A Morte não Marca Hora

All the characters are here, and in fine fashion too: Trav, The Alabama Tigress, Meyer, and of course Miss Agnes. At times steamy and violent, this one captures the essence of the author's tale and moves along at a swift pace. As in all of the McGee stories we have a "broken bird" a mystery to be solved, and antagonists whose "wires are crossed." Smith is outstanding as the body building, demented Terry Bartell, and a fine musical score make this one fine viewing.

Maybe this movie got chopped up a bit after its original release, as I've read, but it was not a model of clarity to begin with. By sheer chance, I saw it when it was having its world premiere in the summer of 1970, and I couldn't always follow what was going on.

I was a college student visiting downtown Miami for the first time when I noticed the marquee. I knew nothing about the "Travis McGee" character. The only reason I walked into the theater was because I had never seen a world premiere before.

I couldn't keep a handle on the plot, and I think that weakened the impact of the ending for me. Still, I was favorably impressed overall, because the action was so gritty and realistic. I especially liked the performances of Rod Taylor and William Smith, who were both well known to me. Their big fight scene was as memorable as everybody says.

Suzy Kendall, whom I had never heard of before, was easy on a young man's eyes. But her character was undefined. She seemed like a decorative jewel that men were willing to die for, and I never got a sense of her as a real person.

Since that afternoon so many years ago, I have had the pleasure of reading several Travis McGee novels. I like them very much. If I ever wind up seeing the movie again, maybe I'll understand it better.

A great detective film. The usually underrated Rod Taylor gives a gripping performance, holding his own against scene stealer William Smith. The ending features one of the greatest fight scenes ever filmed involving ,basically, only two men. I was not too framiliar with Travis McGee before this film but have since become a fan. And Suzy Kendall is always fun to look at

I've never read any of the novels by MacDonald so I can't comment on book to film accuracy.On the other hand,I'm a huge fan of both Rod Taylor and William Smith.It took me almost ten years to get my mitts on a copy of this manly movie masterpiece.It's got some foreign subtitles on it but who cares,this movie's climactic brawl lived up to every bit of it's hype.No goofy chop sockey stuff just good old fashioned, beat the living hell outta the other guy moves.Taylor and Smith use every thing but the kitchen sink on each other.It's true that the only movie fights that come close are From Russia With Love (who doesn't love seeing two football hooligans like Connery and Shaw trying to kill each other but I digress) and the final throwdown between Rod Taylor and Peter Carsten in Dark Of The Sun.This movie is a holy grail for manly movie fans but all the way worth it.Let's hope it finds it's way to DVD in it's pure,unedited form soon,hopefully with commentary by Taylor and Smith.

I saw Darker Than Amber 34 years ago, and it made an indelible impression on me. Perhaps it was because the realistic fast paced action and suspense, which is commonplace today, was a breakthrough at the time. I would compare it with some of the action scenes in Steve McQueen's Bullitt. I was reading John D. MacDonald's Travis McGee novels long before this movie came out, and being a Rod Taylor fan, this was the icing on the cake for me. Taylor brought McGee to life, a no nonsense, tough as nails guy, a Bond without the gadgets and gimmicks. I certainly wish the Production Company/Distributors would put it out on DVD, so everyone else could enjoy it. It could most assuredly become a cult classic.