O Último Concerto de Rock

Martin Scorsese's documentary has been labelled a time capsule of an era, and whilst this type of reference usually sounds overstated, there is no doubting the accomplishment of this film as an event. Many use the documentary 'Woodstock: 3 Days of Peace and Music' as the ultimate example of a music-doco, but whilst the music in The Last Waltz is actually on par with the great performances of Woodstock (bar Jimi Hendrix[there's no substitute]), the thing which elevates The Last Waltz is the photography.

This was the first music doco to be shot on 35mm and watching the concert, you'd think that each performance was carefully choregraphed over a few weeks of shooting rather than over one night. Special thanks must be given to Cinematogrpaher Michael Chapman for his efforts on this film. The look of the film is what elevates it's overall appeal, because the music was always going to be epic, especially with the cavalcade of great names performing. This is just great filmmaking from contemporary cinema's most accomplished filmmaker. And how about that haunting theme that both starts and ends the film. Just great.

Standouts include-- Rick Danko performing a soulful rendition of "It makes no difference".

Eric Clapton jamming with Robbie Robertson shows that Robbie is an excellent, and I believe, under rated guitarist.

"The night they drove old Dixie down" is another great performance with Levon belting it out.

Bob Dylan on "I shall be released" and "Forever young" are moving even though he is obviously renown for his song writing and not vocal abilities.

Muddy Waters, Ronny Hawkins, and Van Morrison also deliver the goods.

There is some gray material, however, for me, the diamonds outweigh the granite.

If you like blues, country rock, or electric folk there will be something for you in this film.

The interviews are interesting but, of course, it's the music that makes the movie.

I rented this for $3 at Blockbuster on DVD. It was worth more.

Rock music at it's best. What a performance by Robbie and the band. They just don't make music like they used to nowadays. The energy and true musicianship that went into this concert was phenomenal. The guest artists that also played with the band really did bring the house down and with Martin Scorses's direction and great sound engineers this will undoubtedly go down in history as the greatest live rock/music video ever. I wish i had been around back in 76' for that concert man. Sad to see that Rick and Richard have passed away but glad that their talents have been captured on film for the world too see how good these guys were. Not only were the Band great musicians, but they were all great characters, real interesting guys with a genuine belief in what they were doing. Not like the sell-outs that the music industry now has in abundance.

Either I'm getting older or the world's getting younger, but when a rock concert documentary film airs on TCM, there should be some sort of pause for a reality check. In a salute to WALTZ'S director Martin Scorsese, the film aired on TCM over the New Year's weekend. I hadn't seen it or thought about it in 25 years. And all I can say is that it hasn't lost any of its power. (And this from someone who's never been to a live rock concert.) The stars of the film- the all-purpose backup and touring band called 'The Band-' give a simple but enlightening insight to the mechanics of their 16 years on the road and how their Thanksgiving Day final concert in San Francisco turned into a revival-like celebration. Even though I grew up on jazz music more so than rock, I can fully appreciate The Band's intense, immense music background- influenced by everything from blues to country to folk music. As for the concert itself you have the likes of Neil Young, Ron Wood, Joni Mitchell, Van Morrison, Muddy Waters, and Dr. John (who gives a standout, honky-tonk performance of "Such A Night,") kickin' it on stage before it's all over. And if these live performances weren't enough, there are additional performances done on a sound stage with artists that weren't part of the live show woven into the 117-minute film: a fabulous folk/gospel jam session of the song "The Weight" teamed with the Staples Singers (lead by Mavis Staples, who sounds very Gladys Knight-like) and about thirty minutes later shifting gears into the lovely folk ballad "Evangeline," replete with fiddle, mandolin, and acoustic guitar from Emmylou Harris. Also cool is Muddy Waters bluesing on "Ain't that a Man," and the finale with all the artists of "I Shall Be Released." You just might be.

I have heard a few songs by The Band, but I am certainly not a fan, so it would seem that "The Last Waltz" would be a hard-sell to me but it was not. First, I found I enjoyed most of the music throughout the film--especially since I like rock 'n blues (and there is a strong blues/rock as well as country rhythm to the songs). How can you complain when you get to hear the likes of Muddy Waters, Dr. John, Eric Clapton and many, many others performing with The Band. Second, and much more importantly, I was very, very impressed with the quality of the film work. This was NOT a typical concert film where they simply stick up a camera and record the performances. To know more about this, watch the DVD extra for "The Last Waltz"--"Revisiting The Last Waltz". In this documentary, Robbie Robertson (from The Band) and Martin Scorsese talk about how they made the film--and it was really impressive. Instead of just stationing guys with cameras, EVERYTHING was meticulously planned and the camera angles and techniques show it. In addition to the live concert footage (which is the best I've seen), you have a few numbers that were done very well in the studio as well as interesting interviews. All in all, it's the total package--a very impressive and exceptionally well made film. While the music might not be to your liking, you can't help but admire excellent film making.