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5,7/10
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Na cidade de Chicago, Al Capone exibe seu controle absoluto sobre autoridades, políticos magistrados, policiais e todos os demais criminosos.Na cidade de Chicago, Al Capone exibe seu controle absoluto sobre autoridades, políticos magistrados, policiais e todos os demais criminosos.Na cidade de Chicago, Al Capone exibe seu controle absoluto sobre autoridades, políticos magistrados, policiais e todos os demais criminosos.
John Davis Chandler
- Hymie Weiss
- (as John D. Chandler)
Avaliações em destaque
The role of Al Capone, a large and expansive one is one that many actors just love to do. Joining the ranks of players who've essayed Chicago's legendary crime boss is Ben Gazzara. He ranks favorably with such folks as Rod Steiger, Jason Robards, Jr., Neville Brand and Robert DeNiro.
Roger Corman produced this film simply entitled Capone and we see Al Capone from his early days as a hoodlum in Brooklyn going west as Horace Greeley said to seek fame and fortune and he certainly finds it. The Chicago gang wars of the Roaring Twenties have passed into legend and some of those legends are portrayed here if not quite accurately.
In between all the violence is Susan Blakely who bares her all for art in this film. She's a pleasure driven, hedonistic, flapper from the Roaring Twenties and she's the girl who sparks Capone. Not a mention of the fact that he was a married man and also probably tried out all the women who went to work in Capone bordellos. It's no doubt where he got the syphilis that killed him eventually.
The theme of Capone is that one rises in the gangster ranks by the well timed double cross. It's how Capone rises and how he's dethroned. None of the gangster lore that has come down says what you see in the film is how it happened. In fact I doubt a lot of it. But it makes a nice story.
Gazzara is a mesmerizing Capone and young Sylvester Stallone is Frank Nitti who succeeds him as head of his organization. Blakely is one sexy woman and a lot of tongues will be hanging out.
Roger Corman gives us yet another version of Scarface. No doubt we'll see many more.
Roger Corman produced this film simply entitled Capone and we see Al Capone from his early days as a hoodlum in Brooklyn going west as Horace Greeley said to seek fame and fortune and he certainly finds it. The Chicago gang wars of the Roaring Twenties have passed into legend and some of those legends are portrayed here if not quite accurately.
In between all the violence is Susan Blakely who bares her all for art in this film. She's a pleasure driven, hedonistic, flapper from the Roaring Twenties and she's the girl who sparks Capone. Not a mention of the fact that he was a married man and also probably tried out all the women who went to work in Capone bordellos. It's no doubt where he got the syphilis that killed him eventually.
The theme of Capone is that one rises in the gangster ranks by the well timed double cross. It's how Capone rises and how he's dethroned. None of the gangster lore that has come down says what you see in the film is how it happened. In fact I doubt a lot of it. But it makes a nice story.
Gazzara is a mesmerizing Capone and young Sylvester Stallone is Frank Nitti who succeeds him as head of his organization. Blakely is one sexy woman and a lot of tongues will be hanging out.
Roger Corman gives us yet another version of Scarface. No doubt we'll see many more.
Never one to be concerned with realism, historical accuracy or taste, Roger Corman took on the now legendary story of gangster Al Capone. Corman is on production duties here, but the film has his trademarks all over it. Capone (played by Ben Gazzara, a little more convincingly than Jason Robards in the enjoyable The St. Valentine's Day Massacre) is jailed and questioned after beating up two policemen, to be bailed out by Frankie Yale (John Cassavetes) and Johnny Torio (Harry Guardino) who hold a growing influence over the police department. Capone is then taken under Torio's wing, as they try to distribute alcohol in Prohibition-era Chicago, while trying to calm the ongoing gang wars that are getting increasingly bloody.
As stated earlier, don't expect The Godfather. This is a gangsters tale, exploitation style. The film seems to want to tell Capone's story without getting bogged down in the details, and instead going for maximum entertainment value. And it does work to a certain degree - Ben Gazzara's ludicrously over-the-top performance is a lot of fun, and the fact that he's a genuinely very good actor adds a bit of class to the role. But I feel Corman's earlier gangster effort, The St. Valentine's Day Massacre (which he directed) was a lot more fun. That had a lot more going on to hold the attention, while the episodic nature of this film does get a bit repetitive after a while. Also, the majority of this film is not just a mere spin on the truth, it's outright lies. However, it's worth watching for Gazzara alone, and an early performance from Sylvester Stallone as Frank Nitti.
www.the-wrath-of-blog.blogspot.com
As stated earlier, don't expect The Godfather. This is a gangsters tale, exploitation style. The film seems to want to tell Capone's story without getting bogged down in the details, and instead going for maximum entertainment value. And it does work to a certain degree - Ben Gazzara's ludicrously over-the-top performance is a lot of fun, and the fact that he's a genuinely very good actor adds a bit of class to the role. But I feel Corman's earlier gangster effort, The St. Valentine's Day Massacre (which he directed) was a lot more fun. That had a lot more going on to hold the attention, while the episodic nature of this film does get a bit repetitive after a while. Also, the majority of this film is not just a mere spin on the truth, it's outright lies. However, it's worth watching for Gazzara alone, and an early performance from Sylvester Stallone as Frank Nitti.
www.the-wrath-of-blog.blogspot.com
Very few people remember this film (why is beyond me, it is one of the better acted gangster films--Even Sly Stallone does a decent job). But to the few of us that really remember this, it is because of a relatively unknown actress called Susan Blakely.
This is the first time from a major motion picture studio that an actress spread her legs (while completely nude, by the way) and showed us her very blond "Delta of Venus"--absolute motion picture history that, unfortunately should have catapulted her to the Sharon Stone level, but didn't.
I had to order from Great Britain and convert it from PAL to NTSC, but it was worth it!
Thanks forever, Susan!
This is the first time from a major motion picture studio that an actress spread her legs (while completely nude, by the way) and showed us her very blond "Delta of Venus"--absolute motion picture history that, unfortunately should have catapulted her to the Sharon Stone level, but didn't.
I had to order from Great Britain and convert it from PAL to NTSC, but it was worth it!
Thanks forever, Susan!
OK I was bored, I watch this movie and the writing is not great. But the cast is fabulous: Ben Gazarra, John Cassavettes, Harry Guardino, Susan Blakely (who got quite naked, thank you very much) AND... a 29 year old Sylvester Stallone.
Lots of shooting, double crossing, you can do worse.
Lots of shooting, double crossing, you can do worse.
If you were looking for an Al Capone biography that was more exciting than the 1959 film with Rod Steiger, you might like this one, but the only exciting thing for me were the gun battles. Ben Gazzara does well in the title role, but you can tell he has cotton in his jowls because some of his dialogue is incomprehensible. The casting was ideal, having Italian-American actors playing a gang of Italian-American mobsters (especially Sylvester Stallone as Frank Nitti). There is one point the film gets wrong. At the end of the movie, Nitti travels to Florida in 1946 to visit Capone, who is dying of syphilis. In real life, Nitti committed suicide in 1943, before Capone died.
Recommended only for a boring day.
Recommended only for a boring day.
Você sabia?
- CuriosidadesSusan Blakely's nude open crotch shot is reportedly one of the first instances of such a thing for a leading actress in a mainstream Hollywood film. It wouldn't be so graphically repeated until Sharon Stone's notorious scene in Instinto Selvagem (1992) 17 years later.
- Erros de gravaçãoAl Capone's scar was not caused by broken glass from a window, but by a knife wound in an argument with Frank Gallucio over a remark he made to Gallucio's sister Lena at the Harvard Inn on Coney Island in 1917.
- Cenas durante ou pós-créditosOpening credits prologue: BROOKLYN MAY 6, 1918
- Versões alternativasMost versions are missing an explicit nude scene by Susan Blakely, probably due to the fact that bootleg copies are sourced from TV prints.
- ConexõesEdited from O Massacre de Chicago (1967)
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Detalhes
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- Orçamento
- US$ 970.000 (estimativa)
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