F.I.S.T.

Sylvester Stallone was my childhood idol, mostly thanks to 'Rocky' and 'Cliffhanger' and his other action movies. It was later when I learned that the man had penned the screenplay of 'Rocky' (and some other movies) himself, and he also directed, and I thought, that is cool. Some time along the way I started to notice that Stallone is much more than a action hero - he is very good actor (and also writer). So, now I had the opportunity to see 'F.I.S.T.' - which was Stallone's first film after Rocky fame, and he also co-wrote the screenplay. The film might be a little boring to those who are used to see Stallone kicking ass, as it is serious drama about simple man's rise to the leader of labor union. The film is little slow and flawed at times, but Stallone gives one helluva performance as Johnny Kovak. Especially the first part of the film. In the later half, when Johnny Kovak is already an older man Stallone's limits as an actor start to shine through, as he occasionally goes pretty hammy. Nonetheless, still thoroughly enjoyable performance, and totally different than Rocky.

'F.I.S.T.' is definitely recommended to those who are more interested in different sides of legendary action hero who has some real artist hidden under those muscles.

One of the best Stallone films set in the 1930s in which gives a good performance as a worker who joins the Teamsters trade-union in a local factory and being accompanied by a fine supporting cast . It deals with a love between a man, a country, the people he led and the woman he loved . Johnny Kovak (Sylvester Stallone) is an employee who works his way up as organizer and leader of Federation Interstate Truckers . Meanwhile he falls in love and marries a worker (Melinda Dillon) . As he climbs higher and higher thanks his connection with the Mob (Tony LoBianco). As his methods become more corrupt and ultimately senator Madison (Rod Steiger ) begins a campaign to discover the truth about his allegedly greedy practices .

This poignant film packs emotion , thrills , a love story political events and being quite entertaining though contains some ,predictable moments and cliché-ridden . The picture details biographic events about an Union leader , Jimmy Hoffa-lookalike, from his starts until his fall . Jewison cast some largely known actors as Sylvester Stallone , Melinda Dillon , Peter Boyle and a remarkable support cast as Richard Herd , Tony LoBianco , Peter Donat , Kevin Conway, Cassie Yates , Richard Herd and the veteran Henry Wilcoxon and several others . Stallone , also screenwriter along with Eszterhas creates an even more interesting character than Rocky Balboa . Atmospheric musical score including moving sounds by Bill Conti and appropriate cinematography by excellent cameraman Laszlo Kovacs.

The motion picture is well produced and directed by Norman Jewison . He is a prestigious and veteran filmmaker, his greatest film is of course Jesus Christ Superstar . He directed successful movies as Fiddler on the roof , Agnes of God , Moonstruck , Thomas Crown and Cinncinati Kid . However , he also got some flops as Bogus, In country , Only you and Other's people money and his last picture titled The statement . He considers The Hurricane (1999) the last in a trilogy of racial bigotry movies he's realized, the first two being In the Heat of the Night (1967) and A Soldier's Story (1984). Rating : Good, worthwhile seeing for its epic moments and thought-provoking issues .

Don't sell this film short! There are more inaccuracies in this film then I care to mention, but the need for the unions of the day to enlist the underworld (mob) for their protection was real. Law enforcement was on the side of whoever could pay the most back in those days and the big business anti-Union folks had all the money. If you work for a living, you have to pay homage to the unions. If not for them we would all still be working for fifty cents a day!!

This movie does do a great job of showing the good that the unions did and how they succumbed to the corruption that power and greed visit on any entity no mater the good intentions. Everyone who sells their labor to a business should watch this film.

This is an unappreciated film, mostly because it's star doesn't exactly have a good reputation as an 'actor'. This film is definately worth catching and it is worthy of repeated viewings. The music too is perfect for the film. It charts the rise of a Union leader from his humble beginnings to his fame. The story sustains the attention of the viewer throughout the picture. Stallone is better in the earlier scenes as a young Johny Kovak. His acting limitations come about as we see him as an older man. All he does his makes his voice a little husky and the make up on him (and other members of the cast) is ineffective. Early in his career, kovak has the dilema of bringing in the mob for help after an unsuccessful strike which results in one of his best men being killed. If he brings them in, he can enforce his will on the big companies and make the union very strong. Without them, he has little chance of the union growing. To the dismay of his best friend, he takes them in. His decision comes back to haunt him. Stallone tailored the script so he can play the good guy, originally Kovak wasn't a nice man. There is a nice scene with him and Brian Dehenny who later would turn up as Rambo's nemesis in first blood. I would certainly recommend fans and non fans of Stallone to catch this movie.

This is a real hidden gem of a film. Thought provoking, intelligent and times indignant, without resorting to sentimentality.

Contrast this,with the commercially lucrative but artistically meaningless "Crash, Bang, Wallop" movies that Stallone became synonymous with in the 1980s.

Stallone can act when he wants to, and FIST amply demonstrates this wasted potential.

Based (very loosely) on the life of the Teamsters boss, Jimmy Hoffa, FIST charts the rise and fall of a Trade Union leader. A cautionary tale of how noble causes can be sullied by ambition and hubris.

I highly recommend it, if only to convince others that Stallone occasionally turned in a credible performance without the promise of a big pay day.