Adicionar um enredo no seu idiomaA group of convicts and outcasts fight a guerrilla war against the totalitarian Terran Federation from a highly advanced alien spaceship.A group of convicts and outcasts fight a guerrilla war against the totalitarian Terran Federation from a highly advanced alien spaceship.A group of convicts and outcasts fight a guerrilla war against the totalitarian Terran Federation from a highly advanced alien spaceship.
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My personal favorite performer on Blake's 7 was the extraordinary Jacqueline Pearce--surely one of the most gifted actresses of our day. In one way it is a shame that she will always be remembered for his work on this series, but, from another perspective, her creation of Servalan has a truly legendary quality, larger than life and yet intensely human. Jackie imbued Servalan with a wit, grace, and elegance that made her absolute evil all the more intriguing. Paul Darrow as Avon provided the perfect complement to Servalan's infamy. Coldly self-aggrandizing and exquisitely poised in his own right, Darrow's performance is often tinged with streaks of frighteningly believable psychosis, especially during the memorable final season.
If this series had had a wider airing in the US, it would have attracted a massive cult following over here. Grab this on tape if you can find it!
Well, like a wayward son, I have returned to "Blakes 7" all these years later. I've just finished the season one DVDs, and I enjoyed myself immensely. In some respects it's a very familiar show that borrows terminology and ideas from much older genre entertainment, like "Star Trek." But it's quite revolutionary in terms of structure - the arc plot is ahead of its time - and characterization. "Blakes 7" also features a surprisingly cynical world view; the Federation in this series isn't a league of whitewashed good guys, it's a corrupt organization that controls its subjects through military force and "1984"-like brainwashing.
The best character of the season is Avon, who is played in a wonderful sneering fashion by Paul Darrow. Blake is my second favorite; he's an idealist, but he's tough and he's not preachy (thank goodness). The other crew members, truth be told, are a little bland. I'm not sure why people seem to like the cowardly thief character Villa so much, since his role mainly consists of whining and cracking flat jokes. Jenna the smuggler is a pretty foxy lady, but she doesn't do much but get tied up and possessed - both staple pastimes for women in these semi-sexist old shows.
Certain plot elements are recycled in a tiresome fashion; in several episodes, half of Blake's crew is stranded on a planet while the other half contends with a problem in space. And of course, there's always a moment when the ground team is in mortal peril and needs to be "beamed up," but nobody's at the controls to do it. I complain too much, though - there are several genuinely surprising plot twists in the first season. And, even when the stories are a little clichéd, a great cast of British character actors is on hand to pick up the slack. Cool guest stars like Brian Blessed and Julian Glover reliably provide rock-solid support for the regulars.
The show is still easy to dismiss due to its low budget. But does it really matter that Blake's laser gun looks like a hair-curler? Not a bit. Flawed production values do very little to detract from "Blakes 7," which in the final analysis is clearly one of the more thoughtful and exciting sci-fi series I've had the pleasure to watch. The very first episode, which concerns Blake being framed for child molestation, is particularly gripping. It's highly recommended stuff.
The premise of the series was simple; Blake and his band, prisoners of the evil federation, manage to gain control of a powerful alien spaceship, and become freedom fighters.
The series was very low budget, reflected in the poor quality of the sets (spot the egg boxes sprayed silver!!), but the characters were real (despite the occasional wooden acting), and the storylines were first class.
What helped to make the series a success was the perfect chemistry between the cast. There was the fiery passion of Blake, the cold logical Avon, the laid back Villa to name a few. Their Arch enemy, Servalan, was ruthlessly ambitious, and assisted by the focussed and determined Travis.
I would give this series 9/10.
I understand a TV movie in the UK is projected for 2000. I wish Blake or Gareth Thomas were involved and, also, that people who understood Blake's 7 better were involved. The last two recent radio dramas (done by the people involved with the proposed movie) have suffered by being Blakeless as well as being rather corny and twisting the characters so formerly well defined by the series.
I strongly recommend the Blake's 7 series to anyone who can be mature enough to ignore the terrible special effects. This is a series where characterization and acting are strong.
I was a fan of DR.Who so I liked Blake's 7 also. I have been watching it recently on UK Gold and it has brought back fond memories. Admittedly the Special Effects were very low budget just like DR.Who-You could always spot the shaky badly handpainted sets! The acting was a mix of good and bad, Avon (Paul Darrow) was excellent as was Servalan (Jaqueline Pearce) and Villa (Michael Keating) was very good also. Some episodes were really good and the script was great with some great dialogue by Avon. If you can overlook the very poor effects and men in rubber suits dressed as monsters then this was overall a great show.The last episode was a great cliffhanger although it upset me when I first saw it. I would love to see the series remade with Paul Darrow and the others-we never did know whether or not Avon and company died or not, so it could be remade. This was a classic series!
Você sabia?
- CuriosidadesIn an interview, Paul Darrow called Firefly (2002) and its film follow-up Serenity: A Luta pelo Amanhã (2005), "Today's "Blake's 7"".
- Erros de gravaçãoIn many episodes the team transport down to a particular place then walk, sometimes long distances, to their final destination past security guards, cameras etc. Also Vila is frequently called upon to use his 'hacking' skills to open various locks and doors.
But in many cases there is no reason why they could not have just transported down to where they wanted to go in the first place. To get past a locked door it is simply a matter of returning to the Liberator and then back to the other side of the door.
- Citações
Roj Blake: Where are we?
Vila Restal: In a transit cell.
Roj Blake: I don't understand.
Vila Restal: You're on your way to the penal colony on Cygnus Alpha. Or you will be when the prison ship's refueled. Try to look on the bright side. It must have something. None of the guests have ever left early. In fact, none of them have ever left at all.
Roj Blake: Why are you going there?
Vila Restal: They didn't give me a choice. I steal things. Compulsive, I'm afraid. I've had my head adjusted by some of the best in the business. But it just won't stay adjusted.
Roj Blake: A professional thief.
Vila Restal: More a vocation than a profession. Other people's property comes naturally to me.
[Jenna sits down next to them]
Jenna Stannis: [to Blake] What's the time?
Vila Restal: [returning Blake's watch] Just taking care of it while you were unconscious. The place is full of criminals.
- ConexõesEdited into Blake's 7: Duel (1978)
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Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Blake'in Yedilisi
- Locações de filme
- Betchworth Quarry, Betchworth, Reigate, Surrey, Inglaterra, Reino Unido(surface of planet Betafarl - episode 'Warlord')
- Empresa de produção
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