A 36ª Câmara de Shaolin

Firstly, let me say that Chia Hui Liu (aka Gordan Liu) "MAKES" this movie. It would not be what it is without him. To be fair, I have to give notice that every movie with him and the director (who I understand is a relative) is good. Now, let me tell why. Liu gives effort and emotion to his parts. Every part and every movie I have seen him in, this has been the case. When there is anger, you see it in his face. When there is despair, you see it. He makes it almost tangible. Plus, he has "skills". Also, this movie has plot and believability. It's interesting and "absorbing". The one I watched was "English" dubbed, but the dubbing was good. Even the sound track was complimentary for the scenes.

I's unfortunate that the asian movie industry has been in the past just like the American sports industry was. The take talented young people, chew up their juices, and then spit them out all used up.

I wonder if Liu even suspected that he had attained "Classic" status with this movie as far as "old school Kung-Fu fans" in the North-east USA are concerned?

Anyone familiar with the hip-hop super-group the Wu-Tang Clan knows that "The 36th Chamber of Shaolin" (a.k.a. "Shaolin Master Killer"), directed in 1978 by Liu Chia-Liang, is essential viewing for any martial arts movie fan. This movie started the whole "good-guy-gets-his-butt-kicked-and-undergoes-martial arts-training-to-exact-vengeance" storyline that's been used so many times in the martial arts movies since (i.e., the American "Karate Kid" movies). In it, anti-Manchu patriot San Te (Gordon Liu) is a humble country boy who is cast out of his village when Manchu soldiers (led by the villainous Lo Lieh) slaughter his parents, orphaning him. He manages to make it to the famous Shaolin Temple, where he is nursed back to health by the monks living there, and soon undergoes a rigorous and dangerous regiment of training to master the 35 "chambers" (styles) of kung-fu. In seven years, he completes his training, mastering all 35 styles, invents a brand-new weapon (the three-section staff), and suggests creating a 36th chamber - to spread kung-fu beyond the Shaolin Temple's walls and bring it to the masses. The whole story is pretty formulaic (what martial arts movie from the '70s doesn't have a formulaic plot?), but what gets this movie going is its rousing training sequences. These are not the run-of-the-mill stuff we're used to seeing in these movies. San Te's quest to become a martial arts warrior is a tortuous journey of self-actualization, a kind of virtue commonly lacking in the genre; San Te actually becomes a better person as a result of his experiences at the Shaolin Temple. Most grind-house cinema aficionados love this movie (Wu-Tang Clan co-founder the RZA in "The Wu-Tang Manual" does an entire section on the martial arts movies that influenced his development of the Wu-Tang Clan and much of their underlying philosophy). Finally, I'm glad to see an old-school martial arts movie that has its heart and brain in the right places.

10/10

36th Chamber of shoalin

As a lifelong devoted fan of chop socky I still did not see this film until last year because it was impossible in the U.S.(at least it seemed to me) to get a orginal language 36th Chamber of shoalin. Knowing that any video that said Shoalin Master killer or just Master killer would be a English dubbed atrocity I decided to wait.

Perhaps the best geek news of 2003 for me however was Celestial pictures releasing region 3 versions of old Shaw bros classics. Original language, subtitled well, subtitled bonus features, Dolby surround, Beautifully re-mastered and packaged. Director Liu Chia liang's masterpiece the 36th chamber was my first purchase in the series. The new re-issues have some of his other classics like executioners from shoalin(which Kill Bill 2 paid direct tribute to),8 diagram pole fighter and soon Legendary weapons of China.

36th chamber tells a fictionalized tale of the shoalin monk who broke rank with his temple and taught Kung Fu to the people. While the true story probably did not have the elements of revenge that make the story of the film that hardly manners this is a movie not a history class. It is a lesson the non-violent resistors of the world need to here again and again. When Gordon Liu and his fellow students ask them selves how can they defeat their violent enemy words of logic.

They decide that if they are going to effectively fight back what they learn at the university is not enough. So they travel to the shoalin temple. At the shoalin temple they are masters of martial arts but they stay out of worldly affairs. The 35th chamber of shoalin is the highest level and it is not a measure of strength of combat ability. It is enlightenment, mastery of oneself.

So this epic film, a 2 hour chop socky flick that's story takes place over 10 years, has a interesting plot. Can this man driven by anger complete training in Buddhist temple where his motivations are against the very basics of there teachings. It is impossible to imagine Hollywood making movie that includes forty minutes of Buddhist philosophy, training and no love story. Well lets face it I not sure a woman is in this movie at all.

The martial arts in this film are amazing and every bit as impressive as stuff done today. The training parts while probably not realistic are entertaining and don't bore. The acting is all well done. The direction is steady, the story well told.

For fans of this film note that the director, star and studio teamed up last year to make a film called drunken monkey. Shaw bros big return to Kung Fu movies has been well received. It's next on my list, to rent.

If you want to see some of the coolest Shaolin training sequences ever, check this one out. Gordon Liu always plays the best young Shaolin fighting monks (he's done it ALOT) and this is his great directing debut. This movie actually has a story to it. Although the hero wants to learn shaolin kung fu for direct revenge at first, his training causes him to seek a different path. During this path, he goes through alot of crazy funky training sequences. If you're a kung-fu fan who loves to see insane tests of skill, this is your movie. Plus, if you love this one, see "Shaolin and Wutang" with Gordon Liu and Adam Cheng.

for some eight years, Liu Chia Liang worked as martial arts choreographer at shaw bros., especially with legendary director Chang Cheh, from whom Liu clearly learned mise-en-scene, as the french call it - a director's skill in using camera, editing and theme to move from one dramatic episode to another. in turn, Liu tried to show Chang Che the possibilities inherent in traditional kung fu, but to little avail - Chang Che really always thought himself a maker of action-adventure films, not primarily a martial arts director. so Liu began making his own films at shaw bros., and demonstrated what he learned from Chang Che, while developing his own themes concerning the the traditional arts we've come to call kung fu.

one decided difference between Liu and Chang - indeed, between Liu and most of the other shaw bros. directors of the period - is that Liu believed that if the fundamental message of kung-fu - which is really about good health and spiritual growth - is to be carried over to the audience, the arts involved would need to be presented in as realistic a fashion as possible - no wire works, no unnecessary leaping over walls, no mythical 'iron fist' technique of jamming one's hand through someone's chest. and once that decision was made, clearly it would also be necessary to develop plots and characters as equally realistic, or the effort would be for nothing.

Liu's movies are thus 'about' kung fu in the purest sense; they are not about fighting, but about discipline. they are not about revenge, they are about using one's training to get beyond revenge.

although the heavy tone of this film obscures it a little, the fact remains that the characters in this film are all very believably human in a way that Chang Che's characters never were. and they don't learn their skills all that quickly - the time frame of the shaolin episode is at least three years - but by doing the same excersizes over and over again until they are perfectly comfortable with them. at which point, of course, they can perform with almost no show of effort.

by the way, there are documentary films of real performances of real shaolin monks demonstrating real martial arts - Liu is pretty close to the real thing, here.

Liu, by the way, appears to be the son of someone who trained with lam sai wing - aka 'butcher' wing, but in no way the country bumpkin he's sometimes made out to be, as in yuen woo ping's 'magnificent butcher'. lam sai wing studied with the legendary Wong Fei Hong, who was taught not only by his classically trained father, but by a well-known former shaolin monk - in short, the Liu credentials are rock solid.

Gordon Liu, star of the film, is Chia Leung's adoptive brother. he is probably the finest performer of traditional kung fu ever filmed, bar none, and utterly fascinating to watch. he also does a solid piece of acting in this film, as well.

shaw bros. quality, Liu bros. skill - don't ask, just see it.