Uma História Diferente

This film was seen by my wife and I when it came out in 1978. It was a revelation to us. We actually thought that we were the only gay and lesbian couple who had ever married and had children. Obviously we were wrong. Love may come from where you don't expect it and maybe don't want it. But we both chose that love anyway.

And no, it never changed our sexual orientation. That kind of stuff is for the Christian wackos.

When we were young we both had affairs, but never with the opposite sex. As we aged we stopped having extramarital affairs.

This story is not far fetched. However, the suggestion that they became heterosexuals seems pretty unrealistic to me. My wife and I have been sleeping together for the last 40 years. We are still gay. End of story.

This movie is as unique as it is overlooked......A Different Story is just that, it shows how out of the need to survive or maintain, one can find the capacity to love if you have an open heart as well as an open mind. I first saw this on cable in the late 70's and it truly depicted the limitations of the gay community at the time. I believe this movie was ahead of its time in depicting a little slice of an obscure way of life. It is truly a classic in the sense that it was a precursor to what is now depicted as the extended family. This film should be available on DVD/VHS so that not only the extra ordinary performances of Meg Foster & Perry King can be acknowledged, but to show how far we have come & still have to go where relationships are concerned.

A sort of 1978 "Will & Grace" without a Jack. Witty. Zany. Funny. Real. Clumsy. Heartfelt. I actually thought this would be one of the many maudlin, tragic stories of the late 70s, but I was pleasantly surprised to find myself viewing something completely believable, interesting and really kind of a normal situation. I wish I'd seen this as a late teen when it was released.

It was thought provoking in that it dealt openly and honestly with the issue of gender and sexuality fluidity in a situation where both parties were aware that the other was more inclined towards same sex attraction. Thus is a story that's still relevant.

Filmmaker Paul Aaron ("A Force of One", "Deadly Force") began his career with this odd spin on the romantic formula. Written by Henry Olek, the premise has a gay female real estate agent, Stella (Meg Foster), and a gay male designer, Albert (Perry King), living as housemates. He turns out to be an illegal alien, and she gets the bright idea to marry him so he won't be faced with deportation. One night, after some drunken birthday celebrations, they end up in bed together and thereafter develop romantic feelings for each other.

This certainly had the potential to be a total misfire, and could still easily be seen as problematic to a number of viewers. But it actually works fairly well, at least in its first half, before succumbing to corniness and predictability in its second half. Some audience members could probably do without the character of Stellas' previous lover Phyllis (Valerie Curtin, '9 to 5'), who's clearly unbalanced. But the characters of Stella and Albert are treated as healthy, happy, balanced individuals. This admittedly wouldn't be as successful if King and especially Foster weren't so good in their respective roles. You really do like these two, despite everything.

Available now on Blu-ray in its original R-rated form (with some brief profanity and nudity), this was unsurprisingly quite controversial 43 years ago. Even today, it's not going to be to all (or very many) tastes. But curious movie watchers may still want to give this a look, if only for the performances (including Peter Donat ("The China Syndrome"), as a prominent orchestra conductor who was Alberts' previous romantic partner).

Seven out of 10.

Lesbian marries a Belgian gay man to keep him in the States; they fall in love for real, but he cheats on her--with a woman. Gay leading characters (male or female) in a mainstream motion picture hadn't been in vogue for a number of years--you'd have to go back to "The Fox" or "The Killing of Sister George" in 1968, "The Boys in the Band" in 1970 and "Sunday Bloody Sunday" in 1971--which makes screenwriter Henry Olek's efforts here doubly disappointing. He has the brave notion to introduce homosexual people in a bland, middle-of-the-road setting (no camp attributes), and then drops the ball (or, perhaps, the ball was taken and dropped for him). You can't blame the actors--Meg Foster or Perry King--they are doing what they were assigned to do, to push forward a false plot. But they are pawns in a heterosexual's fantasy, that the gay lifestyle can be "corrected" with the "right partner." The agenda here is obviously unbalanced, and yet director Paul Aaron forges on with Olek's romantic clichés as if the only audience for their picture were straight, upper-class men and women who want to be able to say when it's over, "I always knew it was a choice." * from ****