J.R. Ewing, um magnata do petróleo do Texas, usa manipulação e chantagem para atingir suas ambições comerciais e pessoais. Ele frequentemente entra em conflito com seu irmão Bobby, seu inimi... Ler tudoJ.R. Ewing, um magnata do petróleo do Texas, usa manipulação e chantagem para atingir suas ambições comerciais e pessoais. Ele frequentemente entra em conflito com seu irmão Bobby, seu inimigo Cliff Barnes e sua esposa sofredora Sue Ellen.J.R. Ewing, um magnata do petróleo do Texas, usa manipulação e chantagem para atingir suas ambições comerciais e pessoais. Ele frequentemente entra em conflito com seu irmão Bobby, seu inimigo Cliff Barnes e sua esposa sofredora Sue Ellen.
- Ganhou 4 Primetime Emmys
- 48 vitórias e 82 indicações no total
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Avaliações em destaque
"Dallas" created some HUGE TV moments ... J.R. Ewing's shooting, the "Dream Season" and Bobby returning in the shower ...
Beyond that, though, I especially loved the writing of "Dallas," particularly in the working of J.R.'s various schemes, both at the Ewing Oil offices and offsite. He was just-plain the master manipulator, and while I don't encourage anyone to aspire to this kind of mastery(!), it sure was FUN to watch him in action! Yikes! The way he executed those deals seemed to set the show apart from rivals like "Dynasty."
I enjoyed the way the show evolved in the later seasons. In the last two seasons, in particular, there seemed to be this sophisticated edge that avoided insulting the viewer (as sometimes the campiness of "Dynasty" could). While "Dynasty" was busy being flashy (and hey, I liked that, too -- I was a teen when it originally aired, after all), "Dallas" was playing the game just a bit cooler, calmer, a touch more complicated. Plus, Jeannie aside, Larry Hagman was BORN to do that role. Meow!
Beyond that, though, I especially loved the writing of "Dallas," particularly in the working of J.R.'s various schemes, both at the Ewing Oil offices and offsite. He was just-plain the master manipulator, and while I don't encourage anyone to aspire to this kind of mastery(!), it sure was FUN to watch him in action! Yikes! The way he executed those deals seemed to set the show apart from rivals like "Dynasty."
I enjoyed the way the show evolved in the later seasons. In the last two seasons, in particular, there seemed to be this sophisticated edge that avoided insulting the viewer (as sometimes the campiness of "Dynasty" could). While "Dynasty" was busy being flashy (and hey, I liked that, too -- I was a teen when it originally aired, after all), "Dallas" was playing the game just a bit cooler, calmer, a touch more complicated. Plus, Jeannie aside, Larry Hagman was BORN to do that role. Meow!
to see Dallas for an East European is always a strange experience. under the Communist regime, it was a fairy tale. under the democratic regime - a promise. but, always, in a strange way, more than fiction. because Larry Hagman creates a spectacular bad guy, splendid mixture between Shere Khan and Darth Vader. because it has the gift to be more than one of many soap opera from the same period but a phenomenon. because, its spectacular longevity transforms the viewer in part of story. sure, all is a fiction . but the dose of reality is right for discover the trace of series in every day life. it has the right story and the right actors. this is its success roots. and the seal for a period looking the perfect story for understand the reality escaping from it.
Dallas was and still is a TV phenomenon. It took the model of the tired old American soap and turned it into something fresh, fascinating and compelling watched by millions of people around the world. It used for the first time the device of the cliffhanger at the end of the season to keep people coming back for more. Personally I believe the 1981-1984 central seasons were its high point with the titanic struggle between JR and Bobby for control of Ewing Oil plus other strong story lines.
What was the secret of its success and longevity? I believe this is down to 3 factors.
1. The story lines cleverly combined subjects that would appeal to a mass audience - love and sex, glamour, money and power, family problems, and controversial subjects for the time e.g. Sue Ellen's alcoholism that attracted interest and raised awareness.
2. Excellent writing with top notch scripts.
3. Superb acting from the key cast team. I have to single out Larry Hagman's performance as JR, I have never seen any performance to match it in any TV drama. He completely got under JR's skin and while he showed us what a monster the man was, he also made us aware of his redeeming features (particularly his strong sense of family) so that we never quite lost empathy for him. Patrick Duffy, Linda Gray and Ken Kercheval also gave remarkable performances as Bobby the 'good' brother who was never boring, Sue Ellen the wronged wife who eventually found a life of her own and Cliff, JR's neurotic, bungling rival who rarely managed to best him.
What was the secret of its success and longevity? I believe this is down to 3 factors.
1. The story lines cleverly combined subjects that would appeal to a mass audience - love and sex, glamour, money and power, family problems, and controversial subjects for the time e.g. Sue Ellen's alcoholism that attracted interest and raised awareness.
2. Excellent writing with top notch scripts.
3. Superb acting from the key cast team. I have to single out Larry Hagman's performance as JR, I have never seen any performance to match it in any TV drama. He completely got under JR's skin and while he showed us what a monster the man was, he also made us aware of his redeeming features (particularly his strong sense of family) so that we never quite lost empathy for him. Patrick Duffy, Linda Gray and Ken Kercheval also gave remarkable performances as Bobby the 'good' brother who was never boring, Sue Ellen the wronged wife who eventually found a life of her own and Cliff, JR's neurotic, bungling rival who rarely managed to best him.
Well, I just want to publish my very own personal review about this global smash hit. And keep it that way.
Liked it A lot when it was on screen here in Sweden during the years about 1981-1993(?). (Some 2-3 year delay from U.S prime time.) That was a usual standard for American TV shows for European watchers by then.... (National television was Russian style in Sweden too, you know.) Got curious when my mother got hooked on the Ewing/Barnes feud, myself being just seven years old at the time. (I naturally didn't get so much out of it then.)
What was meant by the creators of "DALLAS" to be a five act drama TV show with the troublesome marriage between Bobby Ewing and Pamela Barnes in center, grows to be the major series of the 80's. (The response from the viewers after some episodes were so good that the producers called for an extension.)
We were allowed to get into the flesh of a family, with sons and daughters always fought each other for power and wellness. Office suits mixed with rancher blue jeans. Oil business and kettle care in the same sweet melody.
When the DALLAS show was released over here on DVD in a "two season per year-plan" in the early 00's, It was time to take the trip all over again. During a six year period, I consistently dug deeply into it season by season during free time, and enjoyed it to the fullest.
The Southfork Ranch almost became my own living room.
Not A member of A fan base, I want to share my own profit of taking the trip from start to finish:
"The Jock Ewing Years" are/were DALLAS at it's best. Jim Davis was the Brando of the Ewings, without doubt. The plot of the whole show was more centered and interesting while he was present. The screen writers re-grouped the three sons of an oil-mafia matriarch, surly in a "godfather" style. Late Larry Hagman (R.I.P) was the senior son J.R, the natural heir of the throne. Always thinking business, besides the hunger for women as a pleasure. Stone cold and calculating, he smashed every fly that came around him trying to steal his limelight.
2nd son Gary was placed beside in script, for several reasons. (Fans aware of "Knots Landing", uh?)
Baby brother Bobby eventually took the fight with his older brother for the captain's seat; after having his "easy living"-years he rapidly learn the business, but a little too late to ever compete with his way too superior brother, who were always one step ahead.
(Actor Patrick Duffy once said that an early take with Larry Hagman, which included some physical acting, ending up with Hagman laughing at his opponent's bad acting, was a real boost to shape up, and never feel minor in acting skills to Larry in a scene ever again.)
Cowboy Ray Krebbs (Steve Kanaly), the janitor of SF ranch, grows highly during this long history of the Ewings. Starting as kind of a youth manservant to them, he turns out to be more family than anybody of the Ewings ever dreamed of. (My personal favorite down to earth personality figure during the whole saga.) Forced into a world he never wanted to be part of.
On the opposite side, One Cliff Barnes always moaning of his father's stolen piece in the Ewings wealth, him being a partner to Jock Ewing in their oil "teen-years". (But drank it away.) Cliff B builds his own castle, but keeps up having hard time to compete with old J.R Ewing as Texas Oil Baron no. 1. Some good strikes on the way for Clifford, from time to time, always gave the series some fresh air and a forward push.
The family drama went on for years and years. People comes and goes. Weddings, barbecue parties, and some good fist fights at the annual Oil Baron's Ball. Liquor for breakfast, coffee for lunch. Heavy fuel for hard people.
Halfway the series gets a little stalled, but the writers kept on finding new and sometimes cheer ways to keep the story going on.
Yes, there's alcoholic intoxicated wives on the way.
It's getting kind of silly around the "dream-season" alright. (A solution created because of the actors big egos $....)
But I kept on watching it after that anyway, didn't I?
And did I love the ride?
YES. To the final "shot".
Liked it A lot when it was on screen here in Sweden during the years about 1981-1993(?). (Some 2-3 year delay from U.S prime time.) That was a usual standard for American TV shows for European watchers by then.... (National television was Russian style in Sweden too, you know.) Got curious when my mother got hooked on the Ewing/Barnes feud, myself being just seven years old at the time. (I naturally didn't get so much out of it then.)
What was meant by the creators of "DALLAS" to be a five act drama TV show with the troublesome marriage between Bobby Ewing and Pamela Barnes in center, grows to be the major series of the 80's. (The response from the viewers after some episodes were so good that the producers called for an extension.)
We were allowed to get into the flesh of a family, with sons and daughters always fought each other for power and wellness. Office suits mixed with rancher blue jeans. Oil business and kettle care in the same sweet melody.
When the DALLAS show was released over here on DVD in a "two season per year-plan" in the early 00's, It was time to take the trip all over again. During a six year period, I consistently dug deeply into it season by season during free time, and enjoyed it to the fullest.
The Southfork Ranch almost became my own living room.
Not A member of A fan base, I want to share my own profit of taking the trip from start to finish:
"The Jock Ewing Years" are/were DALLAS at it's best. Jim Davis was the Brando of the Ewings, without doubt. The plot of the whole show was more centered and interesting while he was present. The screen writers re-grouped the three sons of an oil-mafia matriarch, surly in a "godfather" style. Late Larry Hagman (R.I.P) was the senior son J.R, the natural heir of the throne. Always thinking business, besides the hunger for women as a pleasure. Stone cold and calculating, he smashed every fly that came around him trying to steal his limelight.
2nd son Gary was placed beside in script, for several reasons. (Fans aware of "Knots Landing", uh?)
Baby brother Bobby eventually took the fight with his older brother for the captain's seat; after having his "easy living"-years he rapidly learn the business, but a little too late to ever compete with his way too superior brother, who were always one step ahead.
(Actor Patrick Duffy once said that an early take with Larry Hagman, which included some physical acting, ending up with Hagman laughing at his opponent's bad acting, was a real boost to shape up, and never feel minor in acting skills to Larry in a scene ever again.)
Cowboy Ray Krebbs (Steve Kanaly), the janitor of SF ranch, grows highly during this long history of the Ewings. Starting as kind of a youth manservant to them, he turns out to be more family than anybody of the Ewings ever dreamed of. (My personal favorite down to earth personality figure during the whole saga.) Forced into a world he never wanted to be part of.
On the opposite side, One Cliff Barnes always moaning of his father's stolen piece in the Ewings wealth, him being a partner to Jock Ewing in their oil "teen-years". (But drank it away.) Cliff B builds his own castle, but keeps up having hard time to compete with old J.R Ewing as Texas Oil Baron no. 1. Some good strikes on the way for Clifford, from time to time, always gave the series some fresh air and a forward push.
The family drama went on for years and years. People comes and goes. Weddings, barbecue parties, and some good fist fights at the annual Oil Baron's Ball. Liquor for breakfast, coffee for lunch. Heavy fuel for hard people.
Halfway the series gets a little stalled, but the writers kept on finding new and sometimes cheer ways to keep the story going on.
Yes, there's alcoholic intoxicated wives on the way.
It's getting kind of silly around the "dream-season" alright. (A solution created because of the actors big egos $....)
But I kept on watching it after that anyway, didn't I?
And did I love the ride?
YES. To the final "shot".
Dallas is a once in a lifetime show and experience. From 1978 to 1991 the series ran on CBS. Larry Hagman was by far the standout actor. His portrayal of J.R. Ewing is without comparison. Hagman takes the role and chews it up. This series was so much better than any other prime time soap. Dynasty jumped the shark with its alien arc, Dallas never went that route. All of its plot lines were very feasible and probable. The death of Jim Davis (Jock Ewing) drove storyline for many, many more years. I am saddened at the recent death of Barbara Bel Geddes, (Miss Ellie). For anyone looking for a good, drama driven, emotion filled TV series this is the show for you. I am ANXIOUSLY awaiting the DVD release of the remaining seasons. I have worn out Seasons 1 and 2, and just received Season 3. Once In A Lifetime and Classic. Enjoy!!
Você sabia?
- CuriosidadesOriginally, the show was intended as a starring vehicle for Victoria Principal, due to the fact that Pam would act as a buffer between the Ewings and the Barneses. J.R. was intended to be more of a supporting character. However, the producers were so impressed by Larry Hagman's portrayal of the immoral J.R., that he soon became the show's main character. Victoria stayed the hero though, and pretty soon it become angel Pam vs. Devil JR.
- Erros de gravaçãoThe size and layout of Southfork Ranch cannot possibly hold the number of bedrooms the series suggests it has. When the show first starts, four bedrooms would be needed (one for Miss Ellie and Jock, one for JR and Sue Ellen, one for Bobby and Pam, and one for Lucy). The following year, a nursery is added along with a guest room for John Ross's live-in nurse, totalling six. In later years, Sue Ellen has her own room for a while, and during episodes of the 1984-85 season, there would need to be at least eight bedrooms to accommodate the family and various guests. Additionally, many of the bedrooms have their own bathrooms and walk-in dressing rooms, which cannot possibly match up with the exterior of the house.
- Cenas durante ou pós-créditosThe actors are supposed to be billed "in alphabetical order." Barbara Bel Geddes is billed as if she's a 'B' while Priscilla Beaulieu Presley as a 'P'.
- Versões alternativasThree episodes that aired as two-hour episodes "The Family Ewing" (Season 9), "Return to Camelot" (Season 10), and Conundrum (Season 14), are edited into two separate episodes for syndication.
- ConexõesFeatured in The 31st Annual Primetime Emmy Awards (1979)
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Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Oil
- Locações de filme
- Calder House - 4800 Park Lane, Dallas, Texas, EUA(interiors: southfork Ranch in season 1)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
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