Balada Sangrenta

Though the low budget of this film is obvious, it is an amazing story, nonetheless so because it's based on a true one! It's also sometimes quite beautifully filmed.

What seems like it will be a simple country-boy-makes-good-in-the-city fairytale turns into a darker story of ego, searing poverty, class warfare, and a lust for fame. At first we're drawn to the Ivan, then gradually repulsed.

The compelling plot is built on a fantastic set of characters that weave a chillingly accurate portrayal of Jamaica in the late 60's -- a tapestry of desperately poor but infinitely resilient people.

To those IMDb reviewers who thought the story immoral - would you say the same thing about Bonnie & Clyde, Scarface, or Cagney's Public Enemy? This movie examines the effect of despair, desperation, and ambition. It's not a fairytale -- grow up.

Jimmy Cliff comes to the city with dreams of becoming a recording star. It's a tough racket and he sells the rights to his first record for $20 -- Jamaican dollars. He falls into the ganja trade. When the authorities, at the urging of the United States, bears down, and Cliff withholds the protection money he's been paying. When the higher-ups bear down, he goes on a spree, and the notoriety puts his record on the hit parade.

It's a very good movie, except for a lot of ancillary issues. It was the first movie for Cliff, for the director, and for a Jamaican movie in the patois. It also has a fine musical score, including some hits by Cliff and his band, including the title song and "You Can Get It If You Really Want." It played internationally, and did very well; its view of Jamaica and Jamaicans remains unique to this day.

I think "The Harder They Come" has been cut and re-cut many times over the years. I saw a current version of it recently, and it was not the same film I saw in 1972. There were many scenes I recall that were missing. I suspect no one commenting about the film on this site has seen the original 1972 release.

I have read that it was originally a revolutionary film, but was reduced to an anti-drug cliché diatribe through much re-editing.

When you saw it, did you see the following two things:

(1) On two occasions, when Jimmy Cliff's character got caned, they showed him stretched over a barrel with his penis hanging through a hole. Then he lost his water when the policeman hit him. They showed a close up of his penis hanging there with water coming out.

(2) When his character's new record became popular, a scene with a highly effeminate DJ, who used "love" and "lover" in every sentence, taking a telephone request for the record. "Hello Lover, this is Bob's love line. What do you want to hear, Lover?" Or some such.

I did not see these scenes when I saw the film recently, and I am sure there must have been many other things that were not the same as in 1972 original.

Does anyone know how to obtain and authentic 1972 version of this film?

Mike

This film is a perfect example of the Jamican city struggle, this film is a real depiction of Jamaican people. Technically it is poorly shot and edited, but if you can look past these issues you will have a greater understanding of Jamaican people, the struggles faced and a realization of how the ghettos developed. I lived in Kingston Jamaica in the 80s as a youth, through innocents I loved every part of Jamaica the music, food, people, beaches and weather but not the history or politics which a later learned more about. Jamaica has developed a society through mislead innocents of the youth, selfish politicians who cared for money and power created what Jamaica is today. Imagine coming in from the country as so many did in the 60's & 70's and learning the only work you could find was selling drugs or robbing, Oh no you wouldn't do that? but when a human being begins to starve they will do almost anything to survive it is instinct. This movie is about exactly that survivalist instinct and tendencies.

It has been said of many films, but this one was indeed "ahead of its time". It is a love story, social commentary, political manifesto and comedy all rolled-in-one. You can't help but like Jimmy Cliff's character. He's trying to cut a record, romance a preacher's daughter, and "get what's his" all at the same time.

This film is especially important in the history of Black film, I would say, since the character of Ivan is clearly portrayed as a complex character. Even the cinematography conveys the idea that "black is beautiful" (remember the (semi-)nude scene in the lake? Can't say enough good things about it. See it, you won't be sorry!