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IMDbPro

Heavy Traffic

  • 1973
  • R
  • 1 h 17 min
AVALIAÇÃO DA IMDb
6,5/10
4 mil
SUA AVALIAÇÃO
Heavy Traffic (1973)
An underground cartoonist contends with life in the inner city, where various unsavory characters serve as inspiration for his art.
Reproduzir trailer1:58
2 vídeos
99+ fotos
Adult AnimationHand-Drawn AnimationSatireAnimationComedyDrama

Adicionar um enredo no seu idiomaAn underground cartoonist contends with life in the inner city, where various unsavory characters serve as inspiration for his art.An underground cartoonist contends with life in the inner city, where various unsavory characters serve as inspiration for his art.An underground cartoonist contends with life in the inner city, where various unsavory characters serve as inspiration for his art.

  • Direção
    • Ralph Bakshi
  • Roteirista
    • Ralph Bakshi
  • Artistas
    • Joseph Kaufmann
    • Beverly Hope Atkinson
    • Frank DeKova
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,5/10
    4 mil
    SUA AVALIAÇÃO
    • Direção
      • Ralph Bakshi
    • Roteirista
      • Ralph Bakshi
    • Artistas
      • Joseph Kaufmann
      • Beverly Hope Atkinson
      • Frank DeKova
    • 45Avaliações de usuários
    • 51Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Vídeos2

    Trailer
    Trailer 1:58
    Trailer
    Heavy Traffic
    Clip 1:21
    Heavy Traffic
    Heavy Traffic
    Clip 1:21
    Heavy Traffic

    Fotos124

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    Elenco principal26

    Editar
    Joseph Kaufmann
    • Michael Corleone
    Beverly Hope Atkinson
    • Carole
    Frank DeKova
    Frank DeKova
    • Angelo "Angie" Corleone
    • (narração)
    Terri Haven
    • Ida Corleone
    • (narração)
    Mary Dean Lauria
    • Molly
    • (narração)
    Jacqueline Mills
    • Rosalyn Schecter
    • (narração)
    Lillian Adams
    Lillian Adams
    • Rosa
    • (narração)
    Jamie Farr
    Jamie Farr
    • Arcade Owner
    Robert Easton
    Robert Easton
    Charles Gordone
    • Crazy Moe
    • (narração)
    Michael Brandon
    Michael Brandon
    • Voice characterization
    Morton Lewis
      Bill Striglos
        Jay Lawrence
          Lee Weaver
          Lee Weaver
            Phyllis Thompson
              Kim Hamilton
              Kim Hamilton
                Carol Graham
                  • Direção
                    • Ralph Bakshi
                  • Roteirista
                    • Ralph Bakshi
                  • Elenco e equipe completos
                  • Produção, bilheteria e muito mais no IMDbPro

                  Avaliações de usuários45

                  6,54K
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                  Avaliações em destaque

                  Bill21

                  Can someone help me here?

                  Can anyone give me one single reason why anyone should watch "Heavy Traffic"? I think it may be the worst film I've ever seen, and I'm saying that without a shred of hyperbole.

                  First, the animation: I know a lot of people find it charming, but it stinks. Yes, there are a few good sequences and some clever parts, but 95% is just crude and terrible. It's something that would have been much better if put into live action. Why animate something when it would be easy to show it live?

                  Second, the story. Where the hell is it? An "underground animator" (how cliche) hates his life and then goes out to become a pimp? Are you kidding me? There is no semblance of plot or logic. I know it's a "fantasy world" and all but that doesn't forgive Bakshi of not having any kind of plot whatsoever. A pathetic excuse for a script.

                  Thirdly, the stereotypes. Gays, blacks, Jews, Italians, the handicapped, everyone is fair game. And while I wasn't offended by these creations per se, I just found them lazy and uninteresting. Is there anything that separates Bakshi's Jewish mother from any other stereotype of a Jewish mother that you've ever seen?

                  I found this film a complete waste of time.
                  6Mr_Mirage

                  Twisted and bizarre... NOT for the Kiddies!

                  Heavy Traffic is everything you've heard it is... laced with some kind of bizzare sexual reference every other second (it seems) as well as totally insane violence, this brutal, bizarre and strangely sad film is worth one viewing, if for no other reason that to show that in the early '70's, Bakshi was pointing towards a concept of animated film that is only now hinted at.

                  I would suggest (okay, I AM suggesting) that a lot of Anime, and the useage of animated clips in both Natural Born Killers and Kill Bill (vol. I) point back to this particular film.

                  My take: watching the hero in "real time" is what the film is showing, with the animated bits being more inside of his head, until the end, where he is blown off by the beautiful woman that he dreams of, where we see one event that exists in his head (notice that it fails, but begins with an act of violence against the pinball machine, and also notice that the man playing with the artificial gunfighter is gunned down while a man >?< is getting naked in the photo booth) and another that ends with a sense that in a few seconds the Mary Tyler Moore theme song is going to begin.

                  What is real? Well, in the head of someone that creates movies held by the only boundries made inside one's own head, it is a pointless question...
                  ozzfan2

                  Artistic satire is often overlooked

                  A few previous critics of this work by Bakshi slam it for being "stereotypical" and thereby negative as a whole by implementing foul humor, language and at times even suggest that because it's a cartoon that it owes something to child-oriented animation. This is absolute pig swill. Bakshi's vision in Heavy Traffic is to present life on the streets as he knows it. His style is truly unique, overlaying animation onto real stills and film sequences to add to the New york flavor that exists throughout the film. An abusive Italian married to a worrying Jewish woman is part of our reality. Gays being abused and people having to worry about their jobs being taken by minority groups for less pay and benefits because they're more desperate than we are is part of our reality. Love regardless of skin color, and facing the consequences for it is SADLY part of our reality. By using animation, Bakshi is exercising his artistic abilities while setting it in times and themes he is familiar with. This film, along with the criminally banned Coonskin should be hailed as modern masterpieces not for their visual aspects, but for the truth lying beneath and his unabashed look at how life really is. Comparing this film to "Shrek" is like comparing the original Night of the Living Dead to the recent Dawn of the dead remake. Granted they're both horror, but they're lightyears apart and don't use any of the same effects techniques. One, like Heavy Traffic, was made for social commentary, whereas the remake, like Shrek, is merely for our homogenized entertainment values.
                  JeffHaas

                  Interesting effort that didn't age well

                  I just saw this for the first time on DVD. It's an excellent transfer.

                  Heavy Traffic must've been controversial back in '73, and caused quite a splash. But I really don't see why. This is a case where, if the movie had been made completely as live-action, no one would mention it today. The rambling and sometimes incomprehensible plot, extremely stereotyped characters, and subtle-as-a-Mack-Truck "social commentary" would've consigned this to a celluloid footnote.

                  Some of the animated sequences are clever, but without a strong plot and good characters, I found them to be interesting, but not compelling.
                  5gavin6942

                  Generally Disappointing

                  An "underground" cartoonist contends with life in the inner city, where various unsavory characters serve as inspiration for his artwork.

                  Another reviewer said that people who review this film poorly are either offended by the nudity or just do not get it. The nudity (and blood) do not bother me in the slightest -- fill the screen with as many animated sex organs as you feel necessary, for all I care. On the second point, it is possible I do not get it.

                  While I understand the animation was innovative for its time and that the film shows urban decay -- both with cartoons and actual locations -- I cannot help but think that it just has not aged very well. Some scenes I found excellent (such as the God segment), while others were completely forgettable. It balanced out to be average at best.

                  The New York Times called it the "most original American film of the year." Could they look back now and say that again? I am not so sure.

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                  Enredo

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                  Você sabia?

                  Editar
                  • Curiosidades
                    Half way into production as Bakshi was fired (before being re-hired). A different director stepped in and animated a train sequence in which Michael goes to visit his brother-in-law. He is on a subway and witness' a woman sleeping while two men begin to undress her. Michael just watches. As the woman wakes up, she screams "rape" toward Michael. This was in the original script, but was scrapped when Bakshi returned to the project, as he felt the scene was in bad-taste.
                  • Citações

                    Moe: Hey, It's Michael Corleone! What's you doin' now?

                    [makes pigeon noises]

                    Moe: What's you doin' now?

                    Michael: Hey, crazy man! How come you're not down in your basement?

                    Moe: Well, I, I came to kill your pigeon, boy.

                    Michael: Ah, that's bullshit, Moe, you're probably peekin' down at the ladies.

                    Moe: Yeah! My peekin' days long shut down, Michael.

                    [sadly]

                    Moe: I ain't there no more. I just ain't there.

                    [plays his harmonica]

                    Michael: Ah, you're just a crazy nigger, Moe. Just a goddamn crazy nigger.

                    Moe: We's all niggers, boy! Ha ha! You an' me, just goddamn crazy niggers! We's all niggers boy. Most of us don't know it yet.

                    Michael: [passing a joint to Moe] Hey, listen, you want some of this shit?

                    Moe: Even your pigeon's a nigger! Ha ha ha ha ha! That's why I'm gonna kill him.

                    Michael: Moe, you ain't gonna do shit!

                    Moe: Moe: I just ain't there. Every - everybody plays like they there... but they ain't there. I ain't there. Your pigeon ain't there! He flies high like he there, but he don't fly 'less you open that cage. And he got to come back 'cause he's trained to! He ain't there.

                  • Versões alternativas
                    In 1974, the film was cut and rereleased with an "R" rating, replacing the previous "X" rated version.
                  • Conexões
                    Edited from Rua 42 (1933)
                  • Trilhas sonoras
                    Take Five
                    Composition by Paul Desmond

                    Performed by Dave Brubeck Quartet

                    Courtesy Columbia Records

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                  Perguntas frequentes16

                  • How long is Heavy Traffic?Fornecido pela Alexa

                  Detalhes

                  Editar
                  • Data de lançamento
                    • 17 de novembro de 1973 (Suécia)
                  • País de origem
                    • Estados Unidos da América
                  • Central de atendimento oficial
                    • Official site
                  • Idiomas
                    • Inglês
                    • Italiano
                    • Iídiche
                  • Também conhecido como
                    • Starker Verkehr
                  • Locações de filme
                    • Nova Iorque, Nova Iorque, EUA
                  • Empresas de produção
                    • Cine Camera
                    • Steve Krantz Productions
                  • Consulte mais créditos da empresa na IMDbPro

                  Bilheteria

                  Editar
                  • Orçamento
                    • US$ 950.000 (estimativa)
                  Veja informações detalhadas da bilheteria no IMDbPro

                  Especificações técnicas

                  Editar
                  • Tempo de duração
                    1 hora 17 minutos
                  • Cor
                    • Color
                  • Mixagem de som
                    • Mono

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