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SUMMER OF FEAR opens with a literal bang, as an out of control car crashes and burns! Rachel Bryant (Linda Blair) has just lost her aunt and uncle in that explosion. When her mum and dad return from the funeral, they bring Rachel's country cousin, Julia (Lee Purcell) back with them. At first, it all goes swimmingly.

However, things take a bizarre turn when Julia and Rachel's friend, Carolyn (Fran Drescher) are attacked by Rachel's horse! Perhaps he was set off by Julia's new vest and hot pants ensemble with matching, mod hairdo! In no time, Julia has ingratiated herself with the family, and only Rachel seems to suspect that something might be amiss with their houseguest.

Oh no!

The "big dance" is imminent, and Rachel's face breaks out in what look like pepperonis! This allows Julia to go to the dance with Rachel's 12' tall boyfriend. In addition, Rachel's horse takes a terminal tumble!

Coincidence? Hmmm.

Now, with her towering boyfriend in the arms of Julia, and her horse reduced to dog chow, Julia is convinced that some genuine, Ozark mountain hoodoo might be going on. Luckily, an expert on the occult lives next door.

What are the odds? Hmmm.

Said expert helps Rachel prepare for a final showdown, when everything hits the fan! Can she possibly defeat her wretched relative?

This slab of made-for-TV cheddar is your basic supernatural yarn (cheeeze yarn?). Blair is great -as always- at being the wronged innocent, as is Purcell in her wicked role. Director Wes Craven did his best to make things suspenseful within the constraints of 1970's network television. Vintage fun for fans of tele-terror...

Lois Duncan's young-adult mystery novel "Summer of Fear" gets a fine, if low-budget, television treatment, capably directed by Wes Craven. Intriguing story features an appealing Linda Blair playing popular young woman and horse-rider whose family takes in her orphaned cousin--a perplexing girl who harbors secret evil powers. Craven's pacing is careful and sneaky, drawing the viewer in while mounting Blair's suspicions with just the right touch of creepy delicacy. Lee Purcell is excellent as cousin Julia, pulling off a showy role without lapsing into camp (although the make-up and special effects near the finish are somewhat cartoonish by today's standards). A compact thriller, very well done, and Blair--as always--is charming and makes her character easily identifiable to viewers.

Linda Blair is this film's main draw today, but Lee Purcell is the real star of the show: at first I wasn't too sure about her, but she has the mysteriously seductive presence that her role calls for, and her performance literally gets better by the minute. This may be a Wes Craven movie, but it is also a TV movie, so it is rather tame in terms of sexuality and violence; there are few real surprises and few real thrills until the last 15 minutes and the (long awaited) catfight between Blair and Purcell. With its "evil stranger is disrupting the life of a normal happy family" plot, you could say that this film was ahead of its time; thrillers of this type didn't become popular until the early 90's, with "The Hand That Rocks The Cradle" and others like it. But one look at Linda's hair will convince you that it was NOT ahead of its time in other areas. In short, rent it but don't buy it. (**)

Seeing that this was from legendary horror director Wes Craven, and starring Linda Blair (who served as the demon-possessed girl, Regan, in "The Exorcist"), I decided to give "Summer of Fear" a chance. I wasn't expecting a TV movie (which was titled "Stranger In Our House" during it's television run), but I actually ended up enjoying it.

The film centers around a teenage girl named Rachel. Rachel lives on a semi-secluded family farm in Northern California with her wealthy parents and siblings. When her mother's sister and brother-in-law die in a horrible car crash, their daughter, Julia, comes to live with them permanently. Julia seems somewhat normal, if not a little bit shy and withdrawn, but as time progresses, she puts an alluring spell over everyone she meets, and pulls all of Rachel's family and friends away from her. She begins getting close with Rachel's friends and her family, even stealing Rachel's boyfriend. After finding some strange items around the house (including burnt matches and a human tooth), Rachel discovers that Julia may be a practitioner of black magic. Now she must stop the evil witch before she launches her final assault.

Okay, okay. I have to admit, some things in this movie were a bit laughable, mostly Linda Blair's poofy, frizzed out hairdo. The acting was alright, not great, but you can't expect a whole lot from it. Linda Blair's performance was decent, if not a little whiny at times, Lee Purcell pulled off the 'mysterious cousin' archetype, and Fran Drescher even had a small role as one of Rachel's friends. The film isn't scary at all, but I will say the finale was pretty well done, although by today's standards the effects may seem a bit cartoonish. I found it interesting to see Craven directing a film of this nature in his earlier years, considering he had just done brutal horror films such as "The Hills Have Eyes" and "Last House on the Left".

To sum things up, I have to give "Summer of Fear" some credit— being a campy TV movie from the '70s, it has some chops. Although it lacked any substantial shocks or scares (except near the ending), I still found it to be a fun little piece of '70s nostalgia. Give it a look if you enjoy campy '70s horror, or if you want to see some of Craven's earlier work, because it is quite different from the films that he is most known for. All around good television terror. 7/10.

A teenage girl (Linda Blair)'s life is turned upside down after her cousin (Lee Purcell) moves into her house, and as time goes by, she begins to suspect that she may be a practitioner of witchcraft.

One has to go into this film with the right mindset. The idea of Linda Blair being directed by Wes Craven is enticing, but do not put your hopes too high. This is the brainchild of Max A. Keller, who wrote the script, produced it, and put his daughter Nicole in the cast. Being made for TV, Craven was shackled by producers, the network and a very limited budget.

That being said, this is actually a rather decent story. Some plot elements are a tad confusing. As revelations come out in the second half, not all of them make complete sense. And even the idea of a professor who specializes in witchcraft is strange, not to mention his living across the street.

But overall this is alright for what it is. Definitely worth checking out, especially for Craven completists. It may not be his best work, but I can safely say it is not his worst.