O Rio do Desespero

One of those Mel Gibson movies that no one has heard of and yet, is excellent. Sissy Spacek coming off of an Academy Award for Coal Miner's Daughter (1980) is excellent here too (nominated for this one as well).

It's always a tough go for farmers, but the 80's was particularly bad. Remember Farm Aid, 1985?

Scott Glen plays a good bad guy looking to push some farmers off their land. Mel and Sissy show that love is the tie that binds and resist giving up. Great cast and performances all around.

The River is really one of those lost gems from the 80's. The two main actors, Spacek and Gibson, show why their careers really took off during this time.

Mel Gibson and Sissy Spacek, are a young Farming family who battles not just the river of the title but also other matters such as the bank threatening to repossess their farm, and Scott Glenn plays a scrupulous land developer who plans to buy the farm to make way for a dam. together the family battles through the hard times in a desperate battle to hold on to their farm. Directed by Mark Rydell who directed such other fine American films 'The Reivers' 'The Rose' 'Harry & Walter go to New York' 'On Golden Pond' 'The River' is still a relevant if not hard to watch film in these downtrodden times. It also represents Mel Gibson at a time he was making quality fare. As usual Vilmos Zsigmond contributes terrific photography.

I recently rented this movie because I'm a Mel Gibson fan, but before I did, I read over the review by Leonard Maltin on these pages and found that his comment "but Gibson's character is so coldly stubborn that it's hard to empathize" regarding the character Tom Garvey was pretty harsh.

This is not a man so stubborn you cannot empathize with him in the least. Harrison Ford's character in Mosquito Coast was such a man, but this guy is a good man trying to do what's right for himself and for his family and I didn't see him as cold either. Again, look to Mosquito Coast if you're looking for a father who's cold, TOO stubborn and unloving.

If you want to see a good movie about farmers facing adversity from the weather and from their "neighbors" this is a good one to rent. Justly nominated for cinematography, it's a very pretty movie, although I'd have liked to see it on the big screen to get the full effects of the river shots. Sissy Spacek was of course excellent as well.

I'll agree with most of the previous comments on The River, but will also add that the focus of the very last confrontational scene defines for us the essence of the film and brings forth in the heartless protagonist, Mr. Wade, what he had so humanly (inhumanely?) failed to render throughout the entire story -- respect for those he was trying to selfishly destroy. If you've ever watched just one lonely individual (Mel Gibson in this case) do only what he/she could do (grab a couple mud bags) to make a difference against overwhelming odds, then to be joined in the task by those who were too paralyzed to even think, you'll find similar and inspiring action here, yourself caught up in the grittiness it all takes, and you'll almost rise from your seat to help patch the breached water wall with them.

One man prevailed, an entire valley's worth of beaten-down folk rallied, and what machinery couldn't absolutely guarantee, slogging feet and wet, muddy hands secured.

You just have to love it.

The River features a decent portrayal of the harsh life of American farmers and delivers a fine message that stands as the epitome of genuine American virtues. It is the story of Tom Garvey (Mel Gibson) and his family. They cultivate land close to the banks of the Tennessee River and have to fight floods and financial crises while one of the local capitalists plans to build a reservoir and wants them to abandon their land. Tom and his wife Mae (Sissy Spacek) are unwilling to yield. They rather chose to continue their inhuman struggles and stick to the grounds of their ancestors. What follows is a desperate and almost destructive fight to survive against adversities that seem invincible.

Mel Gibson and Sissy Spacek are portrayed as a loving couple that would never back down. Despite mounting pressure and considerable setbacks it is a question of honor and integrity for them to hold on. Due to financial reasons, Tom takes a job as a factory worker and has to leave Mae with the work at home. Mae is a rugged but also very sensitive and determined woman. She is not as stubborn as her husband and does indeed show signs of wavering and despair. Yet she is as dogged as he is when it comes to defend their land and their family. This is where both get their strength from. Land and family. The most important values for Americans. As long as there is land, and as long as the family is intact, there is always hope. Whatever adversity is thrown upon you – natural or man-made – backing down is no option. The movie lives from this emotional and psychologically compelling commitment and brings these genuine American virtues to the fore with sincere authenticity and without glossing over the facts. The life of the family is portrayed in all its depressing hardships and stands as a symbol for the bold ambitions and the perseverance of the pioneers of the historical frontier. At the same time Tom and Mae embody natural virtues of not just Americans but all humans.

Apart from the very obvious emphasis on courage and steadfastness, the movie provides visually intriguing sequences. The camera work is sublime and manages to capture at least some of the most picturesque images of the Tennessee River. The entire movie is shot on location in the Volunteer State along the banks of the great river. The scenes shot at night and during heavy rain are stunning and require substantial experience.

The River is indeed more than an average movie. Its story is simple but compelling. The characters are decently portrayed and the message is both appealing and inspirational. Storyline developments are sometimes still too slow and some scenes are occasionally long-winded. It is a typical American movie, thus elaborating strongly on American issues and American virtues.