Adicionar um enredo no seu idiomaAfter a stunt man dies while he is involved in the making of a motion picture, his brother takes his place in order to find out what really happened.After a stunt man dies while he is involved in the making of a motion picture, his brother takes his place in order to find out what really happened.After a stunt man dies while he is involved in the making of a motion picture, his brother takes his place in order to find out what really happened.
- Direção
- Roteiristas
- Artistas
H.B. Haggerty
- Redneck
- (as H. B. Haggerty)
Gary Davis
- Greg Wilson
- (as Gary Charles Davis)
Avaliações em destaque
In the 1960s, Robert Forster was starring in major studio movies like "Medium Cool" and "Reflections In A Golden Eye". But something happened to his career, and by 1977 he was appearing in low budget product like this movie. All the same, Forster gives a pretty credible performance, and the general level of acting by the other performers is acceptable. But it's hard to think of anything else positive about this movie. There are a number of stunt sequences, but they come off as just okay at best, routine at their worst. The main problem is with the script. Forster's character is supposed to be investigating his brother's death as well as the deaths of other stuntmen, but he hardly does any investigating at all. Most of the movie is obvious padding, and the revelation of the culprit only seems to come because the movie can't be padded out any more. Only if you're desperate.
With All Due Respect to the Stuntman Profession and the Death Defying Daring-Do, this Movie is a Bland, but sometimes Realistic Tribute.
The Subject is usually better in a Documentary Format and it is a Noble Try to make it into an Action-Drama, but at least in this one, it comes off as Cheesy and Surprisingly Ineffective and the Drama here is just Awful.
Awful Writing, Awful Music, Awful Mystery. What saves the Movie from being Worthless is the On Screen setting up of the various Stunts with attention to Details about the Methods and Machines used to Pull Off the Magic.
These Scenes are well Photographed and Clearly Presented and the Mechanics behind the Stunts is Informative and Invites Viewer Curiosity. But other than that the Movie Strains to be a Movie and is as Intriguing as an Average TV Episode of an Average TV Show.
Robert Forster, Joanne Cassidy, and some Real Stunt Men make every Effort to Entertain but are Betrayed by a Boring Script and a General Feeling of just Going Through the Motions.
It's Baffling Lack of Energy and Suspense has to be Laid at the Feet of the Writer and the Director who Produce a Movie Homage about Movie Stuntmen and if the Movie Itself was a Stunt, Everyone would call for a Do Over.
The Subject is usually better in a Documentary Format and it is a Noble Try to make it into an Action-Drama, but at least in this one, it comes off as Cheesy and Surprisingly Ineffective and the Drama here is just Awful.
Awful Writing, Awful Music, Awful Mystery. What saves the Movie from being Worthless is the On Screen setting up of the various Stunts with attention to Details about the Methods and Machines used to Pull Off the Magic.
These Scenes are well Photographed and Clearly Presented and the Mechanics behind the Stunts is Informative and Invites Viewer Curiosity. But other than that the Movie Strains to be a Movie and is as Intriguing as an Average TV Episode of an Average TV Show.
Robert Forster, Joanne Cassidy, and some Real Stunt Men make every Effort to Entertain but are Betrayed by a Boring Script and a General Feeling of just Going Through the Motions.
It's Baffling Lack of Energy and Suspense has to be Laid at the Feet of the Writer and the Director who Produce a Movie Homage about Movie Stuntmen and if the Movie Itself was a Stunt, Everyone would call for a Do Over.
This neat little sleeper of a movie, which is a pre-cursor to the more mainstream THE STUNTMAN, grabs you from the first few minutes and takes you on a wild ride right up to the end. When stuntman Greg Wilson (Gary Davis) meets a grisly end while on location with a film company, his brother Glen (Robert Forster) shows up to complete the film in his place, and find out what really happened.
Several more stuntmen meet their demise and it's really looking bad for the Special Effects man Pete Lustig (Richard Lynch). Lustig is a strange fellow to be sure, but is he capable of cold-blooded murder? The surviving stuntmen seem to think so as the bodies continue to pile up.
Meanwhile reporter BJ Parswell (Fiona Lewis) arrives to do a story on the mysterious deaths and finds herself right in the middle of it all. The action-packed ending will have you on the edge of your seat as the killer is finally revealed.
I liked this film, it wasn't as good as THE STUNTMAN, but not bad either. Forster, who resembles Robert Blake, is great as tough guy Glen. You find yourself rooting for him to find the real killer. Lynch does a fine job as the creepy, lone-wolf Lustig, yet he has such a sad, puppy-dog quality to him that you find yourself hoping he's not the one. It's hard to hate someone who seems so lonely and left out. And Lewis is superb as the bitchy reporter who turns out to be pretty nice and who ends up helping to solve the mystery.
Several more stuntmen meet their demise and it's really looking bad for the Special Effects man Pete Lustig (Richard Lynch). Lustig is a strange fellow to be sure, but is he capable of cold-blooded murder? The surviving stuntmen seem to think so as the bodies continue to pile up.
Meanwhile reporter BJ Parswell (Fiona Lewis) arrives to do a story on the mysterious deaths and finds herself right in the middle of it all. The action-packed ending will have you on the edge of your seat as the killer is finally revealed.
I liked this film, it wasn't as good as THE STUNTMAN, but not bad either. Forster, who resembles Robert Blake, is great as tough guy Glen. You find yourself rooting for him to find the real killer. Lynch does a fine job as the creepy, lone-wolf Lustig, yet he has such a sad, puppy-dog quality to him that you find yourself hoping he's not the one. It's hard to hate someone who seems so lonely and left out. And Lewis is superb as the bitchy reporter who turns out to be pretty nice and who ends up helping to solve the mystery.
I have seen this one many times, every time I enjoy it, simple good story, good acting, stunts in stunts, beautiful women, Fiona Lewis, Joanna Cassidy and Candice Rialson. And, a very special presence, the unique face of Richard Lynch, great personality, even in a secondary role. Nice music, and great end..."just like in the movies" Well done!
STUNTS opens with a pair of black-gloved, up-to-no-good hands, as they tamper with a helicopter's safety line. Not long after, a stuntman tumbles from the same craft.
Splat!
Enter Glen Wilson (Robert Forster), who also happens to be a stuntman. Attempting to uncover the truth about his brother's demise, Wilson finds out what we already know.
Soon, Wilson's stuntman friends start having tragic "accidents" of their own.
While not overly thrilling, this movie does hold its own as a murder mystery. Forster is as good as ever, and he's joined by Fiona Lewis as stranded reporter, BJ Parswell.
Co-stars the wonderful Joanna Cassidy and Richard Lynch...
Splat!
Enter Glen Wilson (Robert Forster), who also happens to be a stuntman. Attempting to uncover the truth about his brother's demise, Wilson finds out what we already know.
Soon, Wilson's stuntman friends start having tragic "accidents" of their own.
While not overly thrilling, this movie does hold its own as a murder mystery. Forster is as good as ever, and he's joined by Fiona Lewis as stranded reporter, BJ Parswell.
Co-stars the wonderful Joanna Cassidy and Richard Lynch...
Você sabia?
- CuriosidadesAs of 2019 the hotel featured in the film, the Madonna Inn, is still operating and is largely unchanged.
- Erros de gravaçãoWhen Greg Wilson attempts the helicopter stunt at the beginning of the film, there is a black winch apparatus visible in the back of the helicopter. When the helicopter lands after Greg's fall, the hold of the helicopter is empty. The winch returns for for Glen's attempt, and is visible throughout.
- Cenas durante ou pós-créditosBecause of the theme of this movie being movie stunts and because of the importance of it to the movie within the movie, the stuntmen are listed in both the opening and closing credits. The opening credits include the following phrase after the primary cast: "Featuring the Stuntmen" before the stuntmen's names are listed.
- ConexõesFeatured in Meet Bob Shaye (2004)
- Trilhas sonorasDaredevil Made An Angel Out Of You
Music by Michael Kamen
Lyrics by Amy Ephron
Sung by Charlee
courtesy of Amerama Records
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Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Stunt
- Locações de filme
- Madonna Inn, 100 Madonna Rd., San Luis Obispo, Califórnia, EUA(Hotel signage throughout the film)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 600.000 (estimativa)
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