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IMDbPro

WKRP in Cincinnati

  • Série de TV
  • 1978–1982
  • TV-PG
  • 30 min
AVALIAÇÃO DA IMDb
8,0/10
12 mil
SUA AVALIAÇÃO
POPULARIDADE
2.831
357
Loni Anderson, Tim Reid, Frank Bonner, Howard Hesseman, Gordon Jump, Richard Sanders, and Gary Sandy in WKRP in Cincinnati (1978)
Trailer 1
Reproduzir trailer1:14
4 vídeos
99+ fotos
ComédiaSitcom

Adicionar um enredo no seu idiomaThe misadventures of the staff of a struggling Top 40 rock radio station in Cincinnati, Ohio.The misadventures of the staff of a struggling Top 40 rock radio station in Cincinnati, Ohio.The misadventures of the staff of a struggling Top 40 rock radio station in Cincinnati, Ohio.

  • Criação
    • Hugh Wilson
  • Artistas
    • Gary Sandy
    • Gordon Jump
    • Loni Anderson
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    8,0/10
    12 mil
    SUA AVALIAÇÃO
    POPULARIDADE
    2.831
    357
    • Criação
      • Hugh Wilson
    • Artistas
      • Gary Sandy
      • Gordon Jump
      • Loni Anderson
    • 64Avaliações de usuários
    • 21Avaliações da crítica
  • Veja as informações de produção no IMDbPro
    • Ganhou 1 Primetime Emmy
      • 2 vitórias e 16 indicações no total

    Episódios90

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    Vídeos4

    WKRP in Cincinnati
    Trailer 1:14
    WKRP in Cincinnati
    Wkrp In Cincinnati: Season 1
    Trailer 0:58
    Wkrp In Cincinnati: Season 1
    Wkrp In Cincinnati: Season 1
    Trailer 0:58
    Wkrp In Cincinnati: Season 1
    Wkrp In Cincinnati (Trailer 1)
    Trailer 1:31
    Wkrp In Cincinnati (Trailer 1)
    Wkrp In Cincinnati
    Trailer 1:24
    Wkrp In Cincinnati

    Fotos173

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    Elenco principal99+

    Editar
    Gary Sandy
    Gary Sandy
    • Andy Travis
    • 1978–1982
    Gordon Jump
    Gordon Jump
    • Arthur Carlson…
    • 1978–1982
    Loni Anderson
    Loni Anderson
    • Jennifer Marlowe
    • 1978–1982
    Howard Hesseman
    Howard Hesseman
    • Dr. Johnny Fever…
    • 1978–1982
    Richard Sanders
    Richard Sanders
    • Les Nessman…
    • 1978–1982
    Frank Bonner
    Frank Bonner
    • Herb Tarlek
    • 1978–1982
    Tim Reid
    Tim Reid
    • Venus Flytrap…
    • 1978–1982
    Jan Smithers
    Jan Smithers
    • Bailey Quarters
    • 1978–1982
    Carol Bruce
    Carol Bruce
    • Lillian Carlson
    • 1979–1982
    Allyn Ann McLerie
    Allyn Ann McLerie
    • Carmen Carlson
    • 1979–1982
    Sam Anderson
    Sam Anderson
    • Mason Noble…
    • 1979–1981
    Ian Wolfe
    Ian Wolfe
    • Hirsch
    • 1981–1982
    Edie McClurg
    Edie McClurg
    • Lucille Tarlek
    • 1979–1980
    Hamilton Camp
    Hamilton Camp
    • Buddy Gravers…
    • 1978–1981
    Bill Dial
    • Buckey Dornster
    • 1978–1979
    Michael Fairman
    Michael Fairman
    • Buddy Barker…
    • 1978–1980
    Julie Payne
    • Buffy Denver
    • 1979
    George Wyner
    George Wyner
    • D. Arnold Gonzer
    • 1980
    • Criação
      • Hugh Wilson
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários64

    8,012K
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    Avaliações em destaque

    mamahid

    This shows great strength (besides being funny) was that the characters became increasingly three-dimensional, a trait most sitcoms fail at..

    Many sitcoms start out with great promise, but over successive seasons settle and turn dimensionally less realistic. Take for example Tony Danza's spiral down in "Taxi" into the "dumb guy." In WKRP in Cincinnati, the complete opposite was true. Two dimensional stereotypes at the beginning (cowboy programmer, dim-witted receptionist, lazy mama's boy manager, city-wise black DJ, etc.) were allowed over the show's course to become psychologically real. The on-going harassment by married salesman Herb Tarlek towards Jennifer the receptionist was finally confronted, and in subsequent episodes he was never quite the pig towards her as before. Alcoholism and drug abuse were addressed, but never in the "hit you over the head" PC style of today. The show could be simultaneously hilarious and of dire seriousness. If you can, catch the episodes in rerun in order. The final season is amazing, especially when the previous years have set you up for it. Carol Bruce (Mama Carlson) episodes are especially stunning. And always look for Les Nessman's roaming band-aid.
    Gislef

    The Funniest Comedy of All Time?

    Only a very few comedies have reached what I consider the height of mixing pathos, characterization, slapstick, verbal byplay. Night Court, Cheers, Mary Tyler Moore...and WKRP manages to surpass them all. WKRP comes out ahead of most of these (except maybe Night Court) because it was a true ensemble. It didn't focus on just Sam & Diane, or just Mary, but equally covered each of its cast members, giving them almost-equal screen time.

    These were also folks who had _lives_ that didn't revolve entirely around the office or resolving the problem at the office: families, social lives, etc.

    The recent Nick at Nite marathon (40 hours, five nights) just brought back home to me that this show was so funny, and why even some of the worst episodes are still a heck of a lot funnier than most "comedies" on the air today.

    Hopefully WKRP will be settling into a long stay on Nick at Nite once the marathon runs its course.
    superscal23

    Not one single negative review. Finally some people who get it

    WKRP is the show that I may have the toughest time reviewing. I would like to make my love for this show clear without simply stating it was the best show of all time, but there may be no other way. I Love Lucy, MASH, Cheers, Seinfeld, Mary Tyler Moore, and any other sitcom regarded as classic all pale in comparison to WKRP in Cincinnati. This show focused on eight characters, rarely devoting too much time to any one individual. The cast did not change in four years. They didn't even add anybody for a few episodes to play a love interest or something like that. They didn't have to. Each one of the eight could have carried the show by themselves.

    I was born during WKRP's initial run and I have grown up in an era where almost every sitcom is populated by characters whose personality is exaggerated beyond reality, and who can't seem to laugh at anything that doesn't involve sex. KRP had its share of these types of jokes, but they never dominated the show. There were rarely any episodes trying to figure out who's dating whom. There was never a season ending cliffhanger wondering which two characters were going to get together. In fact, the episodes where this did happen are some of the show's weakest such as Andy's country western girlfriend, and the episode where Johnny stays at Bailey's apartment prompting rumors around the office. That being said, there is not one single episode of WKRP in Cincinnati that isn't funny. Even the two I referenced earlier have their moments.

    The character development and subtlety of this show is unmatched. Each character built a relationship with the other seven, and the writers were able to tap into those relationships whenever it was needed. There are episodes that you have to watch several times to get the full effect of what is going on. The union episode is one of the best because of the way Andy deals with the other characters, but this is something that goes unnoticed unless you pay attention to all the little details that you can see watching the episode a second time. Everything down to his wardrobe is just perfectly crafted. Another great KRP moment comes when station critic Norris Breeze refers to Jennifer as a "total airhead" in front of Mama Carlson. The one person Mrs. Carlson considers her equal, and she is called a "total airhead." What a great moment.

    The final episode ties everything together perfectly. It was not guaranteed at that time whether KRP was returning, so they made an episode that could be the last, but it didn't have to be. Johnny's explanation of how KRP is supposed to lose money explains why Mrs. Carlson went along with the new format in the first place four years earlier.

    There has certainly never been a more socially consious sitcom, and there are many great dramas that didn't deal with as many issues as WKRP. Every political issue that is important even today is tackled in a KRP episode. Abortion, racism, homosexuality, censorship, unions, alcoholism, drug abuse, and education to name a few. There are also episodes involving the rich vs. poor, and a classic involving lying, scheming politicians. I have literally tried to think of an issue that wasn't addressed on WKRP, and I can't do it.

    It's unfortunate that none of the eight actors ever made a real splash after WKRP. Tim Reid, Howard Hesseman, and Loni Anderson have had their moments, but none of these actors are considered to be big stars. For four great years, they created a show that a lot of people missed. For those of us who have gotten to see it, we will never forget.
    sbmcvp

    "Baby, if you've ever wondered...."

    This was simply one of the best sitcoms ever made (along with Barney Miller). Even when the episodes were centered around characters that I did not particularly find appealing, the show always had heart. Never in WKRP did the show become formulaic or repetitive. The stories were written with feeling and a depth that is long since vanished in any sitcoms since. I believe that the best episode (not the funniest) was "In Concert". It is the one that centers around the tragedy at the 1979 Who concert, where 11 people were trampled to death outside the stadium trying to get the best seats. This show was a far cry from the current trend of having character-A insult character-B to the sound of the laugh track!!
    budlyons2003

    "Oh, I don't know. I'll think of something."

    What can I add to what's already been said in the other comments? With the above quote and the unveiling of the KISS poster, WKRP IN CINCINATTI jumped in with both feet and made viewer (if not critical) history. Real people, losers who refused to be losers, teamed together to help and validate one another in great situations all in the little space of a couple of offices. Big theme and social consciousness issues without the big speech, hit you over the head approach. An ensemble cast with great writing and dialogue. Who cares whether or not it was low-budget? It was GREAT stuff. Favorite moments? Les wanting to commit suicide cuz the rumor is that he's gay. Herb painting his daughter's frog PINK. All the guys pitching in to get back the nudie shots the photographer took of Jennifer. The concert where the kids were crushed against the not yet opened gates. (I couldn't stop crying, watching that one.) Les feeding his dog, wearing the giant dog-trainer glove. The "phone police" blowing up the transmitter station. (That was my Dad's favorite.) But most of all for me, Venus teaching the cleaning lady's kid about the atom, using the analogy of gangs in the hood. The comedy capper on that one was Johnny waking up from behind some shelves and saying something like, "So that's how that works." And, yeah, folks -- Bailey was HOT and should've been showcased more. In closing, "Oh, yeah ... BOOGER!"

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    • Curiosidades
      Les Nessman wears a bandage on some part of his body in almost every episode. Eventually, he reveals that he has a very large dog at home. In real life, Richard Sanders was injured before taping Pilot: Part 1 (1978), and had to wear a bandage on the air. He decided to make it Les' trademark.
    • Erros de gravação
      Les Nessman is a bachelor, but he often is seen wearing a wedding ring.
    • Citações

      Arthur 'Big Guy' Carlson: As God is my witness, I thought turkeys could fly.

    • Cenas durante ou pós-créditos
      The lyrics for the closing credits consist of gibberish words.
    • Versões alternativas
      MTM Productions' license to use some of the songs for this show expired in the mid-1990s. Syndicated and home video versions since then, including that on the Nick-at-Nite cable network, have replaced some of those songs with stock music.
    • Conexões
      Featured in The 32nd Annual Primetime Emmy Awards (1980)

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    Perguntas frequentes

    • How many seasons does WKRP in Cincinnati have?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 18 de setembro de 1978 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Idioma
      • Inglês
    • Também conhecido como
      • Sänt var'e här
    • Locações de filme
      • Cincinnati Enquirer Building - 617 Vine Street, Cincinnati, Ohio, EUA(Stand-in as the Osgood R. Flimm Building, home of the offices and studios of WKRP)
    • Empresas de produção
      • Company Four
      • MTM Enterprises
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

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    • Tempo de duração
      30 minutos
    • Cor
      • Color

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