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IMDbPro

À Procura da Verdade

Título original: Getting Straight
  • 1970
  • R
  • 2 h 4 min
AVALIAÇÃO DA IMDb
6,3/10
1,8 mil
SUA AVALIAÇÃO
À Procura da Verdade (1970)
Official Trailer
Reproduzir trailer3:01
2 vídeos
23 fotos
SatireComedyDramaRomance

Adicionar um enredo no seu idiomaA Vietnam vet and former social radical is conflicted by his desire to become a teacher and his sympathy with anti-establishment student protests.A Vietnam vet and former social radical is conflicted by his desire to become a teacher and his sympathy with anti-establishment student protests.A Vietnam vet and former social radical is conflicted by his desire to become a teacher and his sympathy with anti-establishment student protests.

  • Direção
    • Richard Rush
  • Roteiristas
    • Robert Kaufman
    • Ken Kolb
  • Artistas
    • Elliott Gould
    • Candice Bergen
    • Robert F. Lyons
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,3/10
    1,8 mil
    SUA AVALIAÇÃO
    • Direção
      • Richard Rush
    • Roteiristas
      • Robert Kaufman
      • Ken Kolb
    • Artistas
      • Elliott Gould
      • Candice Bergen
      • Robert F. Lyons
    • 33Avaliações de usuários
    • 32Avaliações da crítica
    • 58Metascore
  • Veja as informações de produção no IMDbPro
  • Vídeos2

    Getting Straight
    Trailer 3:01
    Getting Straight
    Getting Straight: In A Hurry
    Clip 0:34
    Getting Straight: In A Hurry
    Getting Straight: In A Hurry
    Clip 0:34
    Getting Straight: In A Hurry

    Fotos23

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    + 16
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    Elenco principal25

    Editar
    Elliott Gould
    Elliott Gould
    • Harry Bailey
    Candice Bergen
    Candice Bergen
    • Jan
    Robert F. Lyons
    Robert F. Lyons
    • Nick Filbert
    Jeff Corey
    Jeff Corey
    • Dr. Edward Wilhunt
    Max Julien
    Max Julien
    • Ellis
    Cecil Kellaway
    Cecil Kellaway
    • Dr. Kasper
    Jon Lormer
    Jon Lormer
    • Vandenburg
    Leonard Stone
    Leonard Stone
    • Lysander
    William Bramley
    William Bramley
    • Wade Linden
    Jeannie Berlin
    Jeannie Berlin
    • Judy Kramer
    John Rubinstein
    John Rubinstein
    • Herbert
    Richard Anders
    Richard Anders
    • Dr. Bill Greengrass
    Brenda Sykes
    Brenda Sykes
    • Luan
    Jenny Sullivan
    Jenny Sullivan
    • Sheila
    Gregory Sierra
    Gregory Sierra
    • Garcia
    Billie Bird
    Billie Bird
    • Landlady
    Harrison Ford
    Harrison Ford
    • Jake
    Elizabeth Lane
    • Alice Linden
    • Direção
      • Richard Rush
    • Roteiristas
      • Robert Kaufman
      • Ken Kolb
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários33

    6,31.7K
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    Avaliações em destaque

    6David-240

    Disturbingly homophobic and paternalistic

    Even for its period, I found this film's attitudes to women and gay men disturbing and this took away from my appreciation of it as a well-made film which, in many ways, has its heart in the right place. Women seem expected to serve their men both domestically and sexually and Candice Bergen's character puts up with some horrendous abuse from Elliott Gould's character - more so than most liberated educated women of that time would do. Then there is a crack early on about Arizona being a good place to live because of its low rate of homosexuality. And Nick tries to get out of the draft by pretending to be a stereotypically effeminate gay man, with Gould repeatedly using the 'F' word to describe him. And then there's the argument in the last scene. I suspect the writers just wanted the academic to say something absurd but the choice they made suggests that there is something inherently wrong in being gay and/or that academia has been taken over by gay men pushing their "homosexual agenda". Of course it is then up to our heterosexual male hero to violently protest against this. Perhaps the students' rights campaigns of this time were paternalistic and homophobic and this film just reflects that, but I hope at least some of the people at that time had a more progressive way of looking at the world.
    4moonspinner55

    "A man who doesn't believe in the cause doesn't believe in himself!"

    Elliott Gould is bemused and colorful as a Vietnam veteran back in college, stuck between a rock and a hard place; he's working semi-seriously towards getting his teaching credentials, and yet is stymied both by his fellow classmates who want to protest the hypocrisies of the Establishment (with Gould's help) and also by his instructors, hypocrites in power who work by a double standard. Director Richard Rush occasionally does fluid work, and the film has fervently funny and thoughtful scenes, however Robert Kaufman's hot-headed screenplay, adapted from Ken Kolb's novel, is awash with half-realized ideas. The kids sound off violently against the university's directors, but we're never made aware of what they want done about their concerns. Made during an era wherein young people hoped to change the world (as well as get laid), the characters in this picture are nevertheless just sounding-boards for the writer. Topics are brought up not to be discussed but to be challenged--and in these cases, the kids are just as blind as their professional elders. Gould's shaggy character rants and raves, too, but his Harry Bailey presents a different problem: he cheats, he lies, he cuts corners, he heartily embraces his own set of values and yet is happily corrupt! A hypocrite himself, Bailey loves teaching, loves kids, but he doesn't see his own shortcomings...and I'm not sure the filmmakers do, either. Bailey is a one-sided writer's creation (and oddly, for a movie filled with so many liberal stances, Bailey--like many of the other characters--is anti-female and homophobic). Candice Bergen gives a wan performance as Gould's shiksa goddess girlfriend who doesn't like being called a WASP and who would give up everything to be a wife in the suburbs. Bergen is continually put down for that, as if she's a sellout, and yet how exactly would Gould live if he were to achieve his dream of being a high school teacher? As it is, he can't even pay the rent on his apartment. The riot sequences are staged for utter seriousness, filmed and edited with precision, and yet they don't come organically out of this story; they are interjected for shock value. The rage presented here is convincing, but the cause is confusing. These students don't seem to want peace at all, and neither does director Rush. The narrative is pushed towards violence for no other purpose except to vividly stage two movie riots. This is exploitation, and the crummy feeling one gets from the picture can be related right back to the people behind it: they're hypocrites, too. ** from ****
    8shepardjessica

    Early Rush, Curly Gould and Pretty Bergen!

    This so-called exploitive campus revolt film from 1970 actually has some wonderful things going on in it. (I can't believe I still have the soundtrack and recently got the video). Elliott Gould was at the peak of whatever powers he had as leading man, without Donald Sutherland to play off (M.A.S.H.) or Dyan Cannon(B&C&T&A - supporting role), and he's perfect as Harry (who I think is in every scene). Candice Bergen was never more beautiful (still learning to act after five years in film - and right before Carnal Knowledge), and throw in Jeannie Berlin, Harrison Ford (not boring for a change), and a host of other young up-and-comers at the time, along with Jeff Corey (James Dean's acting teacher, who played elder Hickock in In Cold Blood, and Wild Bill Hickock in Little Big Man) as Gould's semi-mentor, with campus revolt in a frenetic, casual (until later) sort of way.

    I know a lot of people worship The Stunt Man directed by the same man, Richard Rush ten years later ( and that film is better than this; but not that great), but he did have his own style (I'm not sure what happened to his sensibilities or career). Throw in Robert F. Lyons as Gould's buddy (does anybody remember that guy?) and there's real possibilities, not politically, but in those areas of film that carry over into thought and heart and hope. This is not even close to being a definitive campus revolt flick from that time, but it has aspects (every other scene almost) that have stature ABOUT real topics with semi-interesting characters along the way, without taking SIDES about Viet Nam or rebellion. If you come across it, you'll find some other actresses and actors that were well on their way (if yo're interested in that) and the ending is strange, but somehow appropriate in an uplifting and yet depressing way. It's worth anyone's time who is, at all, interested in that time period (concerning youth vs. establishment). To make a long story short, it's not some dopey, campus comedy with nudity and platitudes and wise-cracks (except for a few scenes concerning Gould's car and landlady).

    It's nothing important to convey the ideals, emotions, and contemporary feel of that era, but it hits some spaces and is also funny in a human way that is appropriately not cynical (even for then).
    7editor-187-980918

    Watch the apple...

    The first time I saw this movie was in a drive-in movie when I was in high school (just make a left turn at the submarine races and you'll find it). and the film opened uniquely enough to keep me from ignoring it for better things to do.

    As the opening credits rolled, the students were tossing this nice red apple across the campus, looking at it, smiling or laughing, and tossing it on to someone else. This kept up all the way through the credits until it drove you nuts. What the hell was on that apple that was so damned fascinating?!?!? Just when the credits ended, the camera angle changed over this student's shoulder and you could see that someone had carved (very neatly, mind you) into the apple, the following message: "THERE IS NO GRAVITY--THE EARTH SUCKS" I have never forgotten that opening scene nor the message on the apple because as I got older, I found that indeed; the Earth does suck--I can see it in the mirror every day.

    I think everyone should see where we came from and what historically we've lived through so I recommend this movie for when you're stuck inside on one of those dreary weather days when you've got nothing to do.

    There is a good point and bad point to every argument and that's what this movie is all about and remember that if we don't learn from our past then we're doomed to repeat it.
    clocke1

    Its Sheila Graham not Zelda

    one of my favorite oldies.Candice had just left the University of Pennsylvania where she literally stopped traffic on campus because of her beauty (I actually saw it happen!).She never looked as good in films as she did in real life at that time.I believe that the line Eliot Gould uses when he's had enough of the professor's comments about Fitzgerald's homosexuality is that yes it could be possible that he was a homosexual but that it sure would be news to Sheila Graham (not Zelda) with whom he had an apparently scandalous affair when he was in Hollywood trying to make money.I was in college during that era and there its a fairly good representation of the way things were then and indicative of the nuttiness of that era

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    Enredo

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    • Curiosidades
      Lane Community College in Eugene, Oregon served as the location for the film. The new campus was in the final stages of construction at the time of production. This allowed the film crew to easily simulate the occupation of offices and buildings by protesters without interfering with actual campus life. Some pyrotechnic effects were used, including one that used black powder and petroleum that blackened an exterior wall and startled the cast and crew. A technician apologized for overdoing the effect (an understatement). Many local people were involved, including a few hand-picked for stunt work.
    • Erros de gravação
      When Harry and Jan are eating with the Lindens, Wade sounds like he calls Jan "Candice" when he takes the salad bowl and sets it on the table.
    • Citações

      Dr. Edward Wilhunt: For those of you whose averages might drop considerably, I wouldn't worry about it too much. Mr. Bailey, I hear Vietnam is quite pleasant this time of year.

      Harry Bailey: No, not really Dr. Wilhunt. You see, it's the rainy season. And during the rainy season, we used to get these fantastic mudslides that would wash up all these shallow graves. So if you really want to enjoy yourself, I would go in the late summertime.

      Dr. Edward Wilhunt: [clearly annoyed by some laughter from the class] I'll see you in my office at eleven o'clock. See if you can make it promptly at eleven.

    • Cenas durante ou pós-créditos
      A film by the organization
    • Conexões
      Featured in The Tonight Show with Jay Leno: Episode #22.18 (2013)
    • Trilhas sonoras
      Getting Straight
      Written by Ronald Stein (as R. Stein), Dan Peyton (as D. Peyton), Marty Kaniger (as M. Kaniger) and Caroline Arnell (as C. Arnell)

      Vocals by P. K. Limited

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    Perguntas frequentes16

    • How long is Getting Straight?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 13 de maio de 1970 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Central de atendimento oficial
      • Sony Movie Channel (United States)
    • Idioma
      • Inglês
    • Também conhecido como
      • Getting Straight
    • Locações de filme
      • Lane Community College - 4000 E. 30th Avenue, Eugene, Oregon, EUA
    • Empresas de produção
      • Columbia Pictures
      • The Organization
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Faturamento bruto nos EUA e Canadá
      • US$ 13.300.000
    • Faturamento bruto mundial
      • US$ 13.300.000
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      2 horas 4 minutos
    • Mixagem de som
      • Mono
    • Proporção
      • 1.85 : 1

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