Haunted

Gloriously goofy low budget shocker from writer / co-producer / director Michael De Gaetano; it's so laughable so often that one has to believe he basically had his tongue in his cheek the entire time. They also know that when the opening text / exposition makes them laugh, that can be a direct indicator of what's to come. 100 years ago, a proud young Indian woman is framed for theft and sentenced to ride her horse - topless - throughout the desert until she dies. Well, that's somewhat novel, at the least. Then a century later, a lost British lass comes upon an Arizona community where a dysfunctional family resides in a run down old movie studio - a lass who just might be the reincarnation of that long ago Indian woman. Another thing that sets this little movie up quite well right away is the uproarious, overwrought disco theme song "Indian Woman" sung by Billy Vera of "At This Moment" fame. This itself is indicative of the melodrama to come as thuggish Andrew (Aldo Ray) and blind Michelle (Virginia Mayo) reminisce. The two veterans are a total hoot what with their histrionics; Ray completely turns on the intensity and nuttiness as Andrew becomes more and more unhinged - and homicidal - as the story progresses. Meanwhile, Michelle's son Patrick (likable enough Jim Negele) becomes fond of the stranger in town, played by lovely Ann Michelle ("House of Whipcord"). She actually comes off the best, even if her character(s) are very thinly written; she's quite easy to watch (and shows off her breasts for the appreciation of all those watching); Brad Rearden ("Hi- Riders", "The Silent Scream") is stuck with an annoying role as the bratty younger brother Russell. On location filming in Arizona *is* one appreciable asset, as well as a decent music score by Lor Crane, and a pretty enjoyable final act that culminates in an intense full body burn. "Haunted" does work fairly well as an amusing bit of wild 'n' wacky nonsense; De Gaetano does have a good feel for the bizarre, starting with the perfectly silly idea of having a phone booth installed in a cemetery in order to set up one of his most surreal touches. If all of this sounds right up your alley, then by all means dive right in. The movie is absurd but not without some charms. Six out of 10.

This film was in most video stores during the 80s but hasn't been seen much in the past few years. Though it's no horror classic, it does have a unique flavor. It was filmed in 1976 but only released 3 years later. It's better than most of the many made-for-video horror fests. Haunted is set in a desert ghost town and features great photography. The storyline is about an attractive female visitor to the town who looks just like a woman who was executed in the same area 100 years ago. Haunted is very low budget. There are only about a dozen people in the cast but the film is still competently made and has some eerie moments. It also has some unusual folk songs (in fact,a soundtrack from this movie was released, how many horror movies can say that?) The film's poster is a bit misleading as it shows a person impaled on the letters in the title. However, the film's body count is very low and the blood and guts is almost non-existent. Not that it matters though as the story will keep viewers hooked. Haunted's chief asset is Aldo Ray. Once upon a time, Ray worked in major Hollywood productions but by this time, he was taking any part that was offered. At the start, Ray's character is nasty. He then gets nastier and nastier while the film goes on. By the end, he is really off the deep end. One may wonder if he is acting or going nuts in real life while the scene is being shot! In any event, Haunted is one of the few obscure horror films that is worth your time!

I worked as a wrangler during the old west parts of this production wrangling up to four horses. Aldo Ray was difficult as he was always drunk and production was always waiting for him to show up. The western scenes were filmed at the old Apacheland Movie Studio east of Apache Junction Arizona. Working the set I felt like a high school drama class could have done a better job.

"Haunted" starts with a prologue written on the screen and, immediately after, the same text is processed into a sequence as well. It certainly isn't the biggest blunder you can make, but it does somewhat illustrate the intelligence level of the film. Either you do a written text or you do a sequence, but not both. Then again, the pre-opening credit sequences, taking place during the US Civil War, are undeniably the best parts of the entire film.

A beautiful Indian woman gets falsely accused of witchery by a corrupt priest, and she's sentenced to a very strange and perverse death. The poor girl, named Abanaki, is tied to a horse, stripped naked, and then sent into the dry and hot desert to die. Some say - and I quote the prologue - that her spirit roamed around for more than a hundred years for revenge. And guess what happens a hundred years later!

"Haunted" is also the type of clichéd horror film in which characters reincarnate as exact replicas of their ancestors. The corrupt priest reincarnates as a grumpy ranch owner, and Abanaki returns as a beautiful traveling girl whose car breaks down at that same ranch. This film had the potential to be a simple but effective supernatural horror tale, but writer/director Alessandro De Gaetano stuffs his screenplay with lots of senseless nonsense, dead-end twists, dull sub plots, and insignificant supportive characters. There's a phone booth in the middle of a cemetery, sinister wooden statues without any purpose, an elderly blind lady playing the organ and fantasizing about sex with her deceased husband (while she actually has the plump and hairy Aldo Ray on top of her), and two dorky brothers chasing after the lewd Abanaki-reincarnation.

I can tolerate quite a lot of weirdness, but the complete lack of action and gruesome deaths in "Haunted" is unforgivable. There's one notable highlight, involving spilled petrol and a spark from a light bulb, but it's not enough. De Gaetano put too much time and effort in the dedicated soundtrack, and the casting of Anne Michelle (in a successful attempt to find a girl with perfect breasts).

This 1977 low-budgeter follows a dysfunctional family residing on an Arizona movie ranch/former mission, who have apparently befallen to a curse placed by a Native American woman accused of witchcraft a century prior.

"Haunted" begins in good grindhouse fashion with an inter title prologue and a topless Native American woman being forced to ride a horse into the desert to die. Fast forward a century later, and the mission from which she was ousted is now a movie ranch being renovated by two brothers; their uncle (Aldo Ray) also resides there, along with their widowed blind mother (Virginia Mayo). The arrival of a young woman, Jennifer--who may or may not be the Native American woman, reincarnated--disrupts the already muddied familial waters.

While there is little by way of logic or followthrough here a far as narrative is concerned, "Haunted" at least succeeds for its propensity for the surreal. Completely bizarre elements, such as a phone booth being installed in a cemetery at the ranch, appear in the film with little to no explanation, and their function as plot devices seems shaky and utterly random. The plot itself predates something like the Salem witch trials-inspired "The Devonsville Terror" in that it focuses on an alleged witch returning a century later to avenge her death, but "Haunted" is much less cohesive and much weirder.

There is some great desert cinematography here, and the film is extremely atmospheric. It is all punctuated by a cheapie folk music soundtrack which was written and recorded for the film, and actually released on vinyl(!) The cast here range from inept to serviceable. Aldo Ray is at his most disheveled, while Virginia Mayo leans heavily into a soapy, melodramatic portrayal of the blind mother whose supernatural ravings may not actually be delusion. Brad Rearden, who some genre fans may recognize from "The Silent Scream," portrays the younger of the two brothers.

All in all, "Haunted" is a reasonably amusing oddity whose entertainment value mainly derives from the slipshod production and sheer strangeness that tends to come from B-grade fly-by-the-seat filmmaking of this era. It is certainly the only film I've ever seen in which spirits contact the living via a cemetery phone booth on a movie ranch--and for that, it's at least something. 6/10.