Sweeney 2

I will go with the majority opinion here. Sweeney 2 definitely beats Sweeney as the best film spin-off. No silly conspiracy stories, just good old fashioned blaggers and Regan and Carter doing what they do best. Not to say that Sweeney was a bad film, just it was too far removed from the series.

The story pits our favourite coppers against a gang of ex-pat blaggers who travel back to England from Malta every time they need more funds. As a highly professional, ruthless group, they are not easy to catch and Regan finds himself under the cosh, being pressured by his boss (Nigel Hawthorn) to get a result before the inquiry is taken away from them.

Sweeney 2 is more than just an extended Sweeney episode. It's considerably stronger in terms of both violence and bad language that even the ground-breaking series never approached. The fact that in the cinema it was certified 'AA' (now 15) but has always been an X/18 rated video shows that it hasn't mellowed over time.

Although the film drags badly in the middle, this is more than compensated for by the spectacular action scenes and a tense final 25 minutes. The scene where the blaggers crash a Ford Cortina through a shop window, and leaving a police car trailing in it's wake, is an absolute corker and one of the iconic images from the film (look at the video cover if you don't believe me).

Although Sweeney 2 is very much a film for fans of the series, I'd highly recommend it to anyone who likes a good police yarn. There is definite nostalgia value of the scenes of '70's London and it's great playing 'spot the familiar TV actor' as the film included the likes of Ken Hutchinson, Brian Hall, Georgina Hale and Derrick O'Connor.

Wonderful example of a great British series John Thaw was a fine actor who always brought truth and a high emotional content to the screen,Dennis Waterman is well Dennis Waterman but a capable enough actor to play the sidekick.The film itself is of course a child of its time yes the wallpaper/clothes/cars are all horribly dated as are the simple "moral" attitude's towards women :smoking:drinking etc,but lets remember the "hard men" around in those days were just that "hard men" and they existed on both sides of the fence.Its also got to be remembered that this was a spin off film and that the budget was never going to be high and frankly it did not need to be high as this story does not demand it,perhaps the film does "sag" a little in places and the Malta shoot added very little to the plot,the body count/violence is pushed up but then I guess thats what producers/film makers thought that freed of the shackle's of television you had to go down this path.What the film does have going for it are good to excellent actors who knew there stuff, writers in the shape of the kennedy Martins who also knew how to pitch/sell the police plots in a " tight" structure manner,and the capturing of a time and place IE 70s London which no longer exist.So overlook the pacing the plot holes and the 70s morality and enjoy the snappy patter kipper ties(now you know you had one when you younger) and the Ford motors but above all John Thaw who was one of the uks finest actors in any medium or in Regans way' get your trousers on Tinkerbell your nicked

This film is rarely shown and so it was a treat to watch it the other day. The first thing you notice is the liberal use of the f-word which probably did the film no favours in the 1970's as the TV series was watched, in the main, by under 15's. In fact the general level of violence has been greatly increased in this film spin-off, especially towards the end when the shootings, explosions and subsequent body count goes off the scale.

There are also liberal views and references to women's breasts (a nod towards the predominantly male audience). However, the old formula of the tv series that enderes it to so many 20-30 somethings still permeates the film. This includes car chases, scraps, extremely non-PC moments, and amusingly comic overtones, especially the odd scene where the bomb squad and sweeney have a booze-up in a hotel knowing that a device is being defused in one of the rooms (an incident that today would plaster the front pages of the newspapers for months afterwards). Reagan and Carter are a brilliant double act and their supporting colleagues (especially the scruffy, nose picking, Welsh DC Jellyneck) give an air of "Keystone cops" to the whole film. Mention must be made of the dreadful 70's fashions that always added to the enjoyment and interest of the series. Lots of famous supporting cast including Denholm Elliot in a small role as a corrupt ex chief inspector.

When British cinema of the 70s is discussed, "Sweeney 2" rarely gets a mention. Yet it illustrates the changing times as vividly as many better-known films. The blazing action of "Sweeney!" is replaced by a thoughtful film that, although more low-key, is perhaps a more accurate reflection of the television series.

Regan and Carter are on the trail of a gang of bank-robbers who, from their idyllic base on Malta, occasionally return to Britain (a country they believe to be "finished") to carry out violent and well-planned raids. The men lead a luxurious communal lifestyle with their wives and children yet it is one financed by thrusting sawn-off shotguns into the faces of terrified bank cashiers and taking hostages (one of whom, a young woman, is killed in the raid that opens the film). They seem to symbolise the souring of the 60s dream.

Other details are equally telling. A young schoolteacher tells George Carter that she "doesn't like policemen". No longer does the force command widespread public respect. Regan's boss (the excellent Denholm Elliott) is facing imprisonment on corruption charges, reflecting the corruption trials that so stained the image of the Metropolitan Police in the 70s.

On their abortive trip to Malta to try to interview the men, Regan and Carter are plainly jealous and angry when they witness the lifestyle of their targets - a far cry from their grimy world of bacon sandwiches from burger vans and knees-ups down the local. But by the end of "Sweeney 2" and a year before Margaret Thatcher won power in Britain, it is the defiantly working-class coppers who have the last laugh, joined by their girlfriends for a boozy celebration - while the wives of the bank robbers prove less reliable.

Euston Films had a track record of producing high-quality television and (in this case) film. "Sweeney 2" fully confirms this. There are good supporting performances from Nigel Hawthorne, Lewis Fiander and Derrick O'Connor plus an exciting score by Tony Hatch. The action scenes, although lesser in number than in the first film, are superbly handled by one of the TV show's action specialists, director Tom Clegg.

Recommended.

The second and final Sweeney movie has eventually been released in high definition and it was worth the wait. As someone who has only recently watched all of The Sweeney TV serious it was a surprise to hear that they released a number of movies.

The first film was very good if obviously a bit more bloody than the TV series. The question is whether the second lives up to the first?

The story? Well its a Sweeney story so it obviously involves bank robbers. The twist here is that this time its robbers who live abroad and come back to rob in London. So that is where Sexy Beast nicked their story from.

In this film there is a bit more sex and swearing including a few F bombs dropped which is surprising to say the least. The story however isn't as tight this time around, it takes longer to get going and there are a few sub plot parts which don't really add to the story, they feel like padding. If you are a Sweeney fan then its right up your street, the only other downside is that they seem to be guilty of recycling actors from the series which is a bit strange when you are expected to forget they played other characters in the Sweeney Universe. The finale in this one however is much better than the first film, which seemed to end on a weird scene. There is also something else a bit odd with both movies and that is the relationship between the two main characters, Regan is definitely Regan but George doesn't really behave the same way as he does in the series?

If you like the TV Sweeney you will love the Cinema Sweeney. These are great stand alone films regardless of whether you have seen the series, but I can see someone who hasn't seen the series binging on them after catching up with the movies. While Life On Mars was decent, this is better and the real reason LOM was popular in the first place.