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IMDbPro

Dona Flor e Seus Dois Maridos

  • 1976
  • 18
  • 1 h 50 min
AVALIAÇÃO DA IMDb
6,9/10
3,7 mil
SUA AVALIAÇÃO
Sonia Braga, Mauro Mendonça, and José Wilker in Dona Flor e Seus Dois Maridos (1976)
Official Trailer
Reproduzir trailer1:34
1 vídeo
43 fotos
ComedyFantasyRomance

Durante o carnaval de 1943 na Bahia, Vadinho, um mulherengo e jogador inveterado, morre repentinamente e sua mulher, Dona Flor, fica inconsolável, pois apesar dele ter vários defeitos era um... Ler tudoDurante o carnaval de 1943 na Bahia, Vadinho, um mulherengo e jogador inveterado, morre repentinamente e sua mulher, Dona Flor, fica inconsolável, pois apesar dele ter vários defeitos era um excelente amante.Durante o carnaval de 1943 na Bahia, Vadinho, um mulherengo e jogador inveterado, morre repentinamente e sua mulher, Dona Flor, fica inconsolável, pois apesar dele ter vários defeitos era um excelente amante.

  • Direção
    • Bruno Barreto
  • Roteiristas
    • Jorge Amado
    • Bruno Barreto
    • Eduardo Coutinho
  • Artistas
    • Sonia Braga
    • José Wilker
    • Mauro Mendonça
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,9/10
    3,7 mil
    SUA AVALIAÇÃO
    • Direção
      • Bruno Barreto
    • Roteiristas
      • Jorge Amado
      • Bruno Barreto
      • Eduardo Coutinho
    • Artistas
      • Sonia Braga
      • José Wilker
      • Mauro Mendonça
    • 16Avaliações de usuários
    • 21Avaliações da crítica
    • 52Metascore
  • Veja as informações de produção no IMDbPro
    • Indicado para 1 prêmio BAFTA
      • 3 vitórias e 4 indicações no total

    Vídeos1

    Dona Flor and Her Two Husbands
    Trailer 1:34
    Dona Flor and Her Two Husbands

    Fotos43

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    + 37
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    Elenco principal43

    Editar
    Sonia Braga
    Sonia Braga
    • Dona Flor (Florípides) Guimarães
    José Wilker
    José Wilker
    • Valdomiro 'Vadinho' Santos Guimarães
    Mauro Mendonça
    Mauro Mendonça
    • Dr. Teodoro Madureira
    Dinorah Brillanti
    • Rozilda
    Nelson Xavier
    Nelson Xavier
    • Mirandão, Vadinho's Buddy
    Arthur Costa Filho
    Arthur Costa Filho
    • Carlinhos the Guitarist
    Rui Resende
    Rui Resende
    • Cazuza the Drunk
    Mário Gusmão
    • Arigof
    Nelson Dantas
    • Clodoaldo the Poet
    Haydil Linhares
    • Norminha, Flor's Friend
    Nilda Spencer
    • Dinorah, Flor's Friend
    Sílvia Cadaval
    • Jacy
    Ivanilda Ribeiro
    • Sofia a Servant
    Sue Ribeiro
    • Magnólia
    Francisco Santos
    • Venâncio, the Priest
    Francisco Dantas
    Francisco Dantas
    • Dr. Argemiro
    João Gama
    • Moreira, Dona Norma's Husband
    Alvaro Freire
    • Silvério
    • Direção
      • Bruno Barreto
    • Roteiristas
      • Jorge Amado
      • Bruno Barreto
      • Eduardo Coutinho
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários16

    6,93.6K
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    Avaliações em destaque

    9stormy724

    My favorite Brazilian novel and my favorite Brazilian film

    I read Dona Flor before I saw the film. It is both my favorite Brazilian novel and my favorite Brazilian film.

    Others have written about the plot and the story, but here I want to attest to the film's spot-on reflection of the culture of the time & place the story occurs.

    I lived in a small town in Brazil in the late 1960s. The small town where I lived had a similar ambiance to 1940s' Salvador where this film is set, including the costumes, hairstyles, and makeup. Men often dressed in drag during Carnaval. The mourning scenes were typical of the time. The actions of the characters also seem appropriate to the time and place. Most Brazilians were Roman Catholic but many also believed in orixas, minor gods from African religions brought to Brazil by slaves and the supernatural happenings practitioners believed were caused by them. I once stayed in a small inn that was so similar to the one where Flor & Teodoro honeymooned, that it could have been the exact room i stayed in.

    Some details are subtle and those unfamiliar with Brazil wouldn't catch them. For example, if I stopped by someone's home --no matter how long I stayed --when I chose to leave, my host would protest with, "It's early." In the film, I laughed out loud when I heard that exact line in the film.

    Also the movie follows the Jorge Amado novel well. Amado's books are wordy (but beautifully so) so are much longer & would cover far too many hours for a film, so, of course, some scenes and details are missing.

    Most of Amado's protagonists are women. Many of his characters are from the seedy side of life. And many of his books contain recipes. Dona Flor includes all of these typical Amado characteristics. I had read most of his books in English (the original Portuguese uses so many regional colloquialisms and slang that even native Brazilians have a hard time understanding some of them.)

    The film isn't perfect, but for me who grew to love the country, the culture, and especially Brazilians, it was a joy to watch.

    _____ Warning, there are some explicit sex scenes, if that bothers you.
    7lasttimeisaw

    Bruno Barreto made this film at the age of 21

    Talking about prodigy filmmakers, Xavier Dolan might feel threatened, at the age of 21, Brazilian director Bruno Barreto's third feature DONA FLOR AND HER TWO HUSBANDS (adapted from Jorge Amado's namesake novel), became the most successful film in Brazilian history, a record it would retain for about 35 years, and it launched its star Sonia Braga onto international stardom, who would reach the apogee in her iconic turn in KISS OF THE SPIDER MAN (1985, 9/10) as the embodiment of the titular spider woman.

    Death precipitately befalls during the exotic festivity of a cluster of people dancing and courting a mulatto in a Brazilian town, and the deceased is Vadinho (Wilker), a young man in his early thirties, and the causes of his death are multiple. He is survived by his wife Dona Flora (Braga), and she starts to recollect their seven-year marriage and it turns out Vadinho is a complete good-for-nothing except his amorous sexual desire. He is a chronic gambler, an inherent womaniser, a boozer and whore-monger with a tendency for domestic violence. And Dona is a sultry beauty, but also a religious wife, she puts up with him in spite of all the suffering and abuse, since occasionally she can find the ephemeral satisfaction in their torrid love-making. But in the eyes of others, like Dona's mother and her close friends, who keep grousing about why she is so submissive towards Vadinho's tyranny, their marriage is a total mismatch judging by the face value.

    When Vadinho is out of the picture, everyone is hoping for a new bright future for Dona, including herself, she is tormented by his sudden death, but is also looking forward to commencing a brand new chapter of her life. So she marries to a second husband, a middle-age pharmacist Teodoro (Mendonça), the exact opposite of Vadinho, a respectful man with a prospective future, but pedantic and boring, and worst of all, the sex is dreadful, comically marked out by Barreto in their wedding consummation with droll earnestness.

    Commendably, the film focuses on a woman's conundrum between two polarised types of men, edifies with the motto "happiness does not equal romance" and then establishes Dona as a token of woman's sexual liberation by creating an imaginary ménage-a-trois situation with no rationale behind it. Barreto affirmatively betrays his young age through mischievousness of twisting the irony of fate and whimsies in engineering its saucy sex scenes with inordinate indulgence. Especially Wilker is not such a hotrod gaging by today's standard, watching him flaunt his flabby body in the buff and ca-noodle Braga again and again only solidifies one thing: she deserves someone much better, and the exploitation of her sex appeal out-paces the requirement for a committed performance, which she invests profoundly in the character development.

    As far as the film is concerned, although sometimes verbosely executed, but who can resist its fetching charm of a strange land with all its whistles and bells function in full mode, plus a hindsight of Barreto's young age can only attribute more to his precocious expertise, a creditable achievement indeed.
    10sundownlady

    A Classic!

    I first saw this film when it was released here in L.A. over twenty years ago. It was outrageously funny then, and even more so 20 years later.

    Dona Flor is married to Mr Wrong, but she loves him and overlooks his short comings and takes care of him. After his untimely death, she marries Mr. Right who adores and cares for her. Yet, the spark Mr. Wrong ignited within her is missing. That is until the ghost of Mr. Wrong comes back... LOL! Can a woman love and honor two husbands?

    Whether you're a stickler for monogamy or you believe having more than one spouse is the only way to go, you'll have fun viewing this beautiful, entertaining, and hilarious film.
    7augusto-amorim95

    Sonia Braga, 70 years old

    If actress Regina Duarte is the "girlfriend of Brazil", Sonia Braga is and will always the eternal "Gabriela", who yesterday turns 70 years old. It shone in Brazilian cinema in "Dona Flor and Her Two Husbands" (1976), an absolute success in Brazil, remaining for three decades as the most watched Brazilian film in theaters (over ten million viewers), a film that elevated the Brazil to the first world of international cinema, after the country winning the Palme d'Or in Cannes (1962) with "Keeper of Promises - the given word", a film by Anselmo Duarte.

    Others relevant national titles in her career includes "A Dama do Lotação" (1978, directed by Neville D"Almeida), "A Moreninha" (1970, directed by Glauco Mirko Laurelli), "O Casal" (1975, directed by Daniel Filho) and "Eu Te Amo" (1981, directed by Arnaldo Jabor). Before the TV series "Gabriela" (1975), Sonia had acted in other series at the Globo Network.

    In the seventies, she appeared as a hippie ("Irmãos Coragem, 1970) and as a emotionally confused girl (Selva de Pedra, 1972) until the explosion with the title character of the television adaptation of the novel "Gabriela, Cravo e Canela", written by Jorge Amado, a landmark of Brazilian TV that becamed her in a television big star and revolutionized her image - it's important to say that!

    "Dona Flor and Her Two Husbands", also an adaptation of a book written by Jorge Amado transformed Sonia in an international star - in the Baftas she was nominated as most outstanding newcomer and the film had a Hollywood version, " Kiss Me Goodbye" (1982, directed by Robert Mulligan) with Jeff Bridges, James Caan and Sally Field, who was at the height of her success with the Oscar received for "Norma Rae" (1979, directed by Martin Ritt). Later, Sally and Sonia would act together in the series "Brothers and Sisters" (2006-2011).

    Courageous, in the middle of eighties, she left Globo TV and migrated to the USA after the success and Oscar nominations earned by "The Kiss of the Spider Woman" (1985, by Hector Babenco). In Hollywood she appeared in "The Milagro Beanfield War" (1988, directed by Robert Redford), "The Burning Season" (1994, directed by John Frankenheimer) and "Moon Over Parador" (1988, directed by Paul Mazursky), besides shining in six episodes of "Sex and the City" (1998 -2004), when she played a lesbian envolved with Miranda (Kim Cattrall). In the USA, recognized for her talent, she was nominated three times for the Golden Globe (once for "Kiss of the Spider Woman") and once for the Emmy for "The Burning Season".
    8adrianovasconcelos

    Wonderful comedy with sexy Braga, Wilker

    I rate Bruno Barreto one of the best Brazilian directors ever, and certainly DONA FLOR AND HER TWO HUSBANDS emerged as a noteworthy early success in his career.

    To that end he is masterfully helped by the deceptively simple cinematography of Murillo Salles, the musical score by Chico Buarque da Holanda, and the script off writer Jorge Amado's famous novel.

    Set in 1943 Salvador da Bahia city, DONA FLOR is imbued with the colors and fragrances of that coastal town, and Barreto keeps the action tight, with touches of human kindness and understanding while others continue backstabbing and decrying everything.

    Clever ending. 8/10.

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    Enredo

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    Você sabia?

    Editar
    • Curiosidades
      This Brazilian picture became the most successful Brazilian film at the box-office in Brazil with its record not broken until around thirty-five years later with the Brazilian movie Tropa de Elite 2: O Inimigo Agora é Outro (2010).
    • Versões alternativas
      Original Brazilian release ran 118 minutes.
    • Conexões
      Referenced in Abertura (1979)
    • Trilhas sonoras
      O Que Será (À Flor da Pele)
      Written by Chico Buarque

      Performed by Simone

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    Perguntas frequentes15

    • How long is Dona Flor and Her Two Husbands?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 22 de novembro de 1976 (Brasil)
    • País de origem
      • Brasil
    • Idioma
      • Português
    • Também conhecido como
      • Dona Flor and Her Two Husbands
    • Locações de filme
      • Salvador, Bahia, Brasil
    • Empresas de produção
      • Carnaval Unifilm
      • Coline
      • Companhia Cinematográfica Serrador
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

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    • Tempo de duração
      1 hora 50 minutos
    • Mixagem de som
      • Mono
    • Proporção
      • 1.85 : 1

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