Girls Are for Loving

Say what you want, Cheri Caffaro is an amazing (and committed) screen presence. I can't comment on her acting since it's really beside the point.

Fearless nudity, she sings two numbers wearing almost nothing and puts it all out there. Can she sing? Again, beside the point.

She gets tied to a table fully nude for about 10 minutes.

What's the plot? Who cares?

Who else is in it? Who cares?

Is it a good or bad movie? Who cares?

You're just going to fast-forward anyway.

This third movie in the "Ginger" trilogy also has the benefit of Jocelyne Peters as the villain who also fearlessly does her full frontal nude scenes (and is also tied to a table for 10 minutes totally naked.)

Can Ms. Peters act? Who cares?

Soft-core, sexist, misogynistic trash like this, is, again, the reason fast-forward buttons were invented.

This was the third and last of the B movies written and directed by Don Schain, that featured Cheri Caffaro as Ginger, a private investigator whose activities frequently result in her losing her clothing and finding herself in sexually compromising situations - both welcome and unwelcome. It appears to have been the one with the highest budget, and it clearly suffers from the problem that each new film in such a series has to outdo all the previous ones in several important respects if the interest of the viewers is to be maintained. This is a common problem with many film series. It effectively and quite quickly destroyed my interest in the (not dissimilar) James Bond series where more and more exotic, unreal, and unnecessary special effects were felt to be necessary in each new film.. Since the two later Ginger films each attempted to outdo the first one in their exploitation of both sex and violence, it may be as well that there were no more than three of these films. For example, this film opens with a sequence showing raiders attacking a holiday chalet, torching it and murdering the couple on vacation there. This sequence is a perfect example of gratuitous and unnecessary violence -even granting that these events had an important role in the story, they could have been covered more effectively by filming a briefing session for Ginger in which these events were featured only through newspaper, TV or police reports.

I saw all three of these films soon after they were first released, but until very recently had not seen them since. However when commenting to IMDb on a more recent film of the same genre, I found myself spontaneously commenting that the films in the Ginger series had been much better, so I recently re-watched both this film and "Ginger", the first one in the series, to determine whether this impression was an illusion which would be destroyed if I watched them again. I quickly appreciated that my favorable memories of these films were undoubtedly coloured by the facts both that they broke new ground at the time they were released, and that I was watching them through the eyes of relative youth. However I believe there were other reasons why I did find them less forgettable than the many other films of the same type which I must have seen since, and I have discussed these reasons in the comments I am simultaneously submitting to IMDb on the film "Ginger". Here I would like to comment primarily on some other aspects of these films.

When these films first appeared, Cheri Caffaro a native of Miami was widely referred to as a Brigitte Bardot look alike; and, as she showed more acting ability than most of the stars of the B movies of the period (admittedly not much acting is required in this class of film), there were suggestions that she might well be able to move on to mainstream Hollywood parts. She did in fact act in several films other than the Ginger films, but these were all typical B movies as the Hollywood system at the time created a barrier between the studios producing B movies and those producing mainstream films which was almost impossible to penetrate. (Even Marilyn Monroe, after succeeding in mainstream films, encountered major problems when it was revealed that she had previously posed for figure studies for a still photographer.) This rather rigid distinction stopped most attempts to produce B movies with any real artistic qualities, and the Ginger films were all straight sexploitation movies. Their audience was primarily young couples visiting drive-in cinemas or attending the late night showings at conventional movie houses, and the main attraction for the woman was watching a private investigator who could put both male colleagues and adversaries in their place, whilst that for the man was nudity and more nudity. (After all, he had done the right thing by taking his girl to the cinema, otherwise he could have been in the local bar with his pals watching the strippers!) Clearly the stars of such films had to be prepared to deliver, and there is no point in criticising their roles on this score. Nevertheless the men in the audiences also usually expected some measure of violence, as well as threatened violence when one of the "good guys or girls" was captured by the gang. As my comments about the opening sequence of this film indicated, I am old fashioned enough to believe that such violence should be limited to circumstances where it is a necessary part of the story line. But not everyone would agree with me so perhaps this is also not a valid criticism.

However in this film Ginger showed quickly that she was a threat to the conspirators and, with the example of the first sequence in mind, it seems clear that she should have been a target for immediate elimination by them if she was captured. Instead when this occurred her captors amused themselves by trying to excite her sexually. This is the sort of highly improbable incident that certainly fits in with the theme of the movie but does not fit with the basic story line. Such concerns must affect the evaluation of a movie by a critic, but do not usually have much influence on its acceptability to its intended audience. After considering all such issues, I am left in the position where I feel that this was a well made movie of its kind, and was much better than many of its later imitations. It deserves a reasonable rating based on this assessment, but it could never receive the type of high rating one might give to a film which attempts to leave its viewers with a significant message or conclusion to think about. Six out of ten.

The third of the 'Ginger' series and the one that had all the money spent on it. For much of it's length this is a cheap, crap Bond wannabe. But it also wants to have it's gutsy, attractive star, Cheri Caffaro naked most of the time (when dressed she has a different costume every time) and it also wants to be a bondage movie. So, along the often tedious way but especially during the more concentrated last half an hour we get lots of tying up culminating, it has to be said, in a couple of super naked spread eagle tie downs. Even that is not all. Our bound girls are told by the other (on both occasions) that they will be raped whilst in this restricted position AND that they will not be able to resist enjoying it. I cannot recall another film where this idea of women trying NOT to enjoy the forced act is made so explicit. The fact that with the role reversal revenge we get it all again with exactly the same connotations rams home the point (as you might say)!

This is the last of the "Ginger" movie series and had a higher budget than the first two films. Bridgette Bardot look-alike Cheri Caffaro is back as Ginger, a private investigator hired by the CIA to infiltrate a spy ring.

The movie opens with a man and a woman making love in a small A-frame lodge. Suddenly the bad guys burst in and grab the man as the woman runs, naked, out into the snow where she is caught by a bad guy and bound to a tree. He, being a bad guy, promptly has sex with her and then, with a broad grin, shoots her. In fact, at various points in the film, all of the evil people show broad grins (must've been part of the Evil Guy recruiting campaign - "Ok, fill out this form and show me your grin.")

The mastermind behind the spy ring is a woman, Ronnie St. Claire, and the CIA has hired Ginger to bodyguard the next probable victim of St. Claire's ring. Sure enough, Ginger and her escort are kidnapped and tied up naked and tortured (well, actually more like taunted and fondled) by St. Claire and her henchmen. Not a girl to lay around, Ginger manages to escape from her bonds and with the help of her escort she captures St. Claire and ties her to the same table to which Ginger had been tied. The kidnapped diplomat/spy that Ginger had been sent to recover is then told to molest St. Claire so that she'll regret ever having been Evil.

In between the beginning of the film and the end, just about everybody ends up naked and bound in one way or another. One interesting scene is: two Evil henchman have been captured and bound naked with their hands above their heads. Actually, they aren't completely naked - they've been dressed in metal jock straps that have an electrical wire poking out right about where their manhood is supposed to be. Ginger flips a switch and the Evil Guys twitch a bit as Ginger gets them to reveal secret information about St. Claire and the hide-out.

And then there's the scene where Ginger, as a test by St. Claire, is strapped naked to a table and told to resist the efforts of her henchman to get her aroused. She fails the test, of course. This scene is repeated at the end, only its St. Claire bound naked on the table and molested by the diplomat. What goes around comes around.

Worth seeing if you don't mind 1970's "B" movie quality film. See the commennts for the first two films, too.

Girls Are for Loving is the final film of the "Ginger" trilogy. It is also the strongest film of the series.

Once again Ginger is on the case. She and her friend Jason are hired by the FBI for a case. Beautiful redhead Ronnie is the villain this time out in Ginger's toughest assignment yet. Per the usual Ginger uses all of assets to get the job done.

There's all the sleazy sex and nudity that we've come to expect from a Ginger movie. However, the story and is more fast paced and action packed than the previous two films, "Ginger" and "The Abductors". If you enjoyed both of those films you'll enjoy "Girls Are For Loving" too!