Sparsh

Sai Paranjape's films always deal with situations and characters, which one can easily identify with, and her 'Sparsh' is a nostalgic movie. The film upholds an important principle that the disabled want to live independently, to be accorded the dignity and respect other sectors of society are granted.They don't want sympathy, rather they want and need normal behaviour towards them.

Anirudh Parmar (Naseerudin Shah), a visually impaired young man, runs a school for the blind as a principal.He works towards making his students self-reliant and hates the society for pitying people like him.One evening, at a party, he meets Kavita (Shabana Azmi), a young widow, and offers her to teach in his school.

Reluctant at first, Kavita eventually joins the school. She starts enjoying the company of the blind children and they too feel comfortable with her. Gradually, Anirudh and Kavita fall in love and get engaged. However, after some time, Anirudh starts having doubts whether this marriage is going to succeed. He feels he is being demeaned, and pitied, and hence breaks their engagement. He even tells Kavita not to come to school anymore.However, Kavita, who really has love for blind children, translates famous stories for them in brail. Will Anirudh realize her passion and take her for what she is?

A method artist, Naseeruddin Shah studied the behavioral characteristics of blind and came up with an amazing performance, winning himself the National Award for Best Actor.

Apart from critical appreciation,'Sparsh' also won 3 Filmfare Awards.

(Best Director— Sai Paranjape Best Dialogue—Sai Paranjape Best Film—Basu Bhattacharya)

This was back in the 1970's, when Naseerudin Shah was heralded as one of the leading lights of the parallel cinema.His principal of a blind school, who forms a life-affirming relationship with Kavita, left a lasting impression.

Paranjape made a sincere attempt to tell both sides of the story, with a rare unsentimental equilibrium, dealing with the complexes embedded in the minds of both the characters.

As opposed to the general notion of Indian movies, this is not a regular run-of-the-mill film.

It is a sensitive movie, with intense performance by Naseeruddin Shah in the role of a self-respecting visually-impaired principal of a blind school, who hates the society for pitying people like him. He works towards making his students self-reliant. Shabana Azmi plays a social worker who has a troubled personal life supporting him as a volunteer. The movie depicts the relationship between the 2. The pride of the man and the sympathies of the woman are the cause of turbulence in their relationship.

Fantastic movie. This movie is an example of real cinematic artform. It also has an authentic flavour of Indian movie culture. This is pure and really heartfelt. Naseeruddin Shah was magnetic to watch. also loved the performances of om Puri and Shabana azmi

This movie deals with people with handicaps – one is bitter due to blindness and the other is depressed due to heart break. Society tends to glorify blindness as a bigger handicap than heartbreak. The movie poignantly shows that both are debilitating and need a lot of work to overcome. Kavita and Anirudh are fortunate in discovering each other. Their individual handicaps first help them in working together, then bonding together and then tears them apart. A well-wisher has to step in ultimately to bridge the gap.

There are some endearing scenes with the kids and the dialog is very engaging. The sequence where Anirudh describes his perception of Kavita's beauty deserves special mention for its poetry. Both Naseer and Shabana excel in their minimalist style.

This movie was having the best actors who performed their best and yes the story was simple but directed in a brilliant way. Director tried to catch small details in the life of blind people. Relationship between the lead pair was the best part of movie . Undoubtedly shabana, naseer saab, om puri n smita patil(not in this movie) are the best that could have happen to Indian Cinema.