Amor em Chamas

While the story is set in the context of world war 2, what it's really about is the difference between men who are now called 'alpha' and 'beta.' One is a brash, self-confident, risk-taking narcissist; the other is a high-achieving, highly educated, planner. Women often wish to marry the latter, and make love with the former. Ms. Down faces this issue.

Overall, an excellent discussion, and depiction, of this particular kind of dilemma.

The movie begins in London, with the American pilot (alpha) and the British nurse conning each other, trying to fake each other out for a place on a bus. This game is interrupted by v-2 rocket bombing, and a real, and intense, emotional bonding. Much later, the nurse's husband (beta) is introduced, and we discover he is a high-ranking official with the British military. The story develops from there, with a somewhat improbable pairing, and a spy mission. It is suspenseful, but is really a romantic drama.

I don't understand all of the negative comments about this movie. It's not like they set out to make another Gone With The Wind, people. I usually hate this kind of movie, but I loved this one! Ford was just beginning to come into his own as an actor, and did a wonderfully believable job. The plot, though a bit predictable, at least went about it in a reasonable way. Entertaining way to spend a couple of hours. I guess I'm just one of those people who doesn't understand what movie making "art" is all about. I've seen a lot of critically acclaimed films that I wouldn't use to balance a short table leg.

"Hanover Street" is the kind of movie people like to pick apart because the SS Sgt. didn't render the proper Hitler salute or the uniforms were wrong or because the B-25 wasn't flown over Europe but mostly in North Africa. Well, I imagine the B-25 sets were left over from Catch 22, which used B-25s, and there was a shortage of SS uniforms at Elstree Studios when this movie was filmed. It doesn't really detract from the film. These are bits of entertainment -- not a masters level thesis. I have to say this is an "adult" movie that probably wouldn't be made today. If filmed today (late 2005), then there'd be a lot more emphasis on wise-ass remarks to the commanding officer and silly, stilted lines like "If I lost you then I'd just die ... oh I'd just die." Pretty much along the lines of 2001's awful Pearl Harbor. The love story is really more about honor and sacrifice than love, and reflects closely wartime England when many single, and probably married, English women dashed off with "heroic" Yanks -- which gave way to the British saying about Americans: "Over paid, over sexed and, bloody well, over here." There's a lot of action in this movie and a lot of tension that builds up at the right moments. Is it a big, blockbuster movie like "Raiders of The Lost Ark?" No, but it's got a good script, the cinema-photography is outstanding and the score is perfect. Aside from Catch 22, there's not a lot of places you can see REAL B-25s lining up for takeoff in a film (sorry, again the Pearl Harbor CGI doesn't cut it for me) and the fear-laced banter between Ford's bomber crew seems closer to the real thing than the heroic bull from other movies. If there's a gripe I've got about this film it's Ford's haircut. You can see a lot of detail and expense in the Hanover Street set, the Blitz and even the airfield. Everybody looks up to 1940s standards and the set has that smoke-filled, perpetual autumn look that seems to be what people associate with early color films from the World War II era. However, Ford's 1978 shag kind of ruins the mood. Maybe he couldn't cut his hair because "Empire Strikes Back" was due to start lensing soon after "Hanover Street" went into post production ... who knows, but it detracts from the detail paid to the extras and the set. Still, "Hanover Street" is a good film.

One of my female friends once told she hated "Memphis Belle but she liked this film. It is not hard to see why. It is more of a Barbara Cartland style romance than an action adventure movie.

One interesting point is that former RAF /USAAF airfield at Bovingdon was used for filming. It was previously used as the location for a number of air movies such as "633 Squadron","Mosquito Squadron" and "The War Lover". By the time "Hanover Street" started filming in 1978 it was disused and derelict so the aircraft were only filmed with very long lenses to avoid showing the background clearly.

The film suffers from too many historical and technical errors to be taken seriously by WW2 buffs. For example there is a discussion about "light " and "heavy flak" which makes it clear that writer/director Peter Hyams thinks these terms refer to the number of guns employed whereas in fact they refer to the calibre of the weapons. For example a target defended by 100 x 20 mm guns is defended by "light" flak while a target defended by a single 88mm gun is defended by "heavy" flak.

There is also a scene where the two heroes are pursued by a Hetzer tank destroyer,a vehicle whose only role is the destruction of enemy armour and would be singularly unsuited to the task of pursuing enemy agents.

On the credit side John Barry delivers his usual excellent score.

Hanover Street is one of those old fashioned wartime romances so popular on both sides of the pond during and after World War II. At a time when a lot of people and nations united to defeat a generally recognized menace to civilization folks were in a sacrificing mood.

American flier Harrison Ford and British army nurse Lesley Anne Down meet on Hanover Street and the chemistry is high voltage electric. Soon they are in an affair, but Down doesn't tell Ford she's already slightly married to Christopher Plummer.

Plummer is in British Intelligence, a researcher and a trainer, but yearns for some field action feeling that Down might see him in a better life as he has suspicions that she's drifting away. Wouldn't you know it he takes on a field mission that involves him pretending to be an S.S. officer and he's to go to some S.S. headquarters in occupied France and steal some vital plans. This is the kind of plot that was popular during World War II years. The most famous were those sought after 'letters of transit' in Casablanca.

That field mission puts him on Harrison Ford's bomber and when it's hit both have to bail out and Ford becomes part of the mission.

Hanover Street is so old fashioned though Ford seems to borrow a bit of Han Solo from the future in his portrayal of the flier that it really belongs in the Forties. Only that Ford and Down are actually shown if discreetly having a sexual relationship that the Code would never permit you would swear this was a Forties film. In fact think Casablanca if want to know how this ends.

If you like romances, Hanover Street is for you.