Isso não é Mesmo Chocante?

Can you really refuse a film with Edmund O'Brien, Ruth Gordon, Alan Alfa, Will Gerr, LIAM DUNN, LOUISE LASSER AND Lloyd Nolan?

Alan Alda: "Old people do not sleep in the nude!" How does he know? How many old people gas he slept with?

Ruth Gordon: "What kind of a pahty is this?"

So it does have some funny moments.

An improved version of the classic, but somewhat unreal, b/w romantic murder mysteries. A 70s classic.

Mount Angel, a small New England community inhabited mostly by seniors, is beset with a serial killer; the bachelor chief of police and his kooky assistant figure out the murderer's motive. "Isn't it Shocking?", an ABC movie-of-the-week scripted by mystery writer Lane Slate and directed by John Badham, is full of talent, yet it fizzles out somewhere along the way. The teleplay, the handling and the performances are all offbeat, yet not odd or unusual enough; the scenario is tinged with black comedy, but it isn't funny enough; and, worst of all, there's no guesswork needed in these killings because neither Slate nor Badham is interested in making the film a mystery (the killer is revealed to us right off). Alan Alda has the perfect dryly-eccentric manner for a role like this; if he were comically frazzled, it would add too much weight to the material (he gives the proceedings the cautiously light touch it needs). But there's no sympathy for the elderly victims (the first of whom, a woman, is found stripped), and the succession of funeral services is too gloomy. Badham doesn't provide any sting (or, conversely, any dark humor) to the narrative; he's determined to bend this thing towards the bizarre but, like the pun in the title, he lacks taste and finesse.

I've found, after seeing a dozen or so of them, that made for TV seventies horror flicks are generally good for seventy minutes of entertainment. This one looked really good considering the comments about it, so I hoped that I'd be in for one of the better ones; however, that wasn't the case. It's not that this is a bad film, but it's not all that good either and certainly isn't one of the better made for TV movies from the seventies that I've seen. The plot is interesting enough, and focuses on a small town where a bunch of old people are dying. There are certain similarities between the deaths, and it leads Sheriff Dan Barnes (Alan Alda) to investigate. The plot plods along at a relaxing pace, and there's not a great deal of suspense or interest, which is a bit of a surprise since director John Badham would go on to make the very suspenseful thriller 'Nick of Time'...though that was twenty two years later. The small town setting provides a good place for the film to take place, but this isn't taken advantage of to any notable extent, and the film simply boils down to a simple ending. Overall, this film isn't terrible; but it's not great either, and I can't really recommend bothering to track it down.

There have been a number of excellent films about murder and mayhem occurring in small towns. "They Only Kill Their Masters, "Sherlock Holmes & The Scarlet Claw", "Winter Kills", and "Five Card Stud" come to mind, and this 1973 ABC movie-of-the-week has got to be one of the very best ever made.

An increase in the death rate among the older residents of a small New England community is initially labeled as being due to natural causes. But something about it doesn't feel right to Daniel Barnes, the local chief of police. Barnes, (excellently played by Alan Alda) refuses to believe the official findings and begins an investigation to prove there's something rotten going on in his little town.

The excellent supporting cast includes Will Geer as a nicotine addicted coroner, Louise Lasser of "Mary Hartman, Mary Hartman" fame as the police station's wise-cracking receptionist, and Ruth Gordon cast to type as a dotty old lady who may be in danger of becoming the next senior to sign off.

Directed by John Badham of "WarGames" fame, the film maintains a superb balance between both the story's darker aspects and the folksy charm of the familial setting and characters. The method of murder alluded to in the movie's title is refreshingly unique and the film's tense climax features some surprising character revelation. There's even an action-packed car chase that, appropriate to the film's setting, takes place in a corn field.

Lane Slate's script is as funny as it is intriguing, and he clearly has a great feel for small town characters. The undeclared courtship between Alda and his receptionist, Lasser, is particularly fun to watch as they joke and natter away about bird watching and other mundane things because neither is willing to risk declaring to the other their true feelings. It's as endearing as it is amusing and the chemistry between these two actors is remarkable.

David Shire's score effectively captures the feel of the rural setting while injecting the right note of menace to reflect the darker and at times melancholy aspects of the story.

ABC Movies Of The Week were quickly shot and a mere 90 minutes in length, but for some reason the 2 hour TV-movies we get today seldom approach the quality of a little classic like this, and that truly is shocking.