Somente Você e Eu

This hidden gem makes a lot of modern "comedies" look like the wastes of time they are. This is social commentary farce at its best. A "street smart" teen girl who is in trouble with a criminal "boyfriend" getting her fanny pulled out of the fryer by a more than able but branded "senile" (even by his own daughter) older man. This film is a perfect look at where we are now and how younger generations need to sometimes stop and be silent before they cause more trouble. At 42, I can say that because I can see precisely where Kate went wrong and where Bill did everything right. LOL

Now in all seriousness, this is a brilliant work, with an icon of the previous generation working with someone who would later become an icon of the next, in a light and breezy but very likable and coherent plot of a comedy. Two people with absurd individuals around them finding common ground, but his was supposed to be a bomb?? This film was made for an audience that had not matured yet, and now it is being seen by many as the classic it is.

Less than a half hour in, and I already love this!

Some favorite parts: George Burns singing, the score of the film, the way his kitchen looks, a young and beautiful Brooke Shields, and just the light tone of the whole thing! Gosh, I just love it! Because of this movie, I will now have to check out other George Burns films, because I am now hooked! Though this is not the first movie I've seen him star in, it's the first time I've been present enough to really pick up on what I charming screen presence he has!

Update: Finished it, and what a top notch cast! I wasn't expecting so many memorable people, such as Christopher Knight from The Brady Bunch, Burl ives, and others. This is so worth seeing!

Side note: I have quite a little crush on George Burns, I've just realized. I'm quite smitten with his voice and demeanor.

"Just You and Me, Kid" was never issued on VHS or (as of this date) DVD despite starring Brooke Shields and George Burns. Watching the movie, it's pretty clear why no one at Columbia Pictures thinks this movie has a potential audience. The main reason for this movie's failure is its sorry script. Although it aims to be a warm-hearted comedy, it succeeds at neither of those things. It's hard to get involved with Shields' character, who is written to be not very likable, and made worse by Shields' inadequate performance, which generates zero chemistry with Burns despite his valiant effort. There are no laughs to be found, partially due to the fact that the movie for a great deal of time tries to be serious, but also due that the few attempts at humor are lame and without energy. The rest of the movie is also directed in a lacklustre fashion; as other user comments here have noted, apart from some fleeting nudity and some mild language the movie feels like it was made for television. To sum up, this movie was a waste of time for its stars as well as its audience.

I've never understood why this movie has not made it to VHS or DVD. Would it be contractual problems, maybe? Carl Ballentine, Key Luke, Burl Ives..never mind the obvious; that all of George Burns needs to be available. Nothing deep, just light and entertaining. Brooke Shields was good, and so was everyone else. I'd like to have Bill's alarm clock too. The car and the pylons, the breaking pencils, the grocery store carry-out boy, and George Burns typical, poised response are the little things that add up to make us keep chuckling. Too many movies aim for "zany" or "wacky" or "hilarious" and fall flat. Sometimes chuckling is all we need. Bring on the DVD.

After his best friend Jack Benny passed away in 1974, George Burns took over his role in Herbert Ross's brilliant adaptation of 'The Sunshine Boys,' winning himself an Academy Award for Best Supporting Actor in the process. Burns enjoyed something of a career resurgence, going on to make five films in the next five years. 'Oh, God!' might be the best of the lot, or Martin Brest's 'Going in Style.' It certainly isn't 'Just You and Me, Kid,' a movie so misjudged, saccharine-sweet and predictable that watching it sometimes feels like a form of cruel and unusual punishment.

Burns stars as a vaudevillian comedian whose quiet life is upended when he finds Brooke Shields in the trunk of his car, who is fourteen, naked and on the run. The kindly Burns agrees to shelter the girl, as the cartoonishly cruel drug-dealers she's escaped from are closing in. The two form a friendship as time marches steadily on, with outside forces constantly threatening to separate them and send Shields back to the criminals. Together, however, they may just take down the drug-dealers once and for all; if Burns and his magic tricks have any say in the matter.

'Just You and Me, Kid' is a poorly written, unimaginative and tonally muddled film that tries in vain to balance drama and light comedy. Leonard Stern's direction is uninspired- in fact, he doesn't seem to have directed the actors at all. Burns really just plays himself, which he's very good at, so it isn't a problem. Shields, though, was very young and could have probably used someone to guide her performance. As it is, she's ridiculously wooden and something of a talent vacuum- it's a pity that she didn't have a more hands-on director to help her, or a good script to work with.

She and Burns have nothing interesting to do together except recite overly cutesy, maddeningly bland lines from the lackluster, predictable screenplay. The comedy is so weak and formulaic that the laughs just don't come. Strangely, the story is full of unnecessary darkness as well- like the inclusion of the drug-dealers- that is at odds with the tone of the rest of the film. There are also many cheap jokes about Burns relationship to Shields, which are really unpalatable, and the dialogue overall is stilted and trite. The supporting characters are all caricatures of little to no depth and the cinematography is flat and ugly.

The most egregious aspect of the film is the fact that Burns is brilliant, and his scenes without Shields have a sad, gentle power. He is effectively playing himself- a widowed comedian in his eighties- and does so effectively. To see him alone going about his business- whether he's remembering his departed wife, visiting a comatose pal, singing a tune or entertaining youngsters with his magic tricks- may not be an original experience, but it is an entertaining one (as well as a glimpse of a better movie that could have been made instead of 'Just You and Me, Kid'). Burns was such a genuinely charming presence that when it's just him, the film almost works.

Why the writers felt the need to destroy what could have been a simple comedy-drama about an aging comedian by concocting this Brooke Shields on-the-run story is unfathomable. Though Burns is terrific, this film is lazy, unfunny and disappointing. While young Shields' wooden performance in the film may not be her fault, it's still a serious problem- though even if she had the talents of a young Jodie Foster the film would still be a dud. The lack of originality from the director- and in the screenplay- doomed this film to the realm of mediocrity long before the cameras started rolling. 'Oh, God!' this is not.