O Aniversário de Alison

A 16 year old girl named Alison receives a deadly warning during a seemingly harmless ouija game. It tells her that at age 19, she will be in serious danger. It appears that Alison's Birthday at age 19 will be a deadly one.

After playing the ouija game that warns 16 year old Alison of the upcoming danger, the film take us three years forward to Alison's 19th birthday. Alison is a well put together young adult with a job and charming boyfriend named Peter. Her Aunt Jenny calls and begs her to come home for her b-day celebration. She decides to go home to visit them.

Once there, she is startled in the middle of the night by an old woman in a wheelchair who her Aunt Jenny claims is her 103 year old great grandmother. Something seems fishy to Alison (and to me as well when I was watching it). Alison also stumbles upon some weird stonehenge looking stones in the backyard which she starts having nightmares about. The whole place starts to freak her out and she can't figure out why. Eventually, the aunt and uncle are exposed as not so innocent people and it's up to Alison's boyfriend Peter to save her from a horrific fate that was predicted three years prior during the ouija game.

What an unexpectedly interesting little Australian horror flick from the 80's! Alison's Birthday is spooky and has an eerie feeling at all times. In the first half, you get the sense that Alison is in serious danger despite the seemingly loving aunt and uncle who welcome her with open arms to their house to celebrate her birthday. Once the film exposes what is really happening around Alison, we learn some family secrets and things get very creepy leading to a bit of a disappointing ending.

If you can catch this on VHS somewhere I would grab it for sure! It's a fun and at times scary evil presence/ritual type horror film that is pretty unknown at this point in time.

6/10

I first saw this in the late 80s and found the cemetery scene pretty tension filled n scary. Surrounded by satanic cultists in broad daylight in a desolated cemetery n most of em in black ties n one fella with a scythe.

Revisited it recently n found it a bit slow.

The movie doesn't have any gore, nudity or kill scene.

At least they shud have shown the Celtic goddess nude.

Felt sad for Peter.

This movie was part of a Down Under horror mini-boom that took place for some reason in late 1970's and early 1980's and included some pretty decent if low-watt films like "The Survivor", "Thirst", and "Razorback". It was kind of a little late therefore in getting into the whole satanic cult craze that started with "Rosemary's Baby" in the late 1960's. The cult in this movie though is not technically a satanic cult, but a Druid cult relocated from the British Isles, and they aren't trying to pass the devil's seed into an oblivious virgin, but some kind of ancient centuries-old spirit.

The movie starts with a Ouija board session, involving "Alison" the teenage protagonist, that goes horribly awry. One of Alison's friends starts speaking in her dead father's voice. She/he warns "Alison" not to "go with them" on her nineteenth birthday. Then a bookcase falls on the possessed friend, killing her. You would think she would heed this very compelling warning several years later on her nineteenth birthday when her creepy "uncle and aunt" invite her out to their country estate for a party, but then we wouldn't have much of a movie, would we? Once there "Alison", who is not the sharpest tool in the garage, is remarkably unperturbed to see that her relatives have a miniature of Stonehenge on their property. And what's up with her dessicated 104-year-old great grandmother?

Her slightly smarter friends eventually find the truth and ride to her rescue, and they turn out to be every bit as effective as Scatman Crothers in "The Shining". The ending is great and ALMOST redeems the occasional absurdities and periodic lulls of the earlier parts of the movie. Still, all in all, this isn't a bad little horror flick from the land of Oz.

We've seen other movies with similar story ideas, but that's no reason why we can't enjoy this one. Between such story ideas and the overall tone, this picture also bears a certain kinship with others of the same timeframe. Whether it's a stylistic choice or a matter of budgetary constraints, it's noteworthy that this particular rendition is especially low-key and reserved. We're treated to only a smattering of accumulating odd goings-on heading into the last third, and as details of the mystery are pieced together, there's not a significant amount more to it than what we're likely to have read in any basic premise. Still, the concept is sufficiently enticing, and there's just enough in the plot to keep us engaged as the tale progresses. 'Alison's birthday' isn't anything special, but it's duly enjoyable.

There's definitely a lack of subtlety or finesse about the feature, notable in most every regard. Ian Coughlan's direction is competent, but a tad heavy-handed; the cast demonstrate their capability, but under Coughlan's guidance their acting in some scenes is discernibly blunt. I quite like the original music of Brian King and Alain Oulman, and for the most part it's excellent pairing with the proceedings, though sometimes themes or cues are employed in ways that conflict with the scene to greet us. These same thoughts apply as well to Coughlan's screenplay: there are strong ideas here in every aspect, but dialogue and plot development are decidedly on the nose at points; pacing is a little stilted; the narrative is maybe a tad light, and it's broadly communicated without a major sense of urgency. Even the sound design and editing come across as distinctly rough around the edges, and all this is to say nothing of the robust suspension of disbelief that the title requires at large.

It's a swell concept, though - ill tidings awaiting a girl on her forthcoming birthday. I recognize the hard work and sincerity everyone put into the feature, even if it doesn't meet with total success. I do quite like the cast, and this is more well made than not. It's safe to say, however, that 'Alison's birthday' quite comes across as VERY indie and very low-budget - a labor of love, a passion project, that was seen to fruition without the best means or capability to do so. This isn't to say that it's not entertaining, but anyone who has difficulties engaging with such fare won't have their mind changed here. Still, while it's no must-see, I had a good time watching, and sometimes that's all a movie needs to be. Don't go out of your way for it, but if you happen across 'Alison's birthday' and can appreciate the style, this is suitably fun on its own merits.

One of the best I've seen from the Occult genre of the 70s. Copyright year is 1979, so its not a 80s flick. Reminds me of movies on the CBS Late Night movie I use to enjoy watching when I was a in my late single digits to my early teens. When, as we kids called it, the midnight hour approached, the witching hour, we all knew 'scary' movies may be coming on, but we usually fell asleep at the TV set. I don't recall ever watching this one, but its in the likes of Gargoyles, Beyond the Door, Devil Dog, Devil's Rain, Shadow of the Hawk, and of course Rosemary's Baby; all of which is supernatural horror. If your a spoiled 21st century computer effects lover, then you will be disappointed since you are use to "visual" rather than "psychological" fun.