Lupin III: O Segredo de Mamo

Lupin III is Japan's longest running anime series, spawning five movies, three television series, annual Television specials which continue to this day and even a live-action movie. One of the films, "Castle Of Cagliostro", in fact, is considered an animation classic by most critics on both sides of the Pacific. However, before "Cagliostro" there was "Mamo". Mamo is based more on the traditional Lupin as created by manga artist Monkey Punch-so those who are used to the kind anti-hero in COC might be in for a slight shock. This Lupin is more of a womanizer and a trickster than Miyazaki's version. The plot doesn't flow as well as COC's, and is kind of drawn out with a couple false endings. The visuals aren't as good as COC either, with some rough-looking animation in spots and action scenes that don't flow as well. Anyway, it's still a good movie, especially for fans of Monkey Punch's take on the character(as opposed to Miyazaki) just overlong. A word to the wise though-the DVD doesn't have the Japanese track, something which some anime fans might not like. The dub is OK voice wise, but the script has obviously been rewritten slightly-something which becomes blatantly obvious when you hear, over a radio, George Bush and Boris Yeltsin chatting, something really out of place in a 1978 film....

The Mystery of Mamo is the first movie in the Lupin the 3rd series. It's been a critically polarizing film ever since it's release in 1978. So, is this theatrical debut worth the time? Well, let's find out.

The film starts with the master thief, Lupin the 3rd, seemingly being executed. However, the police inspector Zenigata doesn't believe he's really dead. His assumption turns out to be true as Lupin steals the fabled Philosopher's Stone in Egypt.

The Philosopher's Stone is then stolen from him by his on-off lover, Fujiko Mine and she brings it to her mysterious benefactor, Mamo. But when they find out that the stone is fake, Mamo is determined to track down Lupin and his colleagues, the expert gunman Daisuke Jigen, and the warrior priest, Goemon Ishikawa XIII. But it becomes a three-way free for all with Inspector Zenigata determined to have them all arrested.

So what did I like about this movie? Well, the animation and the action is very creative and well executed. It blends in with the story and characters very well. Speaking of, the chemistry between the characters is probably the best part about this film. The villain, Mamo, probably has the most intimidating voice I've ever heard, regardless of whether you watch the dubbed or subbed version. And it's even better when you see what Mamo looks like.

So what didn't I like? Well, the third act was a little clunky. While the animation still made it visually pleasing, the plot seemed to spiral out of control and became a little too weird for me. Though I can't say much more without spoiling it. And I never thought I'd say this, but I didn't like the nudity. I just thought it was out of place with the rest of the film.

So, in the long run, The Mystery of Mamo is a flawed, but extremely well made Lupin film. If you're a fan of the manga, then this will probably be one of your favorite movies in the series. It's fun, it's weird, it truly is Lupin the 3rd

The first film version of the long-running successful manga series 'Lupin III', 'The Mystery Of Mamo' is non-stop action, adventure, and humour, brought to life with some brilliant animation, an excellent script, and some very good voice acting.

Lupin is the greatest thief since his grandfather Arsene Lupin, but his lifestyle never affords him a moment's peace, especially with maniacally-determined Interpol Inspector Zenigata pursuing him anywhere and everywhere across the globe. Aided by his two friends, Jigen, who prefers a quiet life, sombre samurai warrior Goemon, and on-again-off again girlfriend and equally-skilled thief Fujiko, Lupin finds himself drawn into the world of Mamo, a mysterious billionaire, intent on achieving immortality. But is Mamo exactly what he appears? And how does the fabled Philosopher's Stone fit in?

Now *this* is what animation is *really* about. It's about as far removed from the billion dollar cgi rubbish one usually sees in cinemas as it's possible to be. Every frame in 'Mamo' exudes genuine artistry, whether it's a peaceful Parisian cafe scene, or frenetic car chase through a sewer - yes, a sewer. Every musical motif creates genuine atmosphere, and every line of dialogue is there because it should be - it's not just a collection of lame one-liners for a cynical audience. If you find yourself on the edge of your seat, it's not because you're trying to fend off sleep from Disney-drawn dreck, but because you really find yourself wanting to see what happens next.

There are imperfections within the story - certain plot points that are not entirely followed up, but nothing that ruins the central story. There is also a certain trade-off between characterisation and action, but Lupin III stories are not meant to be deeply introspective character pieces, just a lot of first class fun. They are also an ongoing series, so further revelations are to be had elsewhere.

Probably the most well-known Lupin outing is 'The Castle Of Cagliostro', in many ways a more straightforward adventure with a more traditional action film-type ending. I think they're both excellent, but they're different beasts in temperament. 'The Mystery Of Mamo' takes a left-turn into the surreal, but it's still a cracking film that shouldn't disappoint - and definitely accessible to a Lupin novice.

Like most people, my first introduction to the character of Lupin was the most famous of his feature films, 1979's 'The Castle of Cagliostro'. That may not be the most faithful to the manga of Lupin's feature films but on its own it was nonetheless a great film on first viewing and still is a personal favourite animated film of mine on top of being my personal favourite Lupin film.

The first Lupin film, this film 'The Secret of Mamo' (its UK title), is a very good feature film debut for the character. It may not be the best overall of the films, but it is the very definition of first class escapism and staying true to its roots. Meaning that it is in some way the most faithful to the manga, being surprisingly risqué, with the sexual elements actually being present and not toned down, and actually having the characters quarrelling. 'The Secret of Mamo' is the boldest, the most ambitious and quite possibly the darkest Lupin film, and on the most part is successful in execution.

It is not faultless. 'The Secret of Mamo' is let down by the third act, which does feel muddled and convoluted, not everything feels resolved and tonally it did feel at odds with the rest of the film, close to feeling like a complete different film. Unlike the rest of the film it did descend into strangeness and the science fiction elements were nowhere near as well executed as the action and characterisation elements, they were on point, the sci-fi elements came over as clunky and confused.

Occasionally, the animation is a little rough. The character designs, like the somewhat odd one for Lupin, lack finesse and it doesn't always flow as well as it could have done.

However, most of the animation in 'The Secret of Mamo' is fine. It is quite creative in the action, the attention to detail is impressive and the colours are both atmospheric and ethereal. The music score is dynamic and groovy, fitting beautifully with the action and story atmosphere.

When it comes to the writing, 'The Secret of Mamo' is largely successful. It provokes a lot of thought and the wry humour and slapstick are genuinely hilarious. Apart from misgivings with the final third, the story is bold but also doesn't forget to be fun and exciting, particularly in the action-oriented parts (the helicopter, police and lorry chase sequence is terrific and classic Lupin). It is Lupin at his most ambitious, though you are also mostly admiring the execution rather than finding it overly-ambitious. Admired 'The Secret of Mamo' too for its tackling of interesting, mature and difficult subjects with cloning, honour, love and personal identity and doing it in a way that's thought-provoking and entertaining, with only the cloning aspect failing somewhat.

Characterisation is on point as is the character interaction, Lupin is not at his most likable, no, but he nonetheless a fun and commanding lead character that carries the film well. Mamo is a suitably intimidating villain and poses as a real danger. Particularly shining are the supporting characters, particularly sexy Fujiko and hilarious Zenigata, though Jigen and Goemen are very cool as well. The voice acting is very good, notably for Mamo.

In summary, not perfect but worth the discovery. Lupin's feature film debut is a very good one. 8/10 Bethany Cox

Lupin iii film 9

A very different film. This time Fujiko is the main protagonist. There's lots of action, but the film is more centered on the psychological side. The story is just crazy, nonsense after a while honestly. The whole film is abstract. I personally like the drawings, especially Fujiko, despite the difference from the usual.

I really like some things in this film; the fact that they as a team quarrel for Fujiko, so Lupin has to choose his friends or Fujiko; and Fujiko character is great in this film, both her and Lupin give up on immortality for the other. For the first time you can feel both love each other at the end.

There's lots of nude parts and fan service compared to other films.