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Salto nel vuoto (1980)

Notícias

Salto nel vuoto

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Anouk Aimee, French star of ‘A Man And A Woman’, dies aged 92
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Anouk Aimee, the French actress who received a best actress Oscar nomination in 1967 for A Man And A Woman, has died aged 92.

Aimee died at her home in Paris. Her death was confirmed by an Instagram post from her daughter Manuela Papatakis, which read, “With my daughter, Galaad, and my granddaughter, Mila, we have great sadness to announce the departure of my mother Anouk Aimée.”

Born Nicole Francoise Florence Dreyfus in Paris in 1932, she made her film debut aged 14 in the role of Anouk in Henri Calef’s The House Under The Sea. She kept the name for her career,...
Veja o artigo completo em ScreenDaily
  • 18/06/2024
  • ScreenDaily
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Anouk Aimee, French star of ‘A Man And A Woman’, ‘La Dolce Vita’, ‘8 1/2’, dies aged 92
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Anouk Aimee, the French actress who received a best actress Oscar nomination in 1967 for A Man And A Woman, has died aged 92.

Aimee died at her home in Paris. Her death was confirmed by an Instagram post from her daughter Manuela Papatakis, which read, “With my daughter, Galaad, and my granddaughter, Mila, we have great sadness to announce the departure of my mother Anouk Aimée.”

Born Nicole Francoise Florence Dreyfus in Paris in 1932, she made her film debut aged 14 in the role of Anouk in Henri Calef’s The House Under The Sea. She kept the name for her career,...
Veja o artigo completo em ScreenDaily
  • 18/06/2024
  • ScreenDaily
Anouk Aimée
Anouk Aimée, Enigmatic Star of ‘A Man and a Woman,’ ‘La Dolce Vita’ and ‘8 1/2,’ Dies at 92
Anouk Aimée
Actress Anouk Aimée, the sophisticated French beauty who graced the films of Federico Fellini, Jacques Demy, Sidney Lumet, Bernardo Bertolucci and Claude Lelouch, has died. She was 92.

Aimee’s daughter said in an Instagram post on Tuesday that the star died at her home in Paris without providing further details.

Perhaps best known for her role opposite Jean-Louis Trintignant in Lelouch’s A Man and a Woman (1966) — for which she received an Oscar nomination for best actress and won a Golden Globe — Aimée also starred in such art house standouts as Fellini’s La Dolce Vita (1960) and 8 1/2 (1963), Demy’s Lola (1961), Jacques Becker’s Montparnasse 19 (1958) and Bertolucci’s Tragedy of a Ridiculous Man (1981).

Her career kicked off in the late 1940s and lasted all the way through a reunion with Trintignant in The Best Years (Les Plus belles annees), Lelouch’s 2019 epilogue to A Man and a Woman.

With more than 80 feature credits,...
Veja o artigo completo em The Hollywood Reporter - Movie News
  • 18/06/2024
  • por Jordan Mintzer
  • The Hollywood Reporter - Movie News
Exclusive: Marco Bellocchio Retrospective Coming to NYC’s Quad Cinema Ahead of Kidnapped
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With over six decades of an illustrious filmmaking career, Marco Bellocchio’s latest feature, Kidnapped: The Abduction of Edgardo Mortara, will be coming U.S. theaters later this month from Cohen Media Group. A story once in the hands of Steven Spielberg to adapt, the 84-year-old Italian director’s latest work follows Edgardo Mortara, a seven-year-old Jewish boy who was taken from his family in Bologna to be raised Catholic in the actual arms of Pope Pius IX. Ahead of the May 24 release, we’re pleased to exclusively announce NYC’s Quad Cinema will be presenting the retrospective “Marco Bellocchio’s Film of Revolution,” taking place May 17-23.

See the lineup below.

Fists in the Pocket In the Name of the Father A Leap in the Dark Enrico IV Devil in the Flesh Good Morning, Night Marx Can Wait

Bellocchio also shared a personal statement ahead of the retrospective, which one can read below.
Veja o artigo completo em The Film Stage
  • 08/05/2024
  • por Leonard Pearce
  • The Film Stage
Michel Piccoli Dies: French Cinema Star From ‘Le Mépris’, ‘Belle De Jour’ Dies Aged 94
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Prolific French actor Michel Piccoli, well known for his memorable performances in seminal European movies Le Mépris (Contempt) and Belle De Jour, has died aged 94 his family has confirmed to French media.

Piccoli starred in more than 200 movies during an acclaimed stage and screen career which began in the late 1940s and lasted until 2015.

Piccoli worked with iconic directors such as Jean-Luc Godard, Luis Bunuel, Jean Renoir, Alfred Hitchcock, Jacques Rivette and Jean-Pierre Melville. His collaborations with Godard included 1963’s Contempt and 1982’s Passion while multiple collaborations with Spanish director Buñuel included 1967’s Belle de jour, 1969’s The Milky Way and 1972’s The Discreet Charm Of The Bourgeoisie.

The film vet won the best actor prize in Cannes in 1980 for Marco Bellochio’s A Leap In The Dark and a Silver Bear in Berlin two years later for Pierre Granier-Deferre’s Strange Affair. He received four Cesar nominations.

The actor...
Veja o artigo completo em Deadline Film + TV
  • 18/05/2020
  • por Andreas Wiseman
  • Deadline Film + TV
Vincenzo Cerami obituary
Italian screenwriter, novelist and poet who formed a successful partnership with the film director Roberto Benigni

Although he was a respected novelist and poet, Vincenzo Cerami, who has died aged 72 after a long illness, was perhaps best known as a screenwriter, thanks to his long partnership with the director Roberto Benigni. The pair co-wrote six films and had their greatest success with La Vita è Bella (Life Is Beautiful, 1997), which starred Benigni as a Jewish internee in a concentration camp, desperately pretending to his young son that it is all a game. The film won three Oscars and had a further four nominations, including for best screenplay. "Knowing Vincenzo was a gift," said Benigni, "because he taught people's hearts to beat."

On their early films together, Cerami was not able to totally sublimate Benigni's excesses as an actor. Nevertheless, Il Piccolo Diavolo (The Little Devil, 1988), Johnny Stecchino (1991) and Il Mostro (The Monster,...
Veja o artigo completo em The Guardian - Film News
  • 24/07/2013
  • por John Francis Lane
  • The Guardian - Film News
Popcorn Preview: We Have a Pope
Film: We Have a Pope (Habemus Papam) (2011) Cast includes: Michel Piccoli (A Leap in the Dark), Nanni Moretti (The Son's Room), Margherita Buy (Days and Clouds) Director: Nanni Moretti (The Caiman) Genre: Light Drama | Comedy | Satire (102 minutes) Crowds gather in St. Peter's Square to pray and to wait. It's a sea of scarlet as 108 cardinals make their way to the Sistine Chapel for the conclave. Journalists struggle for scraps of information... a hopeless pursuit. Once they finally get the lights turned on in the Sistine Chapel, the cardinals get down to the task of voting. When each has written a name on his ballot, he signals that he's finished by tapping his pen. As the votes are counted, most cardinals have a similar silent prayer... "Not me. Oh Lord, please not me." Although Cardinal Gregory gets the most votes in the first round, the vote isn't decisive. The smoke is black.
Veja o artigo completo em Moviefone
  • 06/04/2012
  • por Leslie Sisman
  • Moviefone
Marco Bellocchio to receive Golden Lion for Lifetime Achievement at Venice
Marco Bellocchio in A Bela Que Dorme (2012)
Marco Bellocchio

Italian filmmaker Marco Bellocchio will be awarded the Golden Lion for Lifetime Achievement at the 68th Venice International Film Festival.

The new version of Bellocchio’s Nel nome del padre (In the Name of the Father, 1971) will be screened at the festival following the awards ceremony for the Golden Lion, in the Sala Grande at the Palazzo del Cinema. This version is not a restoration, but an entirely new, “current” work, culled by the director from the original film’s material. The original film was released in 1971.

He is known for his works: Nel nome del padre (1971), Marcia trionfale (Victory March, 1976), psychological drama Il gabbiano (1977), Salto nel vuoto (A Leap in the Dark, 1980), Diavolo in corpo (Devil in the Flesh, 1986), La condanna (The Conviction, 1991), Il sogno della farfalla (1994), Il principe di Homburg (The Prince of Homburg, 1977), La balia (The Nanny, 1999) Buongiorno, notte (Good Morning, Night, 2003) and L’ora...
Veja o artigo completo em DearCinema.com
  • 11/05/2011
  • por NewsDesk
  • DearCinema.com
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