Amor e Anarquia
Título original: Film d'amore e d'anarchia, ovvero 'stamattina alle 10 in via dei Fiori nella nota casa di tolleranza...'
AVALIAÇÃO DA IMDb
7,7/10
3,7 mil
SUA AVALIAÇÃO
Quando os fascistas assassinam um amigo, um fazendeiro se instala em um bordel romano, enquanto ele e uma prostituta anarquista conspiram para assassinar Mussolini.Quando os fascistas assassinam um amigo, um fazendeiro se instala em um bordel romano, enquanto ele e uma prostituta anarquista conspiram para assassinar Mussolini.Quando os fascistas assassinam um amigo, um fazendeiro se instala em um bordel romano, enquanto ele e uma prostituta anarquista conspiram para assassinar Mussolini.
- Direção
- Roteirista
- Artistas
- Prêmios
- 4 vitórias e 3 indicações no total
Avaliações em destaque
I saw this film two times in 1973 and a few years later again in art cinemas in the United States. I vividly remember the opening line, "I'm off to kill Mussolini. Screw the rest." While Fox Lorber put this film on DVD in 1997, it is now unavailable and sells for $37 used. I bought a made-in-China copy for $5 on Ebay. I was a bit upset when the first title read only "I'm off to kill Mussolini." I wondered why the change? Anyways the rest of the DVD seemed fine.
This is an amazing film. The acting by everyone is superb, with Giancarlo Gianini giving a performance that won him a best acting award at the Cannes film festival and should have won him an Oscar. He is Chaplinesque, but not imitative of Chaplin or anybody else. It is one of the most sympathetic performances ever given. In many scenes, he doesn't talk, but you sense his feelings of anger or sadness. His mass of freckles on his face make him look more like a 14 year old than a man planning a major political assassination. Mariangela Melato is sexy, foul-mouthed and hilarious. She also manages to make you believe that she is both a cynical prostitute and a politically and culturally aware anarchist. Lina Polito is the young prostitute with hope. She gives a performance similar to and as wonderful as Liza Minnelli in "Cabaret."
The musical score by Federico Fellini's main composer, Nino Rota, is energetic and terrific. It often counterpoints the action on the screen, bringing us away from it, and making some harsh scenes seem comical, but it also heightens the playfulness or menace in other crucial scenes. He won an Oscar for the Godfather Part II a few years later, but he deserved one here too.
This is a tribute to the European nihilist and anarchist movements of the 1800 and 1900's. It is also powerfully anti-fascist.
This is great and enthralling film-making. It is Lina Wertmuller's best film and still stands out today, nearly 40 years later, as a great historical and humanist work of art. It is sad that more people do not know about it and have not had the opportunity to experience it.
Having seen about 6,000 films (150 films X 40 years), I would put this one in the top twenty.
This is an amazing film. The acting by everyone is superb, with Giancarlo Gianini giving a performance that won him a best acting award at the Cannes film festival and should have won him an Oscar. He is Chaplinesque, but not imitative of Chaplin or anybody else. It is one of the most sympathetic performances ever given. In many scenes, he doesn't talk, but you sense his feelings of anger or sadness. His mass of freckles on his face make him look more like a 14 year old than a man planning a major political assassination. Mariangela Melato is sexy, foul-mouthed and hilarious. She also manages to make you believe that she is both a cynical prostitute and a politically and culturally aware anarchist. Lina Polito is the young prostitute with hope. She gives a performance similar to and as wonderful as Liza Minnelli in "Cabaret."
The musical score by Federico Fellini's main composer, Nino Rota, is energetic and terrific. It often counterpoints the action on the screen, bringing us away from it, and making some harsh scenes seem comical, but it also heightens the playfulness or menace in other crucial scenes. He won an Oscar for the Godfather Part II a few years later, but he deserved one here too.
This is a tribute to the European nihilist and anarchist movements of the 1800 and 1900's. It is also powerfully anti-fascist.
This is great and enthralling film-making. It is Lina Wertmuller's best film and still stands out today, nearly 40 years later, as a great historical and humanist work of art. It is sad that more people do not know about it and have not had the opportunity to experience it.
Having seen about 6,000 films (150 films X 40 years), I would put this one in the top twenty.
Giannini at his best , a cult wertmuller movie that has been forgotten but it's a very good movie not only for Italian public but also for cinema lovers of all genres. it's the story of a poor man , Tunin which he must kill Mussolini during a ceremony. So he stayed for a couple of days in a house where there are women that offer sexual lends by paying. Tunin will fall in love with two of them and that will be negative for his mission. The excellent acting and the lina wertmuller's directing made this film a masterpiece and a realistic portrait of Italy of the '30. Giancarlo Giannini and Mariangela Melato are really wonderful and they show that Italian acting is at American level
Giannini is hilarious as a dim-witted hayseed anarchist, who, en route to assassinate Mussolini falls in love. An exuberant, vital, full throttle feast of a film, mostly set in a lusciously decadent Roman brothel, where Wertmuller, (who also wrote the very witty script) successfully directs the extraordinary (and excellently acted) characters through wild changes of mood, and juggles powerful politics, tender romance, horrible farce and tragedy with exceptional flair. Rotunno's photography is delicious; the unusually potent period atmosphere is splendidly captured by Enrico Job (Mr Wertmuller) and the music by Rota/Savina is perfect. Wertmuller at her most accessible.
10PWNYCNY
Excellent movie. Fast-paced, witty, earthy, entertaining dialog that tells a compelling story. That coupled with excellent acting, great continuity, and an unconventional setting makes this movie a special entertainment event. The movie also dramatizes the life of those on the margins of society and takes the audience on an emotional ride, generously spiced with conflict, arguments, squabbles, reconciliations and above all comradeship and friendship as the story takes a group of otherwise unsavory characters and elevates them to the level of real, but unsung, heroes who, hiding behind their masks of moodiness and bravado, have consciousness and really do care and are willing to act on it. Can a foulmouthed prostitute and a half-deranged peasant be heroes? Is a brothel a legitimate setting for hatching political conspiracies? Are those who society usually despises capable of heroism? This movie is about love and heroism and shows that even the most downtrodden are capable of great acts of personal selflessness. Great movie.
I saw this movie in the 1980s but it remains an all time favourite. It is a terrific story with a range of characters who demonstrate extremes of character. The women are sexy and smart and they are critical to the story. The music by Nino Rota is wonderful and delicately placed within the story. There are many memorable scenes. The stars Giancarlo Giannini, Mariangela Melato, and Lina Polito are perfect for their roles and there are many other notables including Eros Pagni who is the brute given charge of the black shirts. I've watched this film at least a dozen times and I plan to watch it many more before I return to the earth. I commend Love and Anarchy to you.
Você sabia?
- CuriosidadesErrico Malatesta, who is quoted at the end of the film, was an Italian anarchist propagandist and revolutionary socialist. He edited several radical newspapers and spent much of his life exiled and imprisoned, having been jailed and expelled from Italy, England, France, and Switzerland. After World War I, he returned to Italy where his Umanità Nova, an anarchist newspaper, had some popularity before its closure under the rise of Mussolini. Malatesta was a committed revolutionary. He believed that the anarchist revolution was inevitable and that violence would be a necessary part of it since the state rested ultimately on violent coercion.
- Cenas durante ou pós-créditosBefore end credits: "I wish to repeat my horror that attacks, which besides being bad in and of themselves are also stupid, because they harm the very cause they are trying to serve...But those assassins are also saints and heroes...And they will be celebrated once the brutal facts are forgotten, and all that is remembered is the idea that inspired them and the martyrdom that made them saints.--Errico Malatesta."
- Versões alternativasFor the initial American release, editor Fima Noveck created a prologue which featured a montage of photos of Mussolini, along with a crawl explaining his rise to power and the violent activities sanctioned in his name during his reign.
- ConexõesFeatured in Dietro gli occhiali bianchi (2015)
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- How long is Love & Anarchy?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Idioma
- Também conhecido como
- Love & Anarchy
- Locações de filme
- Parrocchia Santissima Annunziata, Piazza Reg. Margherita, 6, 04016 Sabaudia LT, Itália(Tunin cases the outside of the church)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto mundial
- US$ 965
- Tempo de duração2 horas 4 minutos
- Mixagem de som
- Proporção
- 1.85 : 1
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By what name was Amor e Anarquia (1973) officially released in India in English?
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