Fascinação

Some very beautiful (sometimes even naked) blood thirsty vampire ladies, the main setting a fine old Château, a gang of robbers, some blood spilled, and last but not least, Jean Rollin's fine cinematic style, voilà we get another delicious entry to oeuvre of a true master of fantasy and planet Venus. Fascination: for the fan base, without doubt eye-candy deluxe and always worth the trip.

Sooner or later anyone doing the rounds of horror is confronted with Rollin; the sensually paced, purely ephemeral wanderings around mansions or cemeteries, at least in his better films, pale naked skin dripping with blood, almost always. It is relatively easy to deal with them, with none of the hard anchors in story or characters one either concedes to dream with him or not.

So yes, largely nonsense in conventional terms, here about a man who is stranded in a secluded château with a host of beautiful women who are waiting for midnight to perform a mysterious ritual, but attached to a poetry of images.

The frequent comparison is to Jess Franco; but whereas Franco at his best intuited feverish images that always seemed to zoom at the verge of cacophony, Rollin exhibits painterly control over his. His gaze is methodical, attuned with the aural qualities of film; notice here for example how the winds howling outside the mansion stop and start every time someone opens a door.

It's simple really, the ritual a tone poem about the unveiling of naked beauty. The twist, if it can be called that, is that what we expect to be vampires imbued with some supernatural capacity are only women lusting for blood. The man - our surrogate viewer in the midst of beauty - is lusting himself and so concedes to be part of the dream.

A thief who is fleeing the partners that he double-crossed comes across a mansion with only two beautiful (and odd) occupants. His plan to stay until nightfall seems to be easily achievable when he finds out the home owners have no desire for him to leave.

From this simple premise Rollin creates his most engrossing work with the thief coming to realize that his greatest threat may not be the crooks outside the house but the ladies within. Though slow moving this film ratchets up the tension as midnight approaches and a mysterious ceremony is soon to begin.

Strong performances abound with special mention to frequent Rollin star Brigitte Lahaie who has never looked (or acted) better. The women in this film are all incredible and like in all of his films, Rollin shows a photographer's eye for beauty. Once again Rollin indulges in his fondness for lesbian sex scenes but they don't overpower the film like they do in some of his other works.

For anyone who has not yet seen a Rollin film, either this one or 'Grapes of death' would make excellent starters although, obviously, keep the kids away.

I'm an admirer of Jean Rollins work, and this film is the one which to me best represents his style. It succeeds in blending the sexual predator images of the more successful Hammer vampire movies, with the doomed romanticism of French cinema. The production values are low, presumably they operated on a very small budget, but as I was starting to experiment with my own super8 films, I was inspired by how much it achieves in spite of its limitations. The film is driven by a series of powerful images, notably the semi-naked girl wielding a scythe, and the odd bit of lesbian love action. As with all of Rollins best films, you get the feeling of getting a glimpse of, and being allowed to share, a very personal obsession.

'Fascination' is a very apt title for this spellbinding movie! A typically dreamlike and stylish work from the remarkable Jean Rollin. Yup, it's another lesbian vampire movie (from a decade that produced quite a few!) but Rollin, like Jess Franco, puts his own original touches to it which make it truly unforgettable. Like most of Franco's (and Dario Argento's) output, atmosphere and aesthetics are more important than plot, and the performances of the actors involved are variable. Rollin doesn't seem to be too concerned with creating believable characters, he uses his (beautiful) actresses as striking images moving across a background. His movies are often closer to paintings than your standard Hammer horror. That's why 'Fascination' is so unlike most vampire movies you'll ever see. Inspired and original. Don't miss this one!