Assassinato a Sangue Frio

From the Joseph Wambaugh book of the same name comes a frighteningly true story of two police officers and two robbers whose career paths in life fatally cross one night in 1963 in a bizarre execution murder in Bakersfield Ca and the justice systems handling of it all. The film can't match the book but does hold up well. The casting of the various characters is amazing as they resemble in great detail the actual people they are portraying. The film airs on Television from time to time but be sure if you see it it's on a channel that will not edit it in the slightest. To be on the safe side rent it. James Woods and Franklyn Seales stand out in their performances.

Watching the Onion Field is like being in the trial it portrays. Overlong, boring and ultimately unsatisfying the film drags on until its uninteresting ending which resolves nothing and leaves you wishing you hadn't wasted the last two hours of your life. The opening of the film has some promise. The characters seem to have some potential but after the plotless first half hour you begin to care less and less. Then, after the first 45 minutes almost an entirely new cast of characters is introduced badly and for the rest of the film we really have no reason to care about them. The characters who were introduced early on suddenly disappear into the background and resurface occasionally in scenes that have little or no impact. The film is filled with unnecessary scenes which neither advance the plot or the characters and simply make the film drag moreso. The only character we are really introduced to and care about is Ted Danson and when he's gone the rest of the characters are strangers to us. Overall the film doesn't go anywhere and in the end you know little of what happened after the shooting and in the end you really don't care.

Ted Danson usually is found jokin' and schmoozin' in sit-coms. But there's no jokin' or schmoozin' in this movie. Here, Mr. Danson plays a police officer who is brutally murdered by two no-account thugs while his partner, completely terrified, looks on and does nothing and then is methodically hunted and only by sheer luck escapes. Remember, the two thugs actually kidnap and terrorize not two hapless civilians, but two police officers armed with their weapons. The message of this movie to me is clear: if this can happen to two police officers, it can happen to anyone, so beware. This is a powerful movie, not only because of the story, which is intense and provocative, but also because of the acting, which offers chilling portrayals of two psychopathic criminals who offer no apologies for their wanton and heinous acts and of an emotionally shattered police officer who is experiencing a nervous breakdown secondary to post-traumatic stress exacerbated by his overwhelming feelings of guilt over having done nothing to save his partner's life. This movie also shows how the criminal justice system reduces this act of terrorism to the level of being just another case as the case drags on for years in the courts. Indeed, the tragedy and terror of the event soon becomes eclipsed by the sheer mountain of legal paperwork it generates in the courts. This is a great movie which is based on an excellent book, which in turn is based on an actual event.

Joe Wambaugh penned this script and told the story of one of the most shocking cases in Los Angeles Police history. Wambaugh was the only man qualified to tell this story since he came out of the ranks of the Los Angeles Police Department.

The story was not just a typical cop story where the cops always win. Rather, it was a story of the tragedy of a lost life, the broken life of another, and the tragic lives of two pathetic, small time killers who would spend the majority of their lives in and out of prison. It was this case that changed Los Angeles police policy from that time on.

The cast was little known at that time. Who would have thought Ted Dansen would go on to TV fame? Who would have thought James Woods would become a big screen actor? The rest of the cast, including John Savage and the late Franklyn Seales would remain a part of the landscape and gain their own fame.

As for Wambaugh, he is one of my favorite writers because of all of the great cop projects he would do: "The Blue Knights," "Police Story" and others.

Some days I really wish for dramas like those especially in these days of mistrust of cops...hey, it's a tough job laying down your life every day of your life. A movie like this might open the eyes of many and change some attitudes.

A Los Angeles cop and his partner stop a car at night for a minor traffic violation. The car contains two petty criminals. One of the criminals panics, and orders the two cops into the car, at gunpoint, and then commands one of the officers to drive the car out to the desert. Near Bakersfield, the car turns off onto a lonesome dirt road next to an onion field. Shortly thereafter, a violent confrontation occurs. Not everyone survives.

With a plot that is direct and easy to follow, "The Onion Field" tells this story in a straightforward manner. There are almost no plot twists or turns. And the film has a breathtaking sense of authenticity. Indeed, the film's kidnapping scene takes place at the intersection of Carlos and Gower, the exact location where the real life kidnapping occurred.

The film's pacing is rather slow. Scenes tend to be lengthy, with emphasis on character development. The first half gives us a snapshot of the everyday lives, both of the cops and of the two thieves. It also describes the kidnapping incident that brought them together, and the ordeal on the deserted road. Much of the second half takes place in a courtroom setting, as we see how the criminal trial plays out. This second half of the film renders a scathing indictment of the American judicial process.

The film's cinematography is fine, if perhaps somewhat dark. The background music is low-key and appropriately ominous. Production design is adequate.

Based on Joseph Wambaugh's book, the screen story itself is the strength of the film. But the acting also is quite good. James Woods, Franklyn Seales, and Ted Danson are all convincing in their roles. John Savage gives a great performance too, despite his tendency to talk as if he's got marbles in his mouth.

Fact-based films have an inherent advantage over fictional films, in my opinion. And, "The Onion Field" is made with such authenticity, with such a sense of purpose and dedication, it easily makes my list of the best crime films of the 1970s.