvelous piece of work.
I am appalled at the people who have criticized it for not being accurate to the New Testament, therefore, not relevant. Quite the contrary, I border on agnosticism and seeing this movie for the first time in 20 years has been a spiritual experience for me. It still speaks to me after 35 years.
I also can't believe people who dismiss the music in and of itself. Are you crazy?
I am appalled at the people who have criticized it for not being accurate to the New Testament, therefore, not relevant. Quite the contrary, I border on agnosticism and seeing this movie for the first time in 20 years has been a spiritual experience for me. It still speaks to me after 35 years.
I also can't believe people who dismiss the music in and of itself. Are you crazy?
I saw this film for the first time in the mid 70's at a cinema on a school organised outing, I remember being peeved as it was being shown on TV for the first time the same evening. I was aware of one or two of the songs but I had never heard the original concept album before hand so I really had no idea what to expect. I was transfixed from the Overture to the End Titles and probably have not had a more moving experience watching a film since. I have been a devoted fan of this film now for over 25 years and still find the occasional viewing moving. The film was unique, the first Rock Opera given the Big Screen treatment and this is still in my opinion the best of its genre. Of course the Music and Lyrics are the fulcrum of the film and the numerous album recordings are still popular now because the songs are so unforgettable but the performances of all the principle characters in this original film version give this interpretation a dynamic edge. All the cast probably give their definitive performances but without any doubt Carl Anderson as Judas is the real KING. Rest In Peace. For all you long term fans like me get the new Region 1 DVD special edition with improved sound and picture quality and extras especially the commentary with Norman and Ted- you'll cry your heart out. Thanks Carl, I will never forget the impact your performance has made on my life. Thank you ALW, Tim Rice and Norman Jewison for an unforgettable Spiritual experience.
10vpup01
My mom (a hard-core Lutheran) thought this movie, "Jesus Christ Superstar" would deepen our faith in religion. She took me (age 12), my brother (age 14), my sister (age 11) and several neighborhood kids all the way across town where our minds proceeded to be "blown" in the most amazing, positive way! Those were the days when you could stay and watch the movie over and over and over (without buying another ticket). I walked out of the Georgetown Theatre in Indianapolis, Indiana suddenly knowing that somewhere in this big bleak world, I may actually fit in for once. All the previously-boring religious training I'd endured (parochial school) suddenly made some kind of sense and my idea of who and what God is, was and could be was changed forever! I still watch this film when I feel down and out and always feel spiritually renewed. The dancing, costumes, singing, story, cinematography, not to mention the hippie-themed visual fun-fest continues to thrill and amaze me! I give it two thumbs way way way up! P.S. I watched it three times that August day back in 1973......best time I EVER invested.
The Lloyd-Webber and Rice musical comes to the screen, and is nothing like the stage show at all. The deserts are real, although the back story is that this is a theatre company, putting on a production in real locations.
The cast are largely session singers and unknowns - Ted Neeley, delicate and high-voiced as Jesus (particularly superb in `Gethsemane'); Carl Anderson, black and doe-eyed as Judas with hot soul vocals, Barry Dennen as Pilate, and Yvonne Elliman as Magdelene with her big number `I Don't Know How To Love Him'.
One loss for those who know the stage version is being removed from the crucifixion preamble, when the ghost of Judas sings `Superstar' - this was all video camera projection in the theatre, while in the movie we are detached observers. But at other times we get uncomfortably close. And the songs survive the transportation to a more realistic setting (except the added `Could We Start Again, Please?' which sounds rather too much like the Coca-Cola theme for comfort).
Best scenes? The one in the temple; Hosanna; and the Pharisees tapping on their scaffolding perches like crows.
The cast are largely session singers and unknowns - Ted Neeley, delicate and high-voiced as Jesus (particularly superb in `Gethsemane'); Carl Anderson, black and doe-eyed as Judas with hot soul vocals, Barry Dennen as Pilate, and Yvonne Elliman as Magdelene with her big number `I Don't Know How To Love Him'.
One loss for those who know the stage version is being removed from the crucifixion preamble, when the ghost of Judas sings `Superstar' - this was all video camera projection in the theatre, while in the movie we are detached observers. But at other times we get uncomfortably close. And the songs survive the transportation to a more realistic setting (except the added `Could We Start Again, Please?' which sounds rather too much like the Coca-Cola theme for comfort).
Best scenes? The one in the temple; Hosanna; and the Pharisees tapping on their scaffolding perches like crows.
This film is just amazing. Considering it's from an Andrew Lloyd Webber (English) musical it's incomprehensible to think that it has not yet had a Region 2 DVD release. (Universal, sort it out!)
Released in 1973, the film is very much of it's time. The music is a combination of Orchestra VS rock band, complete with Wah-Wah guitar and fat-back drums. This is a potent combination alone, but then add in the voices of Carl Anderson as Judas and Ted Neeley as Jesus and you have the recipe for musical meltdown. Carl Anderson captures perfectly the ability to convey Judas' emotions whilst singing. Ted Neeley does this also, portraying a a sympathetic and ultimately, heavily troubled Christ.
I am not a religious person, which, whilst helping me to form an unbiased opinion of this movie, would normally have deterred me from ever watching it in the first place.
...I'm glad I did!
This is the sort of movie I can watch over and over again. The scenery and cinematography are breathtaking, the music and the vocal performances are first class and in an interesting, inventive twist, 20th century military hardware is used by the Roman army, adding a surreal, artistic emphasis.
This is one of those movies you should see at least once before you die.
It is also one of my favourite movies of all time.
Released in 1973, the film is very much of it's time. The music is a combination of Orchestra VS rock band, complete with Wah-Wah guitar and fat-back drums. This is a potent combination alone, but then add in the voices of Carl Anderson as Judas and Ted Neeley as Jesus and you have the recipe for musical meltdown. Carl Anderson captures perfectly the ability to convey Judas' emotions whilst singing. Ted Neeley does this also, portraying a a sympathetic and ultimately, heavily troubled Christ.
I am not a religious person, which, whilst helping me to form an unbiased opinion of this movie, would normally have deterred me from ever watching it in the first place.
...I'm glad I did!
This is the sort of movie I can watch over and over again. The scenery and cinematography are breathtaking, the music and the vocal performances are first class and in an interesting, inventive twist, 20th century military hardware is used by the Roman army, adding a surreal, artistic emphasis.
This is one of those movies you should see at least once before you die.
It is also one of my favourite movies of all time.
Você sabia?
- CuriosidadesNorman Jewison managed only two takes of "The Temple" before he ran out of unbroken props, due to Ted Neeley's unrestrained energy when Jesus smashes everything.
- Erros de gravaçãoDifferences from the source material are not to be counted as goofs. Historical inaccuracies, such as tanks and guns in the year 0033, are also not counted as goofs, especially when related to artistic decisions.
- ConexõesFeatured in The Directors: The Films of Norman Jewison (1999)
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Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Jesucristo Superstar
- Locações de filme
- Dead Sea, Israel(King Herod's Song)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto mundial
- US$ 101.975
- Tempo de duração1 hora 46 minutos
- Cor
- Proporção
- 2.39 : 1
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By what name was Jesus Cristo Superstar (1973) officially released in India in English?
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