Horror em Alto Mar

Real movie summary: A U-boat with WW2 Nazi soldiers, killed and brought back to life to fight as "un-killable", is ship-wrecked on a Caribbean island. 30 yrs later, a "hire-boat" is also shipwrecked there. The Nazi commander of the unit, Cushing, is the only "survivor" on the island. BUT, the "Zombie un-killables" come back to do what they were experimentally used to do in battle ... kill without thought or feeling... uncontrollably... The movie has numerous images that stay with you long after the movie is over, and a musical background in the beginning which was very haunting. Good acting, a believable script, and nice film shooting, round it out to make it a memorable classic. I've had a really tough time locating the film at any video store. Good luck finding it!

'Shock Waves' is a low budget horror movie with few special effects... actually not very special effects at all. We're talking a half a dozen "zombies" which are basically people in Nazi uniforms holding their breath underwater. The cast apart from Brooke Adams ('Invasion Of The Body Snatchers', 'The Dead Zone') are unknowns, with guest appearances from horror legends John Carradine and Peter Cushing. One would think this would be a real turkey only good for a few laughs, but not so, it's a surprisingly effective thriller with atmosphere to spare. One of the reasons I enjoy horror movies is that creative directors are capable of making something special out of virtually nothing. 'Carnival Of Souls' and 'Night Of The Living Dead' are obvious examples. El cheapo budgets, unknown actors, minimal effects, but two of the greatest horror movies ever made. I'm not saying 'Shock Waves' is anywhere near THAT good, but I enjoyed it a lot more than I expected from the cheesy packaging on the video box. The concept of underwater Nazi zombies is an intriguing one, and was subsequently used by Jean Rollin and Jess Franco in 'Zombie Lake' and 'Oasis Of The Zombies'. I always enjoy seeing John Carradine, but his role is, let's be honest, little more than a cameo. I have a major crush on Brooke Adams, she's goofy but beautiful, and admirers won't want to miss this one as she spends most of her time in a bikini. One minor complaint - I wished Peter Cushing had more screen time. He's my favourite horror actor after Vincent Price and I always enjoy his performances. All in all 'Shock Waves' is an underrated and creepy movie that all horror buffs should try and see. It's just one of many overlooked 1970s horror gems that deserve more attention than they get (see also 'Count Yorga, Vampire', 'The Brotherhood Of Satan', 'The Crazies', 'The Legend Of Hell House', 'Deranged', 'Alice, Sweet Alice', 'Thirst',etc.etc.)

This film isn't a big budget film which may put off some viewers from the outset. It is very good if you're into this kind of thing though. The horror is not too explicit, but is more suggestive, and this actually makes the film genuinely creepy in parts. The performances are a little amateurish by the lower cast members, but Peter Cushing is in commanding- if all too brief - form and John Carradine gives a good perf. Brooke Adams also registers well in her acting debut. The plot is daft yet manages to convince, mainly because there is a really neat exposition scene in which Cushing explains what is going on. He's such a persuasive actor that even though the whole idea is so preposterous, when he says it you kind of feel compeeled to believe him. I rate this flick and would hope that anyone reading this at the moment would go out of their way to try to see it. It's worth the time and has a weirdly effective way of sticking in your mind for a long time afterwards.

Ken Wiederhorn, who went on to direct the dull EYES OF A STRANGER, hits celluloid paydirt with this thoughtful, creepy and lyrical horror flick.

Mostly a work of effective moments, its images of dead Nazi soldiers emerging from the sea and advancing towards a distant shoreline have never left me or lost their power to evoke a sense of horror.

The story is a simple one, as the best horror stories are. Members of The Death Corps, an SS unit never apprehended by Allied Forces, return to menace holidaymakers with a little help from a friend.

The moderate pacing works in favor of the off-kilter narrative and the numerous sequences in which the undead soldiers attack the living are swift and highly effective.

Peter Cushing turns in a small but sincere performance, as does genre stalwart John Carradine.

Score by Richard Einhorn is memorable.

SHOCK WAVES has nothing in common with recent Hollywood horror films, but it has plenty in common with mostly unseen (outside their country of origin) Japanese horror outings such as LIVING SKELETON.

As a pre-production assistant and sound recordist on this film, I remember producer Reuben Trane and Director Ken Wiedernorn returning to the production office after taking co-star John Carradine from Miami's airport to his hotel.

Everyone on the crew was interested in how Carradine, in his late '70's and a movie icon if ever there was one, looked, acted, felt, etc. We were all keen to know if he seemed fit and ready for a role that required quite a bit of physical action, including moving as rapidly as possible from a small dinghy to a larger boat, while both were bobbing at sea.

Reuben and Ken came into the office looking morose as someone asked, "So, how IS he?" I don't remember which of them responded, but one of them said, "Let's put it this way, he has trouble walking on flat land with a cane!"

But, trooper that he was, Carradine did everything asked of him without complaint. He was also often "the life of the set", and in between takes or after a days' shooting, he would regale us all with wild tales of Hollywood and the stars and moguls he had known so well.

It's been about 25 years since I worked on "Shock Waves", but the memory of old man Carradine lives on vividly. He was a helluva guy.