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Hi Chris Fraser, I was prompted to respond to your IMDb comments on Summer City by a festival executive who has selected the film to play in the Sanctuary Cove film festival. Firstly, the entire Summer City production (writing, producing and playing one of the characters) has some fond memories for me. Hey Chris, yes, it was tough, being on location without a budget, without a full professional crew, and sleeping on the floor of an RSL hall, but the input and energy from all those that were with us in Catherine Hill Bay was fantastic. They gave it their all, actors and crew members alike. Sure we would all like to have the knowledge and experience that one gleans over the years, but as an early attempt at producing a movie without much money, and without all the pros and cons was quite an achievement, and as one reader says, it's a little gem. And to me, that's a compliment. I'd like to suggest you maybe wrong on a couple of statements. Firstly, the film wasn't strung together by the producer and the editor. We worked our backsides off for ten months trying to cut a film together without the coverage we would have liked. I didn't blame you for that, you did the best you could under the circumstances. Nor did the actors refuse to continue working on the project. You may remember, you instigated a meeting during the editing process, and brought John Jarrat along, but it didn't go anywhere when I spelt out the costs to date. Soon after, I picked Mel Gibson up from NIDA personally, and shot an opening scene of he (Scollop)and I(Robbie)walking down the street discussing Sandys(John Jarrat's)forthcoming engagement and the upcoming weekend away. (It wasn't used as we had a sound problem)There wasn't any stock footage other than the opening credit sequence. Klaus Jaritz shot the second unit material, long after you had gone. Yes. There were some great add lib moments, all credit to you and the actors, and there were scenes that were really memorable. (Thanks for that.) Check out the new release DVD I'm sure some of the things you suggested that went on when the cameras weren't rolling are in the 'Behind The Scenes' 30 minute documentary, that accompanies the film. Surfs up. P.A

Everyone has to start somewhere and this was where Mel started. Plot is alright,the acting quality is variable, certainly John Jarrett, Steve Bisley (and Mel) have done better but I found the movie entertaining and watchable - just don't expect much and you won't be disappointed.

With all due respect to the previous reviewer, Mel Gibson is not the star of this 1977 Australian drama, sometimes known as "Coast of Terror." He is, however, very good in his film debut as Scollop, one of four young men on a weekend jaunt set sometime during the early 60's, judging by all the long surfboards and rock music of the era. The real stars are John Jarrat as Sandy, a quiet, introspective young man who is shortly to be married, and Steve Bisley as Boo, whose only focus in life seems to be having a good time, including a brief fling with Sandy's intended. It is the contrast of these two characters and the events that lead to the violent, tragic climax that make the film worth a view.

This is a very low budget film that suffers quite a bit from poor sound recording and inconsistent editing. The poor sound, coupled with very thick Australian accents will prompt American viewers to ask "What did he say?" throughout the film. On the plus side, the acting is very good for a low budget film and the Australian locales really add authenticity.

In addition to Gibson, this was also Bisley's film debut. They would re-team for George Miller's first "Mad Max" film as fellow police officers. In the United States, their Australian accents were dubbed into "American."

Summer City in itself isn't so great, but it's fully worth watching to see stellar Mel in superb form even in his first professional outing, just like he was a class act in his first outing as director in The Man Without A Face, though 16 years more tremendously developed ('77-'93) in his craft. If you fast forward through most of the parts without Mel you won't miss much. Funny how for a supposedly minor part all the "stars" sought out his special character Scollop as if for validation. Already, even without the title, he was the star in his first appearance, and as selfless as ever. What a tremendous guy!

I couldn't believe how bad this movie was. It was like a rude surprise of a movie. It moves along the lines of Palm Beach or Pure S..t which is one of the worst Oz flicks I've seen. This movie done in the same trashy vein, where dialogue is like conversation, and scenes and clips are stung together, actors suddenly in different spots of scene. It is as though, it has all been done as a film student project, which in hindsight, scarily couldn't be far from the truth. The film again deals with the surf scene, again like in Puberty Blues, the male characters aren't that likable, especially Bisley's, rooting anything in sight, who suffers a tragic demise near the end, for knocking up a girl. SC gets so trashy at times, it almost borders on unwatchable, where from an appreciative style, manifests itself, at being so bad. Jarratt, the film's star is the only likable lad out of the foursome, cause he's not a pig like his mates. Even Mel is hard to warm to in this, only half likable if best. Jarratt's character is more adult and respective of women, while he's a conservative type too. The performances are only standard in this, and the high point, if you can call it that, rests in the last ten minutes, when the film takes a tragic and dramatic turn, conveying a consequential message about being young, insensitive and reckless. Check out Mel's dialogue take on surfing. This really bad, trashy pic, won't go down as one to remember, only for it's really trashy style, which is in abundance.